Robin Hood - Un uomo in calzamaglia

Robin Hood; Men in Tights is worth watching, I recently watched it because I've just become a Cary Elwes fan, and this is one of of his lead-roles. Some moments really made me crack up so hard! I didn't expect them you know, it was so funny, Even the 2nd time around you'd still fall off your chair The cast is great, of course especially Robin of Locksley himself,Cary, but Blinkin and the Sheriff and Little John (Don't let the name fool you, it's veryy big! lol) and everyone else!

There were some moments of course, the film tried to make a comedic scene out of but you don't necessarily laugh at it,.... but OK.

This is the second time Cary Elwes and Patrick Stewart appeared in a film together by the way, they both worked on "Lady Jane" in 1986, and it was fun to see them, 7 years later, older, awwww.

It's definitely worth watching, quite hilarious indeed!

This was a very enjoyable spoof, but when watching it one thing stuck in my mind. It was when Robin said, "Unlike other Robin Hoods I do it with an English accent" which of cause was said as a joke to Kevin Cosner's "Robin Hood: Prince of Thieves". But as I was thinking of other past Robin Hoods, I was reminded of two other Robin Hoods without English accents. One was Dick Gutier on a TV show called "When Things Were Rotten" and the other was George Segal in a TV movie called, "The Zany Adventures of Robin Hood". Both projects were produced by a short Jew from Brooklyn born with the name of Melvin Kaminsky. I wonder if Mel Brooks knows of this man.

The Robin Hood legend and swashbuckler films in general get the Mel Brooks treatment in Robin Hood: Men In Tights. What that means is that a lot of movie clichés are broadly winked at, conventions are smashed and lots of laughs to be had.

Robin Hoods from Douglas Fairbanks to Kevin Costner probably saw lots of potential for a few winks themselves that Cary Elwes saw here. Our Robin here is all that one expects from a hero, brave, loyal, and true, a great fighter and would like to be a great lover if it weren't for that chastity belt that Amy Yasbeck as Maid Marian wears. Way back in those days many a maiden was put in one and I wouldn't be surprised if that was also a gift from King Richard to Errol Flynn for Olivia DeHavilland. Like a true Mel Brooks hero, Elwes is also a bit thick.

Kevin Costner's Robin Hood had a black cast member kind of grafted into the film so Brooks goes one better, he has two. A very hip Moor played by Isaac Hayes gifts charge of his son an 'exchange student' to a returning Elwes to England. A rapping Dave Chappelle is a nice addition to the mix.

Two of my favorites were Tracey Ullman as a witch and Mel Brooks as Rabbi Tuck. As King Richard himself gives the bride away in the end, all we can do is quote from another classic comedy, "a royal wedding, Mazeltov".

It's a Mel Brooks film so you know it will be great.

This is definitely one of the better Mel Brooks movies, along with Spaceballs(although I will openly admit to not having watched many others, at least yet). It's very silly and thoroughly funny, there are hardly more than a few minutes throughout the entire two hour run-time, where you aren't entertained. Almost all of the gags have a great comical effect, few of them fall flat. I saw this movie right after seeing and reviewing Spy Hard, and comparing these two spoof movies, I realize exactly of how high quality this movie really is. It's funny from start to finish, none of the comedy is overdone or boring. The music is marvelous, as is the choreography of both dancing and fighting. The acting is pretty much what you would normally expect from this type of movie... Elwes is a great comedian, and makes a good Robin. The plot is typical Robin Hood, more or less everything from the legend is fit into this movie(and spoofed majorly). If you like Mel Brooks, or you're just a fan of silly humor, or you're just dying to watch a good parody of the legend of Robin Hood, this is definitely the film for you. The HBO First Look special on the film is also worth watching, and in that, you may want to keep watching throughout the credits, too. I'd recommend it to any fan of Mel Brooks movies, and to people who enjoy silly humor. 7/10

Like many a child born in the 1980's, I grew up on the Mel Brooks films that weren't necessarily the 'racier' ones like Blazing Saddles and History of the World part 1 (I saw those, of course, though not as frequently as now), but the ones meant for the "whole family", Spaceballs, and this film. I knew at the time I wasn't seeing great art, but just a campy, goofy, though always laugh-worthy take on Robin Hood and/or adventure movies. But calling it a family movie in quotes means that a) adults really can enjoy it as much as kids, if not more because of the little in-jokes and silly vulgarities, and b) once a kid sees it, when he revisits it, as I have a few times, it's still as fresh but with some things not quite understood the first time around. It's a comedy that is not only filled with jokes at Robin Hood movies and other movies (Godfather of course, as well as little mentions for other movies of modern times), but one that references Brooks's own movies as well; this is a filmmaker who isn't above poking fun at even his own style.

Basic story- Robin Hood (Cary Elwes in one of his best turns) returns home from the crusades to see things are in peril with King Richard gone, and so goes forth to reclaim his land and to, naturally, rob the rich to feed the poor. Along the way he meets Achoo (Dave Chappelle), butts heads with Prince John (Richard Lewis) and the Sheriff, and of course still pines for the love of Maid Marian. This, of course, is the usual clothesline for Brooks to let the comedy run off into the scenes, and while sometimes a joke may not work or might become stale on a repeat viewing, so much of it sticks that it's hard not to chuckle. It also helps that a couple of bits are some of the best in any Brooksfilm, such as the Godfather bit (Dom DeLouise at his very best), Brooks's own cameo as the Rabbbi, Lewis and Chappelle's acting turns, and an endless slew of quotable lines and a couple of tongue-in-cheek songs. Some of it is obvious, yes, some of it just takes right from the pages of Blazing Saddles, sure, but is it a good time for the right crowd? Definitely- and for parents who grew up on the 70's Brooks work, it is a fantastic way to introduce the young ones to his work through this (even the suggestive sex jokes and such are not R-rated, all in good fun).