Quando una ragazza escort viene trovata morta negli uffici di un'azienda giapponese a Los Angeles, gli investigatori Web Smith e John Connor fungono da collegamento tra i dirigenti della com... Leggi tuttoQuando una ragazza escort viene trovata morta negli uffici di un'azienda giapponese a Los Angeles, gli investigatori Web Smith e John Connor fungono da collegamento tra i dirigenti della compagnia e il poliziotto Tom Graham.Quando una ragazza escort viene trovata morta negli uffici di un'azienda giapponese a Los Angeles, gli investigatori Web Smith e John Connor fungono da collegamento tra i dirigenti della compagnia e il poliziotto Tom Graham.
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Michael Crichtons novel was a frightening and powerful story about how it seemed (at the time) that Japanese corporations were taking over everything. As an adaptation to that this is a joke. Smith is made black for no good reason, the anti-Japanese slant was toned down a lot, there was no romantic interest between Snipes and Tia Carrere as is shown in this movie and the identity of the killer was completely changed! It really destroyed the book. But, if you ignore the book, this is OK on its own terms.
It's well done and written and there's some good acting by Connery, Ray Wise (as a slimy senator), Harvey Keitel (as a cop) and Steve Buscemi (still not sure what he was). But the story is way too convoluted, goes on far too long and has an ending which is more than confusing. Also Connery and Snipes do not work well together. There's no spark between them--they seem to be acting in different movies. There's also plenty of pointless female nudity. This lessens what could have been a good strong movie. So it's an OK thriller. Worth catching if you're a Connery fan. The book is much better.
And also one of the best roles for Connery, close to his best performances as unforgetable mister 007. Beside him even Snipes shows up some acting abilities.
The story is, honestly, nothing special, even unlogical from time to time, but nevertheless it got something inside, maybe this eastern touch that keeps viewer glued to his seat. If then movie would be little deeper (like Blade runner for instance) it would be surely a classic. But despite that and mostly because of great performance by Connery it deserves a strong
8 out of 10.
The tale mingles suspense , thriller , mystery , quick action , buddy movie and is quite entertaining . However , the complicated script contains some flaws and gaps , originating fails on credibility but gets its nice moments here and there . Based on controversial novel by Michael Crichton , it is adapted by Philip Kaufman and Crichton, blending business, Japanese customs, high technology and international politics, turning out some confusing and silly . For that reason, the screenplay was rewritten several times, focusing more the killing suspense and relying heavily on relationship between two leads and the differences US-Japan . Michael Crichton, author of the book and co-author of the screenplay, wrote the part of Connor with Sean Connery in mind. Writers Michael Crichton and Michael Backes quit the project largely over disagreement with director Philip Kaufman that one of the lead characters should be changed into an African-American . Evocative Japanese music score by Takemitsu (Kurosawa's usual musician) and appropriate cinematography with stylized camera techniques by Michael Chapman . This one gets acceptable direction by Philip Kaufman (Quills, Right stuff, Body snatchers) . The film will appeal to Wesley Snipes and Sean Connery fans.
Rising Sun is one of these latter-day Sean Connery movies. Here he's trying to bridge the cultural gap between the Japanese and Americans in a murder mystery. And as usual, he's way better than the movie itself. Connery is smooth and natural and completely believable as a guy who understands the Japanese language and culture. Also in the plus column belong Harvey Keitel and Wesley Snipes.
But goodness the drop-off from there is enormous. The supporting cast would be hard-pressed to hold up their end of an L.A. Law episode. Ray Wise is esp terrible. As for the Asian actors, well, at least they were able to pick up a nice Hollywood paycheque. Kurosawa this isn't. More like an extra-long episode of Magnum, P.I.
The plot is a mess. It might have seemed interesting to hang a plot on a Japanese corporation's takeover of an American tech firm, but that seems laughably old-fashioned these days.
Connery and Snipes, as far as I can tell, put in about 3 weeks of detective work in one 24-hour stretch. As for the ultimate perp, phhhht, you'd have to be pretty dense not to see that coming.
The fight scene near the end was a nice touch. Pointless, but fun.
And then it keeps going. Like Kaufmann shot a million feet of film and couldn't bring himself to cut any of it.
This modern-day crime movie may have a lack of action compared to others of its genre but it never loses your attention. Sean Connery, Wesley Snipes and Harvey Keitel star, along with Cary-Hiroyuki Tagawa, Kevin Anderson, Mako and Tia Carrere. This is a high-tech story (at least for 1993) as two cops try to figure out who murdered a woman. It's Japanese-big business-politics intrigue with surveillance cameras being the key to figuring out a murder.
Connery and Snipes complement each other as a "buddy" cop duo with Connery being mostly responsible for making this story interesting. The still-suave ex-James Bond plays the cool veteran and it's fun to watch him operate.
The only complaint I might have is the ending, a stupid romance-type story with Snipes and Carrere that was very post-climactic and not needed.
Lo sapevi?
- QuizMichael Crichton wrote the part of Connor with Sir Sean Connery in mind. Indeed, the very name "John Connor" is an Anglicization of "Sean Connery".
- BlooperSenator Morton receives a color fax on a machine far too simple a model to accept one.
- Citazioni
John Connor: The Japanese have a saying, "Fix the problem, not the blame." Find out what's fucked up and fix it. Nobody gets blamed. We're always after who fucked up. Their way is better.
- Curiosità sui creditiThere is a credit in Rising Sun thanking "The MIT Leg Lab" and "Marc Raibert and his Running Team." This refers to a short scene where the two detectives go out to a fancy-looking research lab (really a water treatment plant; also used as the set for Starfleet Academy on the TV series "Star Trek - The Next Generation). In the background of some of the shots there are two legged robots: one hopping in a circle in a tea-house; the other bouncing up a garden path. These robots are actually academic research projects from the MIT AI Lab's Legged Locomotion Lab. They really do hop about and maintain their balance. Power comes from off-board hydraulic pumps (hence the guy in the background (me!) pulling hoses for the robot), and body attitude is sensed with gyroscopes. A human with a joystick tells the robot what direction to go, and the control algorithms (which are the real subject of Leg Lab research) maintain speed, direction, and balance. However, the robots aren't designed for special effects. They're always being modified, and they tend to break down frequently. This made shooting in the hot july sun of the San Fernando Valley a real nightmare, with transputers crashing in the heat, stuck gyros, and hydraulic leaks. Three grad students and a professor worked steadily for about a month before Hollywood, and then five days on the set and on location to get the robots in about 15 seconds of film. The credits are: Marc Raibert (our prof), and Charles Francois, Rob Playter and Lee Campbell (me) who are students. We three students appear in the film in white lab coats acting like Robot Scientists!!
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Rising Sun
- Luoghi delle riprese
- Nate Starkman & Son Building - 544 Mateo St, Los Angeles, California, Stati Uniti(Interiors and exteriors. As Jingo's loft.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 63.179.523 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.195.941 USD
- 1 ago 1993
- Lordo in tutto il mondo
- 107.198.790 USD
- Tempo di esecuzione2 ore 5 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1