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Swing Kids - Giovani ribelli

Titolo originale: Swing Kids
  • 1993
  • PG-13
  • 1h 52min
VALUTAZIONE IMDb
6,8/10
17.987
LA TUA VALUTAZIONE
Christian Bale, Robert Sean Leonard, Frank Whaley, and Tushka Bergen in Swing Kids - Giovani ribelli (1993)
A group of teens adores forbidden music in Nazi Germany just before the outbreak of World War II.
Riproduci trailer2: 16
1 video
76 foto
DrammaMusica

Un gruppo di adolescenti adora la musica proibita nella Germania nazista poco prima dello scoppio della seconda guerra mondiale.Un gruppo di adolescenti adora la musica proibita nella Germania nazista poco prima dello scoppio della seconda guerra mondiale.Un gruppo di adolescenti adora la musica proibita nella Germania nazista poco prima dello scoppio della seconda guerra mondiale.

  • Regia
    • Thomas Carter
  • Sceneggiatura
    • Jonathan Marc Feldman
  • Star
    • Robert Sean Leonard
    • Christian Bale
    • Frank Whaley
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    17.987
    LA TUA VALUTAZIONE
    • Regia
      • Thomas Carter
    • Sceneggiatura
      • Jonathan Marc Feldman
    • Star
      • Robert Sean Leonard
      • Christian Bale
      • Frank Whaley
    • 125Recensioni degli utenti
    • 19Recensioni della critica
    • 39Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    Official Trailer
    Trailer 2:16
    Official Trailer

    Foto76

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    + 69
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    Interpreti principali75

    Modifica
    Robert Sean Leonard
    Robert Sean Leonard
    • Peter
    Christian Bale
    Christian Bale
    • Thomas
    Frank Whaley
    Frank Whaley
    • Arvid
    Barbara Hershey
    Barbara Hershey
    • Frau Muller
    Tushka Bergen
    Tushka Bergen
    • Evey
    David Tom
    David Tom
    • Willi
    Julia Stemberger
    • Frau Linge
    Jayce Bartok
    Jayce Bartok
    • Otto
    Noah Wyle
    Noah Wyle
    • Emil
    Johan Leysen
    Johan Leysen
    • Herr Schumler
    Douglas Roberts
    Douglas Roberts
    • Hinz
    Martin Clunes
    Martin Clunes
    • Bannfuhrer
    Jessica Hynes
    Jessica Hynes
    • Helga
    • (as Jessica Stevenson)
    Carl Brincat
    • HJ Thug
    Mary Fogarty
    • Mama Klara
    Karel Belohradský
    • Bismarck Owner
    Peter Baikie
    • Bismarck Bandleader
    Jennifer Chamberlain
    • Swing Girl with Thomas
    • Regia
      • Thomas Carter
    • Sceneggiatura
      • Jonathan Marc Feldman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti125

    6,817.9K
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    Recensioni in evidenza

    7D_Burke

    A Subset of a Much Bigger Subject That Made a Good Story

    "Swing Kids" underperformed at the box office, received bad reviews, but today maintains a cult following. Reading the reviews from the film's 1993 release, critics seemed to be ticked off mostly by the fact that the film depicted a seemingly trivial demographic in a horrific time and place. Their argument was understandable: if such mass genocide and political corruption was taking place, why would we want to know about German teenagers who were obsessed with American swing music? My question is, why would we NOT want to know about them?

    Had "Swing Kids" been released some time after Steven Spielberg's epic "Schindler's List", critics may not have been quick to bring up that point. However, "Cabaret" (1972) was also about Berlin counterculture amidst the rise of the Nazi party, and no one seemed to have a problem with that film.

    "Swing Kids" is by no means a perfect film, but it also shouldn't be dismissed specifically because it doesn't take place in a concentration camp, and no one can be seen being tortured or killed. It's a small footnote, but by no means an uninteresting story.

    The movie centers around Peter Muller (Robert Sean Leonard, who I couldn't help but think bore a striking resemblance to Jim Carrey in this movie), a German student barely out of his teens who, along with his friends Thomas (Christian Bale) and Arvid (Frank Whaley), love to stay out late and dance to big band swing music. They wear their hair long, own zoot suits, and are rebellious against the Nazis at first for rebellion's sake. They don't seem to be phased by the Nazi's propaganda against the Jews and other ethnicities until later in the film, although that point is not clarified well in the beginning.

    Peter reluctantly joins the Nazis when his mother's significant other, Herr Major Knopp (Kenneth Branagh), pulls some strings after Peter's arrest involving a stolen radio. His other option is to be sent to jail, or perhaps even a concentration camp. Thomas enlists as well just to join Peter, but they ultimately don't give up their night life of Benny Goodman and Glenn Miller. However, the more Peter learns about the Nazis, the more he hates them. Thomas, on the other hand, falls into the Nazi propaganda over time.

