Un uomo d'affari di successo con l'intenzione di ritirarsi in modo anonimo a Tombstone, nell'Arizona, ma i suoi piani vengono sconvolti dal tipo di fuorilegge che aveva l'abitudine di elimin... Leggi tuttoUn uomo d'affari di successo con l'intenzione di ritirarsi in modo anonimo a Tombstone, nell'Arizona, ma i suoi piani vengono sconvolti dal tipo di fuorilegge che aveva l'abitudine di eliminare.Un uomo d'affari di successo con l'intenzione di ritirarsi in modo anonimo a Tombstone, nell'Arizona, ma i suoi piani vengono sconvolti dal tipo di fuorilegge che aveva l'abitudine di eliminare.
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Recensioni in evidenza
It's amazing how well this film turned out considering all the rumors of a troubled history. Credit must be given to director Cosmatos and the actors. It's a fairly huge cast, with numerous speaking roles, and everyone seems to have at least one good moment during the story. Then there's Kilmer as Doc, who is good or great in every scene he's in - this is easily Kilmer's best role. Doc is already sick as the movie begins but he manages to stay in the game to the very end, more dangerous than any 2 cowboys, using supernatural willpower & sardonic wit to distract everyone and himself from the fact he's nearly a walking ghost. Russell is just super-solid as Wyatt; he conveys a strength, tapped from unknown sources (whereas Doc draws from within), standing tall when other tough guys quake in the knees. These two make a terrific team; it's not the usual buddy stuff of most pictures. All the supporting cast is fine, including Elliott and Paxton as Wyatt's brothers, though there are some overly obvious moments. Earp's on - off relationship with the actress (Delany) has its ups & downs, there's not much room for subtlety as Earp's wife looks on quite upset as Delany strikes another of her bemused expressions. Also, due to the large number of characters, some of their stories have a heavily truncated feel (Priestley's, for example). The Vista director's cut special edition DVD has some restored footage to improve this problem. The better scenes are the confrontations between the men, the threats swung high & low, and the sheer thrill of watching Russell slap an overweight Billy Bob Thornton silly.
And we have the villains, ah yes, the villains. I've already mentioned a couple of them - another one is Lang as Ike Clanton in a deliciously cheesy, hammy yet mesmerizing performance. By the last 3rd of the movie, I was so wishing he would get his - please, someone - Earp, Holliday, anyone ! - blow this bastard away! Ike is one of the great unsung villains of movie history, a tribute to Lang's abilities. The conflict in this true-life story stemmed from the notion that there were no real villains. It was a matter of which faction had the rights, based on gun power and political ambition. In other words, the Earps were just making a political power play in the view of some and there was little difference between them and The Cowboys. But this film wastes no time in establishing Wyatt and his brothers as the decent side of the coin and when you have characters like Ike, there's no mistaking which side are the bad guys. For a different take on this piece of history, check out the original Star Trek episode "Spectre of the Gun" from '68. Oh yeah, there are also other films like the Lancaster - Douglas opus from 1957. But the Gunfight at the OK Corral in "Tombstone" was just one set piece out of many.
Val Kilmer has been in a lot of films but only half of them were good and this goes into one of his best along with Oliver Stone's The Doors and Willow without doubt has to get a mention. There is a superb cast here which makes up of Bill Paxton, Sam Elliot, Michael Biehn, Powers Boothe, Stephen Lang, Billy Zane and of course Charlton Heston. I could go on for even longer mentioning some of the great actors that star in this but the sheer action of vengeance of it make it one of the best action westerns. There are your two type of westerns like High Noon and The Searchers which are very calm but intense films. Then you have The Wild Bunch and Tombstone which are just blood thirsty with plenty of action to cater for all tastes of films.
I am not to familiar with the director but he is surely missed as far as making a western like this is concerned.
Then there's reality. As real aficionados of Tombstone history will see, the movie sacrifices or distorts some of the facts and compresses time. In the end it's a shame, really, because the film never realizes its full potential. I'm convinced that if this movie was true to history, it could only have been better. Previous reviews talk about and compare with Costner's Wyatt Earp. I think elements of both films combined would have made a great movie. For instance, I would have lifted much of WE's script from when Wyatt arrives in town (the story, not the dialog) and used it in Tombstone. And then get the rest of the facts straight. The true story is compelling on its own, and would still be entertaining.
The special edition DVD includes deleted scenes, that for the life of me, I can't figure out why they were deleted in the first place. But the scene when Wyatt and Josie rest after their spirited ride still has the payoff of the scene cut out - Josie and Wyatt getting it on. I get tired of directors thinking that the audience is sophisticated so we'll just let them figure it out on their own. Come on George, some of us didn't know that Wyatt was cheating on Mattie.
Finally, I've got to say that the movie was cast well. And the costumes were true to life - men liked to be colorful and unique in that time and place. The guns were accurate, as were the holsters (low slung and quick draw is a Hollywood invention). As for the scenery, I lived in Arizona for a while, and I do miss the big sky.
If you want to be entertained, this is the movie for you. If you want a history lesson, better hit the library...
Lo sapevi?
- QuizThe line quoted by Doc at the end of the fight at the O.K. Corral is historically true, and was reported in the Tombstone papers reporting the fight. When confronted by one of the cowboys at point blank range, the cowboy reportedly said, "I got you now Doc, you son of a bitch!", to which Doc gleefully retorted, "You're a daisy if you do!"
- BlooperSome scenes show electrical lights over the pool tables. Light bulbs were invented in 1878 but Tombstone did not have electricity until 1902. Furthermore, pocket billiards as we know it today (using striped, numbered object balls) would not have been played in the American West of the 1870s, having only been developed in the early decades of the twentieth century; the immediate forerunner of pocket billiards (using solid-colored, unnumbered balls) wasn't invented until around 1900.
- Citazioni
Johnny Ringo: My fight's not with you, Holliday.
Doc Holliday: I beg to differ, sir. We started a game we never got to finish. "Play for Blood," remember?
Johnny Ringo: Oh that. I was just foolin' about.
Doc Holliday: I wasn't.
- Curiosità sui creditiFor Birgitta C.
- Versioni alternativeA "Vista Series" director's cut was released in February 2002. Just under five minutes of never-before-seen footage were restored. The most noticeable are:
- a scene showing the depths of Mattie's addiction to laudanum and her jealousy over Josephine;
- a somber soliloquy by Doc quoting Kublai Khan;
- a scene explaining Kate's sudden disappearance from the film, with Doc stressing the importance of friendship;
- a scene with McMasters and the Cowboys meeting one last time. A small scene showing the graphic result of that meeting has been re-inserted, with the line "They got McMasters!" being moved into this small insert.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
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Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 56.505.065 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.454.752 USD
- 26 dic 1993
- Lordo in tutto il mondo
- 56.505.065 USD