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6,2/10
23.659
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Quando il timido detective di Chicago Wayne "Mad Dog" Dobie, salva inavvertitamente la vita del gangster Frank Milo, è il riluttante destinatario di un insolito regalo di "grazie" di una set... Leggi tuttoQuando il timido detective di Chicago Wayne "Mad Dog" Dobie, salva inavvertitamente la vita del gangster Frank Milo, è il riluttante destinatario di un insolito regalo di "grazie" di una settimana: una bellissima barista di nome Glory.Quando il timido detective di Chicago Wayne "Mad Dog" Dobie, salva inavvertitamente la vita del gangster Frank Milo, è il riluttante destinatario di un insolito regalo di "grazie" di una settimana: una bellissima barista di nome Glory.
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Recensioni in evidenza
I suppose the best thing about this movie is Robert De Niro and Bill Murray both playing against type, and doing so very well. Uma Thurman was good also, looking very pretty even when also looking a bit mousy. I have never been a fan of David Caruso, but once you get past the fact that it is David Caruso, you can't help but enjoy the way he played his part. Long time character actor Mike Starr was sufficiently menacing while also showing a bit of a goofy side. Some people complained about this film being placed in the comedy genre, and that seems legitimate, but it is a film rather hard to characterize. You might call it a character study. It had amusing and wry moments, but it is hardly a comedy. Anyway it is an OK film, worth a look.
Time and time again I try to see movie comedy try to transcend its material to create some sort of comic lunacy. They take all their characters and exagerate them to the point of being caricatures instead. MAD DOG & GLORY could very well have done that to Milo, Glory and Wayne. But instead of making a mockery out of their world for simple laughs and guffaws, director McNaughton plays the comedy at human level, in turn making this little gem something different. Every project John McNaughton takes on seems to be effectively low-keyed. He made HENRY one of the most frightening and violent films of the 90's by playing down the glorification of violence. He did it this time with the comedic material in MAD DOG & GLORY, making us laugh with its characters, and not at them. As for the acting? Impeccable.
A surprisingly strong script and solid acting performances saved what could have been a mediocre story involving cliché stock characters. As it turns out, the movie features a sensitive portrayal of a wanderlust cop, his wirey and scrappy colleague, an off-key loan shark, and a vulnerable girl. Each of the characters was subtly amusing and unique-- but not framed to be cartoonish. If the script had attempted to go in for more jokes, the movie would have suffered-- how many movies involve a disgruntled cop and a mob guy who sees a shrink? Too many... Many that often rely on overplayed cliché and slapstick to deliver. Or they go in for the melo-drama. Instead, the film just hopped along, taking the quirky story seriously, producing a film that is neither screamingly funny nor powerfully dramatic but instead small, light, and mildly interesting. Picture a just slightly-darker Mickey Blue Eyes, with a happier ending, a more interesting set of characters, and less humor.
I keep on watching this movie and i like it more every time i view it. I am very surprised with Bill Murray's character, it was something diffrent from his usual parts. This movie is a black comedy and it's very very funny in parts, some great performances here too especially from Bill Murray who i never expected to see working with Robert DeNiro. This ones a keeper.
Mad Dog and Glory (1993)
**** (out of 4)
A lonely and wimpy cop (Robert DeNiro) saves the life of a mobster (Bill Murray) so as a thank you gift the mobster gives the cop a thank you present for a week in the form of Glory (Uma Thurman). The two eventually fall in love but since she's still the gangster girl there's going to be a problem with the cop trying to keep her. I still remember when this film was released as it got all sorts of very good reviews but it didn't really catch an audience, which is a real shame but the bigger shame is that it still hasn't become too well known even after fifteen years. To me this is one of the best comedies of the decade and a film that gets better with each new viewing. What makes this comedy so special is that we get two great actors changing their roles and playing the opposite of what we're use to seeing them do. I also think this is one of DeNiro's greatest performance just because of how fun he is here. We're use to seeing him play dark and tormented characters so it's great fun seeing him at the opposite end of the pole and playing a real wimp who really can't do anything right. Murray is downright wonderful in the role of the mobster who wants to be a comic. Murray's comic timing hits all the right notes and he even manages to come off threatening in the scenes where he has to try and rough up DeNiro. Thurman is easy on the eyes and comes off very well. Supporting players David Caruso, Mike Starr, Kathy Baker and Tom Towles also shine in their moments. Starr isn't very well known but he's always been one of my favorite character actors and his brand of comedy adds a lot of great scenes to the film. All of the comedy leads to a wonderful street fight at the end when DeNiro finally snaps and becomes the "Mad Dog", which is a hilarious sequence and in my opinion one of the best street fights in any movie. After seeing DeNiro's character being bullied the entire film, to finally see him snap was very exciting and funny.
**** (out of 4)
A lonely and wimpy cop (Robert DeNiro) saves the life of a mobster (Bill Murray) so as a thank you gift the mobster gives the cop a thank you present for a week in the form of Glory (Uma Thurman). The two eventually fall in love but since she's still the gangster girl there's going to be a problem with the cop trying to keep her. I still remember when this film was released as it got all sorts of very good reviews but it didn't really catch an audience, which is a real shame but the bigger shame is that it still hasn't become too well known even after fifteen years. To me this is one of the best comedies of the decade and a film that gets better with each new viewing. What makes this comedy so special is that we get two great actors changing their roles and playing the opposite of what we're use to seeing them do. I also think this is one of DeNiro's greatest performance just because of how fun he is here. We're use to seeing him play dark and tormented characters so it's great fun seeing him at the opposite end of the pole and playing a real wimp who really can't do anything right. Murray is downright wonderful in the role of the mobster who wants to be a comic. Murray's comic timing hits all the right notes and he even manages to come off threatening in the scenes where he has to try and rough up DeNiro. Thurman is easy on the eyes and comes off very well. Supporting players David Caruso, Mike Starr, Kathy Baker and Tom Towles also shine in their moments. Starr isn't very well known but he's always been one of my favorite character actors and his brand of comedy adds a lot of great scenes to the film. All of the comedy leads to a wonderful street fight at the end when DeNiro finally snaps and becomes the "Mad Dog", which is a hilarious sequence and in my opinion one of the best street fights in any movie. After seeing DeNiro's character being bullied the entire film, to finally see him snap was very exciting and funny.
Lo sapevi?
- QuizRobert De Niro initially was offered the role of gangster Frank Milo, but he insisted on playing the timid Wayne instead. The mobster part went to Bill Murray.
- BlooperIn the beginning, when the driver is shot in the head, for his blood to have splattered on the window in the manner that it did, the bullet would have had to pass through his head and then through the window, which of course does not happen that way at this moment.
- Colonne sonoreHand on the Pump
Written by DJ Muggs (as Lawrence Muggerud), B-Real (as Louis Freeze) and Brett Bouldin
Performed by Cypress Hill
Courtesy of Ruffhouse/Columbia Records
By arrangement with Sony Music Licensing
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Dettagli
Botteghino
- Budget
- 19.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.081.586 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.815.555 USD
- 7 mar 1993
- Lordo in tutto il mondo
- 11.081.586 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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