    The overall story is told pretty well here. Robert Sean Leonard is good as the moral compass of the story. Nowadays, I'm used to seeing Christian Bale in either villainous roles ("American Psycho" (2000), "The Prestige" (2006)), or as heroes with a noticeable dark side ("The Dark Knight" (2008), "Terminator: Salvation" (2009)). However, here Bale plays a guy who is a genuinely good friend at first, and his good acting made me forget about his later roles. At the same time, when his character becomes entrenched in the Nazi life, Bale somehow made this dramatic transition smoothly without seeming contrived.

    Frank Whaley is also effective as the crippled friend Arvid, who can't join the Nazi army even if he wanted to because of his condition. Arvid plays jazz guitar, and knows a lot about American jazz. He is frequently bullied and beaten by Nazi soldiers his age, but still has energy to rebel. Whereas Leonard is the moral compass here, Whaley is the heart. I can't give away what happens to Arvid in this movie, but you really do feel for him as the movie progresses.

    "Swing Kids" has a very good story, and characters good and bad that you really care about. Among the major weaknesses in this movie is the fact that it takes place entirely in Germany, yet none of the characters actually speak German. Normally that fact would not be a problem, but my issue was that the good guys here spoke with either American or British accents, whereas the villains (such as Branaugh) spoke with a heavy German accent. It's as if Hollywood hasn't gotten over the idea that German or Russian accents sound evil, even long after World War II and the Cold War ended. In this story, it goes without saying that accents shouldn't matter.

    This is why I think the movie would have worked better as a foreign film made by Germans, rather than an American film made by the Disney company. If everyone was speaking German, allegedly evil accents wouldn't be an issue. On the other hand, "Cabaret" had good guys in it that had German accents. Why couldn't this film?

    Also, perhaps I'm asking too much here, but the written epilogue at the end wasn't enough for me. Of course, as I mentioned earlier, not every film that takes place during World War II has to be dark and depressing, but it would have been nice to have received a glimpse of what these swing kids went through in concentration camps, how they coped, and whether they got out alive or not. Maybe such a broad subject could still be the basis for another movie, but just two written sentences before the credits broke the Golden Rule of Storytelling: Show, Don't Tell.

    This film would have benefited from being shelved for at least a year, and perhaps being released a little while after "Schindler's List" made its run. Compared to concentration camps, young men in Germany who loved American music seems insignificant in comparison, but by no means does it discredit the alternative history lesson from being told. Critics could have been more open-minded to the movie, but the good thing is that the film now has a cult following. It still nags me that the film wasn't in German, though. At least it has historical accuracy on its side.
    Adaleide

    Some people have obviously missed the point of this movie

    Ok for you people who refer to all the Germans as "worthless human beings" and talk about how this movie didn't focus on the holocaust, etc....WAKE UP! The point of this movie was to give another perspective on the war. Not all Germans were souless killers. Throughout the movie you could see the consciences of the main characters being pushed and pulled about what was happening. Over here in Western culture, everything is portrayed in black and white: all the Germans were completely evil, and we were the good ones. No one is denying that the Germans committed some horrific atrocities, but there were some who resisted doing those crimes, and others who actually believed that they were morally in the right because of centuries of ingrained anti-semitism. Geez, North America was anti-semitic then too! Swing Kids looks at Germany from the inside, and the different forces that were at work. Everyone knows what happened during the Holocaust....this movie wasn't about that. I think people should look at all different viewpoints before classifying all the people in a certain group (ie all of the German nation) into one cubbyhole of evil.
    6silvergirl606

    Good moments, could have been better

    I really don't understand a lot of these reviewers. The movie far from trivializes anything about the Nazis, it simply tries to portray a moment before the bloodiest war in history on a smallish scale.

    Would it be better to just have a movie that says "Nazis are bad and they killed six million Jews."? No, because that wouldn't be a movie.

    It's like when people complained that a mini-series about Hitler's life that was supposed to be shown on TV would "humanize Hitler". Well, news flash, he WAS a human. That's the worst part, a human could do that sort of thing. What good is it to call evil-doers monsters and then leave it at that? When "Swing Kids" succeeds is when it's portraying the conflicts of youth as their country goes mad. Can anyone honestly say they feel NO sympathy for those who were forced to join the Hitler youth? It's easy to say you would have done different.

    And the idea that the music being key somehow trivializes the events of WWII, um, it's based on an ACTUAL subculture, swing kids. There were lots of them and at first they were fairly lacking in politics, but later in the 40s when they were cracked down on more so by the Nazis some were more active.

    It's not like the movie makers pulled the concept of kids, Nazis and swing out of their asses, which is what people seem to think.

    And at least it was something, at least it wasn't giving in totally. Remember these were young kids, high-school age, nobody can expect them all to be Sophie Scholl.

    Where "Swing Kids" lacks is its occasional excessive heavy-handedness. The ending is a bit excessive, something more subtle would have been better.

    But as I say, the conflicts between the three main leads are fantastic and bring up questions of what you would do in such circumstances. I think the boys's indifference in respect to the Jew being beat up in the beginning of the movie is a good touch. This is NOT about the holocaust, because it was just starting and was largely unknown at the time. I hate when people can't lose what they know to watch a movie.

