Morning Glory

The story has a lot of interesting elements in it and I always enjoy a period piece, but I felt that if the director or writers had been more exacting, the film could have been so much better. One of the things that struck me immediately is how annoying the film score was! It almost put me off watching the film. It was droning and syrupy and grating and came close to ruining some good moments in the film. I also wish the two leads had loosened up a little bit. Someone who watched it with me said that a drifter and a woman who's such a loner would be stiff and unsure in their interactions, but I thought that both actors could have livened up the latter half of the film considerably if they'd let some of their natural warmth and charm and humor shine through. I enjoyed watching the film and would watch it again, BUT I still wished they'd tightened up the score and loosened up the actors! I especially liked the opportunity to see one of my favorite character actors, Lloyd Bochner, in action. (Also, was I the only one who was a bit shocked when someone mentioned paying a worker $25 a week? I thought that seemed like big wages for the Depression-era South, but since I didn't live through that time, maybe it wasn't.)

After reading the book, I loved the story. Watching the movie I was disappointed that so many changes were made. It is understandable that books and movies differ but it was two different stories, only the names and some of the book's story remained. Read the book and you'll have a better understanding of the movie. The book gives you a better development of the characters. These characters are extremely interesting and make you care about them. The locations were indeed in line with the book's descriptions. Some characters not included. Television has microwaved so many great books and stories, this is a perfect example of that. Input from the author doesn't always insure a good movie but it can help sometimes.

This is a very sweet little movie, and a good adaptation of the book. (Not a GREAT adaptation, but a good one.) Christopher Reeve's portrayal of this character was excellent.

The movie could have been improved with a few flashbacks, to give the characters a bit more back story. Both the widow and the ex-convict were people who had been damaged by the cruelty of others. Both of them wanted something better for the children in their lives. Both of them wanted to believe in dignity, kindness, and respect--and therefore gave those gifts, hoping to get the same things in return.

I would recommend this movie to anyone who wants to think positively about hope and healing.

Having read the Spencer novel, I was very disappointed in the film. The main characters are excellent. Christopher Reeve, Deborah Raffin, Nina Foch, Lloyd Bochner, and Helen Shaver are a pleasure to watch, even in this rather slow film.

The problem is the screenplay by Charles Jarrott and Deborah Raffin, which was unquestionably poor. Much of the character development was lost, and WWII, which figured prominently in the novel and provided context for those stupid jars of honey, was barely noted.

The book's villain was barely a footnote and the conflict was shifted in a move that did not work at all. With a runtime of 1 hour 36 minutes, they could have kept the main villain and the original ending intact without going over two hours. They rushed important elements and left others out, making the movie weaker for their efforts.

The LaVyrle Spencer novel from which the movie was made, however, was excellent.

This movie would have been OK if it hadn't been so horribly cast. I enjoyed the book but this movie falls short of believability. Deborah Raffin was 40 years old and should not have been cast in the role of a woman that was 24 years old in the book. Elly was supposed to be a young woman and aged from 24 to 26 or so in the book. Christopher Reeve was also too old. Will Parker was at least 10 years younger than Reeve's age at the time of the book. Deborah was more believable in her other Lavyrle Spencer role in Homesong where she was playing a woman her own age. 40 just isn't 24 no matter how you cut it. Deborah is a close personal friend of the author but even so it was ridiculous.