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3,5/10
476
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA mummy returns from the dead and becomes obsessed with a woman which he thinks is the reincarnation of his dead lover.A mummy returns from the dead and becomes obsessed with a woman which he thinks is the reincarnation of his dead lover.A mummy returns from the dead and becomes obsessed with a woman which he thinks is the reincarnation of his dead lover.
Jacques Cohen
- Lord Maxton
- (as Jack Cohen)
Mohammad Bakri
- Alexatos
- (as Muhamed Bakri)
Yosef Shiloach
- Capt. Mahmoud
- (as Yosi Chiloach)
Igal Naor
- Egyptology Official
- (as Yigal Naor)
Amos Lavi
- Museum Guard
- (as Amos Lavie)
Rivka Bahar
- Hotel Cleaner
- (as Rivka Bachar)
Recensioni in evidenza
THE MUMMY LIVES is -very loosely- based on a story by Edgar Allan Poe. It opens with an interminably long lesson in astrology that really has nothing to do with the actual movie. Next, we join an archaeological dig in Egypt, where an ancient tomb is uncovered.
Meanwhile, in Cairo, we are introduced to Sandra Barnes (Leslie Hardy). Annoying voiveover narration tells us her every thought. When she falls asleep, we're taken into her dreams of Ancient Egypt, where we're subjected to Tony Curtis as a Pharaoh (!!).
Meanwhile, back at the tomb, imbeciles -including a British zillionaire who says "By Jove!" a lot- break in, and the horror begins. Sort of.
If you've seen any of the mummy movies starting from the original 1932 classic, then you'll pretty much know the entire plot of this one from the beginning:
Forbidden love leads to death and a curse, which comes to fruition in modern times.
The only thing added to this basic outline is absurdity, bad acting, and ultra-melodramatic dialogue. Luckily for us, Mr. Curtis' character gets a central role, and gets to pontificate and spout tons of mumbo jumbo. Sometimes, he even slips into his glorious "Cary Grant" voice from SOME LIKE IT HOT! His death scene is beyond hilarious!
Extra Points For: The bonkers voice of the angry Egyptian deity!
A true gut-buster from start to finish! Prepare the intoxicants, gather your fellow cheeeze-lovers, and get ready to laugh yourself sick!...
Meanwhile, in Cairo, we are introduced to Sandra Barnes (Leslie Hardy). Annoying voiveover narration tells us her every thought. When she falls asleep, we're taken into her dreams of Ancient Egypt, where we're subjected to Tony Curtis as a Pharaoh (!!).
Meanwhile, back at the tomb, imbeciles -including a British zillionaire who says "By Jove!" a lot- break in, and the horror begins. Sort of.
If you've seen any of the mummy movies starting from the original 1932 classic, then you'll pretty much know the entire plot of this one from the beginning:
Forbidden love leads to death and a curse, which comes to fruition in modern times.
The only thing added to this basic outline is absurdity, bad acting, and ultra-melodramatic dialogue. Luckily for us, Mr. Curtis' character gets a central role, and gets to pontificate and spout tons of mumbo jumbo. Sometimes, he even slips into his glorious "Cary Grant" voice from SOME LIKE IT HOT! His death scene is beyond hilarious!
Extra Points For: The bonkers voice of the angry Egyptian deity!
A true gut-buster from start to finish! Prepare the intoxicants, gather your fellow cheeeze-lovers, and get ready to laugh yourself sick!...
"The Mummy Lives" is an American direct-to-video flick from 1993 starring Tony Curtis in the titular role when he was 67 years-old. The plot's typical to older mummy movies: Forbidden love in the ancient Egyptian world results in the guilty guy getting entombed alive, usually with the object of his desire. In the modern day the tomb is desecrated by archaeologists and the mummy seeks vengeance. The refreshing twist here is that when Curtis' character is resurrected he looks like his normal self, at least his face anyway; his hands look like death itself. Leslie Hardy plays a woman interested in Egyptology and she may be the mummy's beloved, Kia, reincarnated. Greg Wrangler plays a psychologist who takes interest in her.
This is a drama/mystery with light horror elements so don't expect heavy gore and scares. While it's clearly low-budget, it has numerous strengths, particularly the basic fish-out-of-water plot with the ancient mummy becoming a pretty interesting character in the modern world. I'm not sure how he knows how to speak English though, but I assume the god he prays to gives him the knowledge/power.
In any case, the Mummy's offended by the desecrations of Egyptian crypts and points out the obvious: How can archaeologists justify desecrating burial sites? How much time has to go by for such activity to be deemed acceptable in the name of research and science? The Mummy also makes a great point to the woman: The modern world is science-oriented, but passionless; and without passion there is no life. While the Mummy is a somewhat fascinating character and you find yourself rooting for him, the ending drops the ball. I don't want to say too much, but the Mummy essentially becomes the hero in the film and the filmmakers contradict this by insisting on tacking-on a more conventional horror ending. The film was unique as it was so they should've just gone all the way, if you know what I mean. I wish they had the courage to do this because it could've been a great or near-great independent movie.
