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Danny DeVito is John Leary, a professional clown, whose wife's death in a car accident has left him to care for his two young boys.

Some aspects of the film are really good. I liked Danny DeVito's Al Gory character, for example. And the performances as a whole are strong -- we get not only DeVito, but also Gary Sinise, Miko Hughes, and Reese Witherspoon in what has to be one of her earliest roles (I could look it up but I didn't).

The overall film seems lacking, though. The kidnapping part feels off, and the whole Neo-Nazi aspects come across as exaggerated and unrealistic. Maybe I just don't know the 1970s, but this did not strike me as a real situation.

Jack the Bear is a wonderful movie. It is the story of John Leary (Danny DeVito) and his two boys, Jack (Robert J. Steinmiller, Jr.) and Dylan (young Miko Hughes, known e.g. from his later accomplishment in 'Mercury Rising'). It is a story that takes a bittersweet look at the joys and pains of growing up. By doing so it elaborates on weighty issues, while at the same, it has a certain amount of humor to it. Yet despite the subtle comedian edge, this movie is by no means a comedy. It is a very emotional and instructive tale of one family's struggles, of challenges and tragedies. It features sincere messages of life and can be seen as a symbolic story that stands for the premise that growing up is never easy. Sometimes it is painful. Sometimes it is scaring. Then again, when the chips are low and the world seems to fall apart, there is hope. Hope you find within your family, hope – and the knowledge that there will be brighter days ahead.

Danny DeVito plays Jack Leary, a widower who works as a monster-host of a late night horror show and who entertains the neighborhood kids with silly ghoulish antics. His twelve-year-old son Jack is the movie's main protagonist. He talks to the audience as if he would tell the story of his life – which he does to some extent. The entire developments are told through his eyes mainly. Thus the story is endowed with the childish naivety that makes it so special and so sincere. Dylan, Jack's little brother, is about four years old. The setting is Oakland, California, in 1972.

The main theme that runs through the entire story is the theme of monsters. Jack Leary, the perfect monster in his TV show, is not the only one. Right at the beginning Jack says that he would find out that summer that real monsters existed. Then there is Jack's "monster" crush on the lovely girl at school (young Reece Witherspoon), which is a sub-theme of the plot. We share Jack's joy and his confusion after their first date, which is so funny as many will be able to identify with his tenseness prior to and his enthusiasm after their first kiss. The real monster is introduced as weird and apparently dangerous Norman Strick (Gary Sinise, who completes the quality of the cast), who turns out to be a deceitful and dangerous antagonist.

The strongest emotional theme is that of family life. John's wife, Jack's and Dylan's mom died the previous winter in a road accident after some heavy arguments with her husband. This left a huge gap in the boys' lives and painful scars on Jack in particular. He occasionally seems to see her, and we get some flashbacks to their time together throughout the movie. This is very tough and intensifies the feeling of loss and loneliness. This theme is then even more so addressed when Dylan is kidnapped, which is presented in all its horror and pain for Jack and his dad. Very close to this is John's struggle to be a good father, to overcome his irresponsibility and live up the needs of his boys. All of these aspects mixed together make up the story's strength and provide substantially more than mere entertainment, but real issues of daily struggles and common problems.

Seen from socio-cultural aspects, this movie is typically American in its entire setting and its developments. Following the emotionally stirring showdown with Norman Strick, Jack has an emotional breakdown and cries for his mother. When John tries to comfort him, Jack shouts: "No, nothing is all right!" Then John looks straight into his son's eyes and replies: "Then we gonna make it all right." This is the embodiment of the American Dream, the American attitude never to give up and keep fighting, even if the chips are low and the times are hard and full of privation.

The cast is outstanding, the acting is very convincing and the themes are brilliantly worked out. It is the struggle of a father to keep his kids; it is one boy's quest to find happiness; it is a typically American tale of courage and steadfastness, of values, trust and love. The movie captures pure messages of life, is exciting and displays tremendous wisdom, all woven together in the cultural stratum of 1972. And finally, it has genuine humor and provides first class entertainment for the entire family. You will enjoy Jack the Bear, and you have all reason to do so.

'Jack the Bear' is drama set in the Seventies revolving around Leary family and their first summer since the loss of their wife and mother. John hosts a late-night horror show and, while he has an understanding of television, he struggles to be a proper father to his sons, thirteen-year-old Jack and four-year-old Dylan. Instead Jack is left to be a substitute parent to his young brother while not only going through adolescence but is also struggling with the recent loss of his mother.

This film is a much darker version of the subjects brought up in 'My Girl' with the lead here being a boy instead of a girl. It was quite interesting to see a boy (instead of a girl who is usually cast in such movies) cope with the loss and guilt over his mother's death, shouldering the responsibility of caring for his little brother and alcoholic father and learning the lessons of his first love.

One of the main themes of the film is coming-of-age, both for Jack and his father. John is relearning how to be a parent without his partner by his side and redefining his relationship with his boys. As for Jack, as a boy of thirteen, he is starting to see life through an adult's eyes as he lets go of childhood innocence. One of the harshest lessons of the adultworld he learns, is that not all monsters are ugly things who live in the closet and humans can be evil too when his younger brother kidnapped by a Nazi neighbour who harbours a grudge against his father and a young lad in his neighbourhood develops some Nazi traits when he turns to the wrong person for a role model.

This films is really enjoyable, both with cute moments (Jack's little brother is adorable) and darker, angstier times. Definitely worth a look.

The Leary family, John (Danny DeVito), Jack (Robert J. Steinmiller, Jr.) and Dylan (Miko Hughes), have moved from Syracuse, New York to Oakland, California in the early 1970s. John was a children's show host in Syracuse, but also has a love for horror films, and becomes a television horror film host in Oakland. On one level, the film is just a drama about the Leary's trying to settle into their new life. On another level, Jack The Bear is about confronting various kinds of monsters, from make-believe to human, as well as more abstract "monsters", including behaviors that are difficult to control and accidental tragedies such as deaths.

I've seen Jack The Bear a few times now, and every time I see it I like it even better. The performances are fantastic, taking you on a roller coaster of emotions. But it almost requires multiple viewings to really "get" the film. At its heart is the growing presence and threat of the various "monsters" mentioned above. The various monsters are all woven together in very complex ways, and most of the developments later on in the film are about how those monsters can be conquered, but always at some price. Just as the threads are densely combined, so is the vanquishing of the monsters, and both the development of the monsters and the "solutions" to them are like various pieces of a large jigsaw puzzle, each piece necessary for the whole, and often affecting the whole in unexpected ways.

The direction, script, editing, cinematography, and all of the technical aspects are impeccable. The score is also wonderful and not only enhances the setting, but underscores the dramatic developments if you listen to the lyrics closely.

A 10 out of 10 from me. Don't miss this film.

I lost my parents before I was ten...Jack and those flashbacks?...The movie nailed it...big time...The one where he yells at his mom and treats her badly, only to snap out of it to realize he was wrong, but it doesn't matter cause she's gone...man, I'm tearing up right now over that one...

I even grew up in Oakland in the early 70's and I was about that age too...Jack hitting the bottle was way too close to home too...a great movie...when I saw it for the first time, I was just blown away...very close to home for me...

The last half hour got a little weird but before that...that was me in '72...spooky, great movie...