Un uomo d'affari di successo con l'intenzione di ritirarsi in modo anonimo a Tombstone, nell'Arizona, ma i suoi piani vengono sconvolti dal tipo di fuorilegge che aveva l'abitudine di elimin... Leggi tuttoUn uomo d'affari di successo con l'intenzione di ritirarsi in modo anonimo a Tombstone, nell'Arizona, ma i suoi piani vengono sconvolti dal tipo di fuorilegge che aveva l'abitudine di eliminare.Un uomo d'affari di successo con l'intenzione di ritirarsi in modo anonimo a Tombstone, nell'Arizona, ma i suoi piani vengono sconvolti dal tipo di fuorilegge che aveva l'abitudine di eliminare.
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Recensioni in evidenza
It's amazing how well this film turned out considering all the rumors of a troubled history. Credit must be given to director Cosmatos and the actors. It's a fairly huge cast, with numerous speaking roles, and everyone seems to have at least one good moment during the story. Then there's Kilmer as Doc, who is good or great in every scene he's in - this is easily Kilmer's best role. Doc is already sick as the movie begins but he manages to stay in the game to the very end, more dangerous than any 2 cowboys, using supernatural willpower & sardonic wit to distract everyone and himself from the fact he's nearly a walking ghost. Russell is just super-solid as Wyatt; he conveys a strength, tapped from unknown sources (whereas Doc draws from within), standing tall when other tough guys quake in the knees. These two make a terrific team; it's not the usual buddy stuff of most pictures. All the supporting cast is fine, including Elliott and Paxton as Wyatt's brothers, though there are some overly obvious moments. Earp's on - off relationship with the actress (Delany) has its ups & downs, there's not much room for subtlety as Earp's wife looks on quite upset as Delany strikes another of her bemused expressions. Also, due to the large number of characters, some of their stories have a heavily truncated feel (Priestley's, for example). The Vista director's cut special edition DVD has some restored footage to improve this problem. The better scenes are the confrontations between the men, the threats swung high & low, and the sheer thrill of watching Russell slap an overweight Billy Bob Thornton silly.
And we have the villains, ah yes, the villains. I've already mentioned a couple of them - another one is Lang as Ike Clanton in a deliciously cheesy, hammy yet mesmerizing performance. By the last 3rd of the movie, I was so wishing he would get his - please, someone - Earp, Holliday, anyone ! - blow this bastard away! Ike is one of the great unsung villains of movie history, a tribute to Lang's abilities. The conflict in this true-life story stemmed from the notion that there were no real villains. It was a matter of which faction had the rights, based on gun power and political ambition. In other words, the Earps were just making a political power play in the view of some and there was little difference between them and The Cowboys. But this film wastes no time in establishing Wyatt and his brothers as the decent side of the coin and when you have characters like Ike, there's no mistaking which side are the bad guys. For a different take on this piece of history, check out the original Star Trek episode "Spectre of the Gun" from '68. Oh yeah, there are also other films like the Lancaster - Douglas opus from 1957. But the Gunfight at the OK Corral in "Tombstone" was just one set piece out of many.
It opens with Earp ending his stint as a Kansas law officer and heading for Tombstone with his brothers Virgil and Morgan and their families in toe. Upon arrival they meet up with their good friend and Ally Doc Holliday and before long they've acquired a share in a thriving little saloon and card game. A group of ruthless bandits ironically titled 'The Cowboys', also inhabit the town and they take an immediate disliking to the retired lawman's reputation and moral attitudes. So far, Wyatt had done well to keep himself clear of any kind of feuding or trouble, but one fateful night a barbarous act forces him to arrest Curly Bill Brocious the leader of the desperadoes. This eventually results with the historic showdown at the OK Corral and a quest to rid the land from the curse of these malevolent outlaws.
