Aggiungi una trama nella tua linguaJude Madigan abandons her husband Robert and her three sons without any explanation. Three years later Jude inexplicably returns to reunite her family. However Robert and his new lover Calli... Leggi tuttoJude Madigan abandons her husband Robert and her three sons without any explanation. Three years later Jude inexplicably returns to reunite her family. However Robert and his new lover Callie see Jude for the true psychopath she is and try their best to protect their sons. Jude e... Leggi tuttoJude Madigan abandons her husband Robert and her three sons without any explanation. Three years later Jude inexplicably returns to reunite her family. However Robert and his new lover Callie see Jude for the true psychopath she is and try their best to protect their sons. Jude embarks on a non stop stalking and harassment campaign against the family, and even seduces... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Callie
- (as Joanne Whalley-Kilmer)
Recensioni in evidenza
In the movie, Curtis plays a woman who abandons her husband and children and comes back, hoping to be welcomed back into thier lives with open arms. But she soon discovers that her husband has moved on with a new woman and wants a divorce. Then the movie gets really stupid, with childish pranks, as when Curtis spray paints "whore" on the side of the other woman's car. She begins stalking the family and is even able to manipulate her oldest son into helping her. There is one awful scene where her son watches her walking around naked with "lust" in his eyes. The movie almost tries to imply incest between a woman in her late 30s and a child in his pre-teens.
I won't spoil the ending for you, but it's so stupid that you'll wish I'd warned you first.
It's not like the concept of the movie is a terrible bad idea but however the execution of it is. The movie offers too little big surprises and the movie surely could had used some more tension and other thriller elements. The movie is filled with some missed opportunities, they could and should had made the mother character far more psychotic and evil. She basically now gets too little psychotic to do in this movie, which causes the tension and mystery of this movie not to work out.
Surprising to see how big the cast of this movie is. It's perhaps also the only reason why this movie still remains a watchable one. The actors still make the movie interesting and worthwhile to watch. Although Jamie Lee Curtis and Peter Gallagher aren't even in the same league! Jamie Lee Curtis totally outclasses Peter Gallagher so much, that at almost becomes embarrassing to watch. Jamie Lee Curtis plays a great role and she handles it just right. Joanne Whalley also pulls off alright and there are some fine supporting actors such as Vanessa Redgrave, John C. McGinley, Joss Ackland and Paul Guilfoyle but their roles are unfortunately all way too small.
It's not a terribly bad movie but it's also not really one that ever surprises or leaves a big impression on you. A real lackluster and filled with many missed opportunities and wasted potential. Therefor I also can't really recommend this movie to anyone.
5/10
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The one big problem I have is that Luke Edwards as Kes is turned to Jamie's side too quickly. His role is key, but isn't sufficiently developed. It's sketched instead, which is too bad because, in a sense this is as much his movie as Jamie's. For once, perhaps, a film was under rather than over written.
The movie deserved better than it got.
Lo sapevi?
- QuizThe first time Jamie Lee Curtis has played a villain in a suspense thriller.
- BlooperIn the VHS version, the dolly tracks are visible when Kes walks towards the bath with Jude is sitting in it.
- Versioni alternativeThe director's cut has more swearing then the theatrical version.
- ConnessioniReferenced in Naked Acts (1996)
- Colonne sonoreTHE LONGEST NIGHT - THEME FROM MOTHER'S BOYS
Performed by Clair Marlo
Music by George S. Clinton
Lyrics by Charlotte Clinton, Seth Kaplan and George S. Clinton
Published by Char-Geor Music/Spaulding Avenue Music (ASCAP)
Produced by George S. Clinton
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Dettagli
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 737.548 USD
- Fine settimana di apertura Stati Uniti e Canada
- 318.332 USD
- 20 mar 1994
- Lordo in tutto il mondo
- 737.548 USD