Il fidanzato di una donna rapita non rinuncia mai alla ricerca mentre il rapitore osserva ogni sua mossa.Il fidanzato di una donna rapita non rinuncia mai alla ricerca mentre il rapitore osserva ogni sua mossa.Il fidanzato di una donna rapita non rinuncia mai alla ricerca mentre il rapitore osserva ogni sua mossa.
- Premi
- 2 candidature totali
Stephen Bridgewater
- TV Host
- (as Stephen Wesley Bridgewater)
Recensioni in evidenza
In 1993, Director George Sluizer got to give his Dutch horror/thriller Spoorloos (1988) the big budget Hollywood remake treatment, which meant that the script had to be heavily altered to suit, most notably the original film's downbeat ending being replaced by a new, more upbeat finalé. Sluizer's revamped thriller is slickly made with a great cast, and undemanding mainstream audiences will probably have a good time with it, but if you prefer your films to have a bit more of an edge, there's a good chance that The Vanishing's very American approach, with its predictable and far less shocking outcome, will leave you unimpressed.
Kiefer Sutherland plays writer Jeff Harriman, who puts his life on hold in order to try and find his girlfriend Diane (Sandra Bullock), who went missing during a stop at a service station. After three years of looking for Diane with no success, Jeff meets waitress Rita Baker (Nancy Travis) and romance blossoms. Jeff agrees to give up his search, but then he receives a message from a man named Barney (Jeff Bridges), who says that he is the one who abducted Diane, and if Jeff wants to find out what happened to his girlfriend, he must comply with his demands...
Bridges is a strange choice for Barney, the actor better known as a dashing leading man than for playing a psycho (with a bad haircut), and it takes a while to accept him in the role, but he eventually makes good; Sutherland, on the other hand, is perfect as the everyman thrown into a personal hell, his obsession driving him to take great risks, and Travis makes for a likeable heroine. Bullock is fine as the tragic Diane, but she isn't given a lot to do. Sluizer handles the action well enough, but the new 'happy' ending does take a bit of swallowing, and ultimately lacks the impact of the original movie. The Vanishing's finalé sees Rita tracking down Barney, using her guile to outwit the nutjob and save her man. It's formulaic stuff designed to appease the masses - nothing wrong with that, and I enjoyed it for what it was - but watch Spoorloos and see which one stays in the mind the longest.
Kiefer Sutherland plays writer Jeff Harriman, who puts his life on hold in order to try and find his girlfriend Diane (Sandra Bullock), who went missing during a stop at a service station. After three years of looking for Diane with no success, Jeff meets waitress Rita Baker (Nancy Travis) and romance blossoms. Jeff agrees to give up his search, but then he receives a message from a man named Barney (Jeff Bridges), who says that he is the one who abducted Diane, and if Jeff wants to find out what happened to his girlfriend, he must comply with his demands...
Bridges is a strange choice for Barney, the actor better known as a dashing leading man than for playing a psycho (with a bad haircut), and it takes a while to accept him in the role, but he eventually makes good; Sutherland, on the other hand, is perfect as the everyman thrown into a personal hell, his obsession driving him to take great risks, and Travis makes for a likeable heroine. Bullock is fine as the tragic Diane, but she isn't given a lot to do. Sluizer handles the action well enough, but the new 'happy' ending does take a bit of swallowing, and ultimately lacks the impact of the original movie. The Vanishing's finalé sees Rita tracking down Barney, using her guile to outwit the nutjob and save her man. It's formulaic stuff designed to appease the masses - nothing wrong with that, and I enjoyed it for what it was - but watch Spoorloos and see which one stays in the mind the longest.
This film is way inferior to the Dutch original (the fact that the same director directed both is another story). This movie has obviously been toned down for American audiences, which is insulting if you've seen them both (I stumbled onto the remake on cable late at night). The original is a thriller in the truest sense of the word, and is far more intelligent, disturbing, and scary than the Hollywood version. I bet the producers assumed American audiences couldn't handle disturbing well so they gave us a more friendly version, very insulting. If you're going to see this version, make sure you rent the original too and watch it first, just to see how much the remake pales in comparison. If you don't like psychological, disturbing, riveting, and no-downbeat-endings in your thrillers, the 1993 version is for you. But if you want to be truly blown away, the Dutch original is very highly recommended over this one.
For all his intellectual credentials, Hannibal Lecter was just a pretentious dandy. The true thinking man's psychopath is Jeff Bridge's "Barney" in this story about one man's (Kiefer Sutherland's) obsessive, years-long search for a girlfriend who disappeared during a vacation. Barney is also perhaps the nerdiest, most passionless movie psycho ever, and for all these reasons one of the most terrifying. This film is light on gore and action (some might say "slow-paced"), but it is a disturbing look at the "banality of evil." I'm told that the original Dutch film of the same name is far more disturbing than even this.
I don't get this. Either the studios think that US audiences must be protected from downbeat endings or hollywood just likes to spit in the face of the cast and producers of the orignal Dutch version (Spoorloos). What is the point of messing with a perfect film? This remake is an insult to the actors in the original - and the american actors in the remake should apologise for stealing the roles that were performed so well by europeans. WATCH THE ORIGINAL NOT THIS POINTLESS REMAKE!
This film is Underrated the acting is top notch a fantastic cast and a excellent story. It keeps you entertained and engaged through the whole film. No down time and it builds to a excellent ending. Jeff bridges acting is so diverse hes the ultimate hero yet a very disturbing villian. If you enjoy thrillers the 1990s provided some of the best!! Watch and enjoy!! Also watch breakdown, and search 1990s thrillers and watch them all.
Lo sapevi?
- QuizWith a $20 million budget, this remake cost over ten times more to produce than Il mistero della donna scomparsa (1988).
- BlooperBehind the large black truck at the gas station, a crewmember is lying in the street, waving at traffic to pass.
- Citazioni
Barney Cousins: Jeff, look at your life. You have nothing. No job. No love. No peace of mind. You've been searching for three years; at what point do you finally say to yourself, "I'm not going to wake up tomorrow and miraculously know what happened"?
- Colonne sonoreCopacabana
Written by Barry Manilow, Bruce Sussman and Jack Feldman
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El rapto
- Luoghi delle riprese
- Mountainside Shell Station, 742 SW Mt Si Boulevard, North Bend, Washington, Stati Uniti(Titan Gas Station where Diane is kidnapped.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.543.394 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.009.928 USD
- 7 feb 1993
- Lordo in tutto il mondo
- 14.543.394 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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