I cavalieri del futuro

I tuned into this thing one night on a cable channel a few minutes after the credits ran, so I didn't know who had done it at first. The longer I saw it, the more I started thinking, "Jesus, this looks like an Albert Pyun flick." Wasn't quite sure, though, for two main reasons: the photography was quite good (and the Utah desert scenery was beautiful), and Scott Paulin gave an hilarious performance as Simon, a murderous cyborg, but with some style and a sense of humor. Paulin must have ad-libbed the many clever one-liners he shot out, because Albert Pyun hasn't written anything even remotely funny or coherent in his career. Unfortunately, Paulin doesn't have all that much screen time before he's gone, and the movie's the worse for it. Lance Henriksen, playing the evil head cyborg, growls his way through his part, as he's done in countless other movies like this. I don't know what the hell Kris Kristofferson is doing in this thing; maybe he wanted to see what the Utah desert looked like and get paid for it. He goes through the movie looking (and sounding) like he just woke up, and in fact spends most of the last half of the movie on his back in a tent. Kathy Long, the nominal hero, has a great body, is attractive, has a great body, fights extremely well, has a great body, and doesn't have an iota of acting talent, but that doesn't matter in a movie like this. This being an Albert Pyun film, it's full of the trademarks that we've all come to know and love: inane and idiotic dialog, choppy editing, and the impression that they lost a reel in the middle of the picture and figured, "Ah, nobody'll ever notice."

As bad as this movie is, however, it's a shade above most of Pyun's other efforts--this is "Citizen Kane" compared to his brain-numbing "Adrenaline: Feel the Rush", for example. The fights are pretty well done, if repetitive (after she knocks down eight or nine guys one after the other, you find yourself saying, "Alright already, go to something else"), and Long is very athletic (and, as a previous poster has noted, has a great derrière). It's not a good movie by any stretch of the imagination, but it's not anywhere near as incoherent and incompetent as Pyun's usual extravaganzas. You could do worse than rent this movie--not much worse, granted, but worse nonetheless.

Set in a post-apocalyptic environment, cyborgs led by warlord Job rein over the human population. They basically keep them as livestock, as they need fresh human blood to live off. Nea and her brother managed to survive one of their attacks when she was a kid, and years have past when she came face-to-face with the cyborgs again, but this time she's saved by the cyborg Gabriel, who was created to destroy all cyborgs. Job and his men are on their way to capture a largely populated city, while Nea (with revenge on mind) pleads Gabriel to train her in the way of killing cyborgs and she'll get him to Gabriel.

Cheap low-rent cyborg / post-apocalyptic foray by writer / director Albert Pyun (who made "Cyborg" prior to it and the blistering "Nemsis" the same year) is reasonably a misguided hunk of junk with some interesting novelties. Very little structure makes its way into the threadbare story, as the turgid script is weak, corny and overstated. The leaden banter tries to be witty, but it pretty much stinks and comes across being comical in the unintentional moments. Most of the occurring actions are pretty senseless and routine. The material could've used another polish up, as it was an inspired idea swallowed up by lazy inclusions, lack of a narrative and an almost jokey tone. The open-ended, cliffhanger conclusion is just too abrupt, especially since a sequel has yet to be made. Makes it feel like that that run out of money, and said "Time to pack up. Let's finish it off another day (or maybe in another decade). There's no rush." However it did find it rather diverting, thanks largely to its quick pace, some well-executed combat and George Mooradian's gliding cinematography that beautifully captured the visually arresting backdrop. Performances are fair. Kris Kristofferson's dry and steely persona works perfectly as Gabriel and a self-assured, psychically capable Kathy Long pulls off the stunts expertly and with aggression. However her acting is too wooden. A mugging Lance Henriksen gives a mouth-watering performance of pure ham, as the villainous cyborg leader Job who constantly having a saliva meltdown. Scott Paulin also drums up plenty of gleefulness as one of the cyborgs and Gary Daniels pouts about as one too. Pyun strikes up few exciting martial art set pieces, involving some flashy vigour and gratuitous slow-motion. Seeping into the background is a scorching, but mechanical sounding music score. The special effects and make-up FX stand up fine enough. Watchable, but not quite a success and it's minimal limitations can be a cause of that.

Knights is the third movie in the bafflingly constructed Cyborg franchise which started with the Jean Claude Van Damme movie Cyborg (1989).

It tells the story of a girl who is trained to fight cyborgs who are intent on slaughtering countless humans in order to create an unstoppable army.

The girl in question is played by Kathy Long, for those unfamiliar she's more well known as a professional kick boxer and a stuntwoman than an actress. I guess you could say she was the 1990's Zoe Bell.

Full of high octane action (Mostly melee) this is another weak addition to the franchise which is insanely disjointed and I simply don't get it.

Starring industry veterans Lance Henriksen and Kris Kristofferson it's mediocre stuff and demonstrates that even the greats have blotches on their records. Henriksen inparticular is really quite awful here.

3 movies in, not impressed.

The Good:

Scott Paulin

Some okay choreography

The Bad:

Simply really generic stuff

Things I Learnt From This Movie:

Lance Henriksen has done some absolute stinkers

It is what it is, but the fight scenes are quite good. Enjoyable to watch.

What a sensational movie. The script-writers obviously have really taken their time here. The plot is fantastic and the director deserves credit for keeping it together so well. The acting is sensational with a lively mix of both well executed humour and a theme which is so very important. It underlines a woman's place in society as being just as important as a man's. It also helps us realise just how important family values are. Lance and Kris have both shown how their talents demand more screen time. The film was so well rounded. Such a complex and engaging beginning combined with well developed middle and truly classic and memorable ending. Of course i approached the film thinking it would be slap-dash tripe but not at all. The many sets (the desert, the outback and the..eh...des..er.t) really caught the eye. The costumes were amazing too. The idea of replacing cars with horses in an age of cyborg's and robots was very eh.....original. But the thing is that Hollywood has been crying out for a kickboxer/robot team taking on evil, blood-sucking cyborgs theme. The movie's lack of success can only be explained by bad timing. The fight sequences are never repetative and the dubbing and editing are obviously the work of a master technician. The dialogue i believe was written by the script people from 'Howard's End'. The original tag-line for this film was 'Poetry in Motion.'Apparently a sequel was cosidered however the film's producers had the old 'Sundance and Butch Cassidy' problem of the first film being too final and not open-ended enough. Probably the film's only major flaw. May i also say that Darth Vader(Star Wars), The Joker(Batman), Mum-Rah(ThunderCats) and Roy Batty(Blade Runner) pale into significance to the ultimate BADDY - 'The Master Creator'. And though we never see it you could just tell that the brilliantly titled 'Cyborg City' would beat the hell out of the 'Death Star'. Hats Off. Pure Genius. Top class. First rate. Numero Uno. Ten out of Ten. Best of the Best. Made in Heaven. All time classic. My A**e. It was $h!t with a capital SSSSSSHHHHHHHEEEEEEEE!