    I recommend everyone to read some swing kids history, just look them up, it makes the movie much better and more interesting to know the facts.

    This is a fairly good movie with very good acting, great great music and costumes, a great story that was influenced by deeply interesting history, and too much heavy handedness.

    But seriously, who can resist a movie put out by Disney that includes the line of dialog "You're turning into a f*cking Nazi!"?
    Burgundy

    Excellent insight on the youth in Germany...

    This movie does a great job of showing a different angle on the WW2 time period. The struggles the youth of Germany went through during that time were portrayed very well. People complain that this movie doesn't show the horror of the holocaust and the awful persecution the Jews faced, but that is not what it's trying to do! We all read or hear about what the Nazis did to the Jews (& other minorities) and think that the Germans must have been horrible people to have even gone along with this. But this shows how the propaganda they were constantly fed--as well as the activities & sense of belonging the HJ (Hitler Jungen) experienced--could slowly twist their minds to the Nazi way of thinking. One of the excellent things about this movie is how it shows how the main characters change. The changes in Peter & Thomas come very slow and natural, and only when you get to the end (and maybe re-watch it) do you realize how drastically they have changed their views. (Thomas especially)

    There were some not-so-great things about the movie, like some characters or scenes which, when you think back, seem to have been included for an unknown reason. But the good points of the movie out-weigh the minor nit-picks. The swing music and dancing in the movie was awesome, and I thought all the characters were acted very well by the actors. They did a good job of showing the confusion that the young Germans must have felt, not knowing who was right. All in all, I really enjoyed this movie, and I think it makes you think as well.
    m_a_a_n

    Love the Movie with All My Heart!

    One of the basic reasons I like this movie is because it was one of the first movies I watched with my older brother that we both enjoyed. I don't have a lot in common with him, but this one movie opened up lots of opportunities for other movies.

    Other than that, I love this movie for its unique point of view. We always get the movies like Saving Private Ryan or Pearl Harbor, which are very important stories in themselves (and good movies of course) but how often do we get a movie about people who were part of the war from the beginning. people that didn't necessarily have a direct threat, but were still greatly affected. The story of Peter and Thomas and Arvid are wonderfully done. Peter is the kind of person any girl would like. Thomas, the rich brat that speaks his mind too much, helps put internal conflict in the group. Arvid seems to be the voice of reason, seeing what the Nazis are doing and doesn't want to be a part of it.

    The acting is great, of course. Peter, played by Robert Sean Leonard, is portrayed as soft spoken, confused, and even a little bitter. Thomas, played by the beautiful Christian Bale, is the kind of people that drive me nuts - just "go along with it. We can have it both ways." It is virtually impossible to have it "both ways." The guy who plays Arvid is a lovely actor, obviously talented, and shows emotion so well you'd think he went through this himself. The history of the movie might be a little tweaked to make a few interesting scenes, but to see what the Nazis were doing to the youth of their country, brainwashing them and telling them to spy on people, is appalling. No wonder a few former Nazi soldiers still think they were right.

    The music is like a whole nother character. This movie is what really got me to enjoy listening to swing music. Even though I can do very few steps, I realize now the feeling they got when they heard it and I get the same feeling, just not quite as strong probably.

    All around, this movie is wonderful. I love showing it to my friends, and it is very interesting and jerks at your emotions.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Despite the fact that Kenneth Branagh plays a major role in this movie, he is uncredited. Reportedly, Branagh refused to be credited out of concern that he would be billed above Robert Sean Leonard, Christian Bale, and the other boys, whom Branagh proclaimed were the real stars of the film.
    • Blooper
      At the end of the film, when Willy is running after Peter and stops, there is clearly nothing at Willy's feet. Later, after being told "Swing Heil", he grabs an umbrella on a wet poster at his feet that clearly wasn't there before.
    • Citazioni

      Arvid: I would rather belong to any one... ANYONE, than belong to the Nazis like you do.

      Thomas Berger: That's because you have everything backwards. Nazis go anywhere they want, do anything they want, everyone gets out of our way.

      Arvid: Quiz time. Got your glasses on.

      Thomas Berger: What?

      Arvid: It means you don't know who your friends are.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Mad Dog and Glory/El Mariachi/Rich in Love/The Last Days of Chez Nous (1993)
    • Colonne sonore
      Life Goes to a Party
      Written by Harry James and Benny Goodman

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    Dettagli

    Modifica
    • Data di uscita
      • 5 marzo 1993 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Rebeldes del swing
    • Luoghi delle riprese
      • Praga, Repubblica Ceca
    • Aziende produttrici
      • Hollywood Pictures
      • Touchwood Pacific Partners 1
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 12.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 5.632.086 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 1.967.957 USD
      • 7 mar 1993
    • Lordo in tutto il mondo
      • 5.632.086 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 52 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
    • Proporzioni
      • 1.85 : 1

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