Still, there's enough good here to recommend it to fans of unique independent movies (however, if you're addicted to a strict Hollywood "blockbuster" diet, flee as fast as you can). For one, the three main characters are effective and, like I said, the Mummy is an interesting character and you'll find yourself rooting for his cause. Although Hardy is too thin for my tastes, she's a likable and worthy protagonist; and Wrangler is an excellent masculine co-star. Secondly, you can't beat the authentic Egyptian locations. Compare this with Hammer's "The Mummy" (1959), which was shot entirely in England with lame "Egyptian" sets. Speaking of which, people criticize Tony Curtis for being miscast in this movie and yet Christopher Lee played the same character in the Hammer film and no one seems to criticize him as being miscast, not to mention that film is regarded fairly well while this one is typically lambasted, which is odd because -- low-budget or not -- this is the better film. Thirdly, the score is diversified and all-around excellent.
The film runs 97 minutes and was shot in Egypt and Israel.
GRADE: C+ or B- (keeping in mind that it's a low-budget direct-to-video flick)
This is a drama/mystery with light horror elements so don't expect heavy gore and scares. While it's clearly low-budget, it has numerous strengths, particularly the basic fish-out-of-water plot with the ancient mummy becoming a pretty interesting character in the modern world. I'm not sure how he knows how to speak English though, but I assume the god he prays to gives him the knowledge/power.
In any case, the Mummy's offended by the desecrations of Egyptian crypts and points out the obvious: How can archaeologists justify desecrating burial sites? How much time has to go by for such activity to be deemed acceptable in the name of research and science? The Mummy also makes a great point to the woman: The modern world is science-oriented, but passionless; and without passion there is no life. While the Mummy is a somewhat fascinating character and you find yourself rooting for him, the ending drops the ball. I don't want to say too much, but the Mummy essentially becomes the hero in the film and the filmmakers contradict this by insisting on tacking-on a more conventional horror ending. The film was unique as it was so they should've just gone all the way, if you know what I mean. I wish they had the courage to do this because it could've been a great or near-great independent movie.
Still, there's enough good here to recommend it to fans of unique independent movies (however, if you're addicted to a strict Hollywood "blockbuster" diet, flee as fast as you can). For one, the three main characters are effective and, like I said, the Mummy is an interesting character and you'll find yourself rooting for his cause. Although Hardy is too thin for my tastes, she's a likable and worthy protagonist; and Wrangler is an excellent masculine co-star. Secondly, you can't beat the authentic Egyptian locations. Compare this with Hammer's "The Mummy" (1959), which was shot entirely in England with lame "Egyptian" sets. Speaking of which, people criticize Tony Curtis for being miscast in this movie and yet Christopher Lee played the same character in the Hammer film and no one seems to criticize him as being miscast, not to mention that film is regarded fairly well while this one is typically lambasted, which is odd because -- low-budget or not -- this is the better film. Thirdly, the score is diversified and all-around excellent.
The film runs 97 minutes and was shot in Egypt and Israel.
GRADE: C+ or B- (keeping in mind that it's a low-budget direct-to-video flick)
oh,my word.i don't know what i just witnessed,but i know it wasn't good.this is not a good movie,at all.i'm not sure if i've ever been this bored in my life.it's supposed to be horror movie of sorts.the only problem is,they forgot to put in anything that would be scary.it's also done on the cheap,and looks it.the dialogue gives new meaning to the word abysmal.this thing may have been 95 minutes long,but it might as well have been 95 days,that's how slow it was.Tony Curtis plays a prominent role,but looks out of place in this movie.the only saving grace(if there is in one)is the actress who played the lead female character.she was more convincing than anyone else was.for that,i'll give The Mummy Lives a 2/10.
"The Mummy Lives" is an utterly worthless horror film that is so bad that I almost turned it off after 20 minutes of its projection time.Usually remarkable actor Tony Curtis is completely wasted as Aziru,an Egyptian high priest of the god Zoth,who come back to life as the mummy.He is looking for his long-lost love named Kia and swearing vengeance on the archaeologists,who excavated his tomb."The Mummy Lives" is a total waste of time.The plot is hackneyed and highly unoriginal and the acting is painfully bad.This is also one of the most annoyingly dull horror films I have suffered through.The action moves at snail's pace and there is absolutely no tension.Avoid this crappy howler like the plague.2 out of 10.
THE MUMMY LIVES certainly isn't the biggest budgeted or best mummy flick ever made, but it's far from a waste of one's time and it's actually quite fun. I had a wonderful time watching it. You just have to know what you are getting yourself into: This is a very low budget old fashioned PG-13 mummy flick with a very out of place Tony Curtis. Curtis is completely miscast, but he plays his role with such terrific panache it's a joy to behold. You just have to be willing to accept this weird little low budget flick on its own terms. Just sit back and enjoy the modestly budgeted spectacle of ancient ruins, magic rituals, snakes, nightmares, mummies, forbidden love, murders, and blood. It's all very cheap yet charming, and its flaws are all part of its appeal. THE MUMMY LIVES is a low budget affair,but it delivers good fun and is a nice way to spend time on a lazy Sunday afternoon.
Lo sapevi?
- QuizAnthony Perkins was to star but died, and Tony Curtis replaced him. Producer Harry Alan Towers said it was a mistake to hire Curtis, as he was miscast.
- BlooperThe characters are alerted to the presence of a cobra by its rattle. Cobras do not have a rattle. The emit a hissing sound just like a cat.
- ConnessioniReferences La mummia (1932)
- Colonne sonoreL'aurore
Composed by Hubert Rostaing
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