The Old Curiosity Shop

An owner of a curiosity shop loses it by gambling away money borrowed from an evil being, Daniel Quilp. The Made for T. V. movie starts up after this fact at the time Quilp (knowing the owner is old and senile can be put into an asylum) is hunting the grandfather for the fun of torturing him and giving false hope of riches to his acquaintances.

You cannot properly distill a serial that was made into a book and now into a quick 135-minute movie (screenplay by John Goldsmith.) So, I cannot blame them completely for cutting out the purpose of the story, but they did not have to make it all sugary and sweet. John Goldsmith

A few new things have been added or corrupted to be sure that it plays well on the screen. However, doing so has distracted again from the essence of the original story that has kept people spellbound through the years. The original was more of a serial and the Harry Potter of its time.

While Peter Ustinov made a good stab at the original grandfather, most of the other actors were a pale reflection of the originals in the book.

Well, Jonathan Coy as Rev. Pratchett makes a good speech about "Don't you see, there is nothing innocent or good that dies and is forgotten. We must hold to that faith or none'" It is close to the book where on that occasion the schoolmaster persuades her that "There is nothing, no, nothing innocent or good, that dies, and is forgotten;" its "blessed work" persists.

I wonder what is missing from this presentation as there is a version 3 hr. 4 min (184 min) (2 parts). A little further investigation leads me to believe the DVD is only the second half of the movie. And if you have not read the book, you can get lost.

The case says Eco Bridge home entertainment (2013) 188 minutes.

It lies.

The Aspect Ratio 1.33: 1 Filming location Ardmore Studios Dublin, County Dublin, Ireland 1994.

Peter Ustinov is badly miscast as the grandfather - he seems neither frail nor senile, so his gambling, which is given a lot of attention in the film, makes a villain of him. Sally Walsh as Nell is spiritless. The film is carried by Tom Courtenay's excellent performance as Quilp - but again the casting is off, because Quilp should be dwarfish and ugly, with his misanthropy stemming from being constantly reminded of that. (And in the novel the diminutive Marchioness is clearly his child with Sally Brass - Dickens often left the adult reader to work things like that out from hints.)

The treatment is kitschy. For instance, the grandfather and Nell don't undergo any deterioration in their appearance as they struggle to live on the road - their clothes remain clean and intact. Ustinov of course looks well fed.

As other reviewers have noted, the whole subplot with the Marchioness has been dropped, depriving Swiveller of his character development.

This compares very poorly with the 1934 black and white film.

It is almost three hours long but well worth every minute of it. Seldom has a novel by Dickens been so meticuliysly broght to life on film with such faithful adherence to the text. Dickens is always good if not outstandingly excellent, you can always rely on his stories, and therefore there are only successful screenings of his novels - they are like Shakespeare's plays impossible to fail in. The question is who makes the best performance here, as they are all excellent, but I think the price still goes to Tom Courtenay as the terrible Quilp, whom he succeeds in rendering even more ghastlty and abominable than he is already in the novel, as Courtenay adds so much to the character with his hypocrisy and cringing manners of outrageous guile that the interpretation becomes a masterpiece of acting. Peter Ustinov as the grandfather addicted to card gambling is also outstanding, like of course Sally Walsh as little Nell. All the other characters are more than execellent also. To this comes the heart-warming photography following the pilhgrims on their wanderings all over western England, choosing all the finest villages and landscapes on the way, to culminate in reaching the sea. It is an all around exquisite film and certanily one of the best Dickens adaptations ever, even if it is only for television.

For anyone who loves Dickens, this is going to be a surprise of the best kind. Few productions can capture the details that make Dickens' words come alive. This version of The Old Curiosity Shop does more with an empty set than most do at full steam. The set design strengthens every performance, adding nuance and flavor to actors who are already working at the peak of their craft.

If this seems like slavering, it's only because something of this quality comes maybe once a decade. The cast is a director's dream, and each member delivers just the right spice to this dish.

With so much excellence, it would seem incongruous to isolate any single aspect as standing out, but Tom Courtney, as the menacing Quilp becomes the very heart of Evil around which all this revolves. And a more entertaining Evil you will never see. He makes Quilp a fascination first to last.

This is a recommendation for anyone; and a must-see for Dickens fans.

This is one of the most charming and family-friendly Dickens adaptations I have ever seen, and I have seen almost all of them over many years of effort. The only other Dickens which have this family movie type atmosphere are versions of Oliver Twist and Christmas Carol, most of his others don't get such a treatment. But I think Old Curiosity Shop works so well in a family oriented version. It has the lovely young girl (Nell) and her grandfather for young people to get behind, and an abject and characitaured villain in Quilp who everyone loves to see the downfall of. In reality though the novel ends quite tragically, showing the audience the harsh realities of the times in which the story is set. This version does partially romanticise the ending and cuts a little out. This is fine for what else it has achieved.