Spara che ti passa

The story follows Ana (played wonderfully by the beautiful Francesca Neri) as a sharp shooter performing in the circus. She falls in love with a journalist named Marcos (Antonio Banderas). After a brutal rape and several murders later, she finds herself on the run with Marcos chasing after her.

The DVD story would have you believe that this is a typical Rape/ Revenge flick where the rape occurs early on and the rest of the film is the woman seeking vengeance. But the rape doesn't occur until 40 minutes in giving the viewers plenty of time to get to know Ana and like her character. She looks like Rachel Weisz and is quite impulsive and quirky. Her character is very likable and you will find her emotionally honest even when she is lying. This will make watching her downfall a little difficult to bear.

You watch Ana fall in love with Marcos, make love with him, and then you see the excitement in her eyes when she runs to her door one fateful night expecting Marcos on the other side. The gang rape is brutal, but most of the violence (outside of the rape) is implied. The revenge part takes place very soon after. The rest of the film is Ana and Marcos trying to reach each other one last time, making several mistakes along the way, and a very climactic reunion at the end.

Where the story veers into stupidity, is when Marcos sees the news story of the rapists murders, assumes Ana is the killer without even speaking to her, and then proceeds to rat on her instantly. That amore'. Soon after, Ana visits a doctor for her excessive bleeding (ahem, vaginal, due to the "bottle assault"), the doctor immediately calls the police on her the moment Ana leaves the room. Rape Advocacy, yeah! And get this…the doctor then goes on the radio giving the victims name and detailing her vaginal wounds! Ethics? We don't need no stinking Ethics!

Ultimately, this film is incredibly depressing and bleak. The ending will not make you feel any better about what transpired before hand. The victim gets no justice and she is punished for being victimized. A cop even refers to her as "the bitch."

Favorite Quote: "I said I'd follow you to Hell, well, here I am," spoken by Marcos to Ana after he finally catches up to her at the end.

DVD Extras: Scene Selection and brief Film Facts. There is an Italian and English dubbed version. The dubbed version is terrible and takes away from the atmosphere. Plus, I know what Antonio Banderas sounds like and I can assure you that was not it.

Bottom Line: Very dreary film with not much to recommend here except Francesca Neri's great performance.

Rating: 6/10

Molly Celaschi www.HorrorYearbook.com MySpace.com/HorrorYearbook1980

This film is a fine drama about a woman who gets raped by three men then hunts then down one by one with a cold determination of a professional assassin. After years of being an equestrian circus performer, Francesca Neri meets Antonio Banderas, a journalist, and romance seems to be in the offing but fate is unkind to them and sets in motion the tragic events of the story. The pursuit and revenge plot is straightforward with no surprises but the drama really builds when Neri herself becomes the hunted when an all-points alert is issued by Spanish police. Neri's role of a woman who takes the law into her own hands is one-dimensional but she sells her character well and manages to generate sympathy because of what happened to her. Neri and Banderas do have a certain chemistry between them and they make the premise work in spite of the unpleasant subject matter.

It's hard to catch the nuances (that I hope are there) in a subtitled film. Francesca Neri is the star of this film, even though Antonio Banderas is featured on the U. S. release. It has an exotic (to me) location, a circus in Madrid. Neri's character suffers a brutal rape (Not an easy scene to watch) and the rest of the film deals with her method of dealing with the wrong done her, and its unintended consequences.

A young man, a journalist, interviews a talented performer at the circus in Madrid. Her speciality, marksmanship on horseback. The two people feel a mutual attraction and things move fast. He leaves for another assignment, just overnight. Alas, things can change in a person's life in just a day. New faces in the audience the next night, and it's not her horseback riding that is being admired. Blossoming joy turns to acrid despair, and worse is to come.

Outrage in the English dub, Dispara (Shoot!) in the original. Bad decisions, impulsive actions, the cruel smile of Fate. This is a movie that invites us to ask ourselves, would we really have done things differently had it been us? We think that we would, make more sensible decisions, but then again we're sitting comfortably merely watching a movie, and everyone is different, let's face it.

Marcos didn't want to go to Barcelona, and what if he hadn't? Ana shouldn't have shot at that beer can, right? Why did the policeman needlessly insist on inspecting her handbag? Did Mario really need to use that wine bottle the way he did? If only the doctor had respected her wishes, yes? The wheel of fortune turns, the thread of existence snags on a sharp stone, and things happen. The show must go on, but the circus is a dying institution.

Some nice landscape photography and beautiful scoring by Alberto Iglesias. This is a revenge tragedy, not a revenge exploitation movie.

This is definitely a drama, downbeat, depressing, gloomy poignant drama, and not a thriller nor a crime action flick. It is not a Spanish MS .45; remember, the Abel Ferrarra's movie from the early eighties, describing a young woman, raped by hoodlums, who then begins a bloody rampage spree. Here, OK, the basic plot looks very like it, but only the scheme, not the development. It is impossible to stay iced, cold blooded, in front such a story. It is painful for anyone deeply focused on it. Superb directing, cast, acting.... Anyway, director Carlos Saura has nothing to prove. Excellent Spanish drama.