On his audio commentary for the Tom Cruise drama Vanilla Sky, Cameron Crowe describes Kurt Russell as 'Hollywood's best kept secret'. Showing flashes of Clint Eastwood, but without ever looking like he's trying to imitate him, he provides a competent lead and proves that there's certainly a lot of truth to that statement. From his humorous will they won't they yearnings for Jose, to his anguished rage as he screams, `.Hell's coming with me' into the stormy night sky, Russell's on top form. His excellence can't help but play second fiddle to a scene stealing Val Kilmer, who has some of the best dialogue since Mr Blonde shared breakfast with a group of crimms in black suits. Hitting a career high, it's seems surprising that the Academy didn't acknowledge such a worthy portrayal. The camaraderie between he and Earp is one of Cinema's most pleasurable buddy pairings and no one can deny the pathos he creates in his tragic exit. His rivalry with an underused but adequate Michael Biehn as Johnny Ringo is compelling and their dual makes for an irresistible climax. Dana Delaney also shines as the Marshall's 'other' love interest, but frankly with a cast studded with cameos from so many familiar faces - even Charlton Heston - you could give a gibbon the megaphone and the results would probably still feel fairly acceptable!
The set locations are the standard cowboy fare, but director Cosmatos manages to make good use of them. The stormy night scenes when Morgan is attacked are crafted to create an electric atmosphere that is superbly lighted and the same can be said for the suspense made in the neatly staged shoot-outs. Clearly accomplished as an action director, Cosmatos certainly was the right Man for this rootin' tootin' ride through the Wild West. He shows a flare for building tension that runs smoothly throughout the beautifully shot set pieces.
The only complaint that can be made about Tombstone is the lack of any real depth found within the story. Where as genre classics like Unforgiven offer an emotionally charged drama that snuggles so neatly with the always-ungratuitous gunplay, Kevin Jarre's story falls into the 'popcorn western' category. Along with its contemporaries Young guns or The Quick and the Dead, the movie aims more for blockbuster appeal than a deep and endearing dramatic approach. Still, fans of a six-shooter will find plenty to be impressed by - in this admirable character-led mix of gunplay, companionship, romance and even just the right amount of pathos. Fans still ask which is the better of the two accounts of Wyatt Earp's life that were strangely released around the same time. Well I guess the answer really depends on your personnel taste in movies. If you like the more dramatic western and have no problem with an epic runtime, then Costner and co's biopic maybe the one for you. However if you're looking for a 'popcorn' take on the lawman's life then you need look no further. Tombstone's your movie! It may not have a deep heart, but it's a hell of a lot of fun! 8/10
There are a lot of good actors as both good guys and bad guys. Kurt Russell may not be the most impressive of the lot but he does a solid job. Val Kilmer is really hamming it up. He steals the movie with his memorable performance. Other than him, this is a straight western without much comedy. It's not camp. If there is any problem, it's that the movie is too ambitious. There are a lot of characters. It tries to be grand. It's quite a western. It's slightly better than the even longer Lawrence Kasdan's Wyatt Earp which came out 6 months later.
Lo sapevi?
- QuizThe line quoted by Doc at the end of the fight at the O.K. Corral is historically true, and was reported in the Tombstone papers reporting the fight. When confronted by one of the cowboys at point blank range, the cowboy reportedly said, "I got you now Doc, you son of a bitch!", to which Doc gleefully retorted, "You're a daisy if you do!"
- BlooperSome scenes show electrical lights over the pool tables. Light bulbs were invented in 1878 but Tombstone did not have electricity until 1902. Furthermore, pocket billiards as we know it today (using striped, numbered object balls) would not have been played in the American West of the 1870s, having only been developed in the early decades of the twentieth century; the immediate forerunner of pocket billiards (using solid-colored, unnumbered balls) wasn't invented until around 1900.
- Citazioni
Johnny Ringo: My fight's not with you, Holliday.
Doc Holliday: I beg to differ, sir. We started a game we never got to finish. "Play for Blood," remember?
Johnny Ringo: Oh that. I was just foolin' about.
Doc Holliday: I wasn't.
- Curiosità sui creditiFor Birgitta C.
- Versioni alternativeA "Vista Series" director's cut was released in February 2002. Just under five minutes of never-before-seen footage were restored. The most noticeable are:
- a scene showing the depths of Mattie's addiction to laudanum and her jealousy over Josephine;
- a somber soliloquy by Doc quoting Kublai Khan;
- a scene explaining Kate's sudden disappearance from the film, with Doc stressing the importance of friendship;
- a scene with McMasters and the Cowboys meeting one last time. A small scene showing the graphic result of that meeting has been re-inserted, with the line "They got McMasters!" being moved into this small insert.
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- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 56.505.065 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.454.752 USD
- 26 dic 1993
- Lordo in tutto il mondo
- 56.505.065 USD