Trappola per una ragazza sola

This type of film could seem over-the-top, but thanks to a believable performance by Richard Thomas, and a surprisingly decent performance by Brooke Shields, the viewer is interested in the story, and not distracted by personalities.

You will see some interesting information regarding stalking, as well. For example, when Thomas speaks to Penny (human resources) who divulges Laura's personal information (including her birthday, residence and family information). This film was made in 1993, and I was surprised that the company was not held liable for Laura's problems with this man.

As this is based on a true story, we see Richard Thomas gradually unraveling as he stalks Laura (Shields), he seems initially harmless, then obsessed. The breaking point occurs when he is fired. He has, he says to his friends, nothing to lose, and starts asking if the office is protected with bullet-proof glass. His co-workers laugh, thinking this is a joke.

This is an interesting and true story, which is well-presented. 9/10

Up until a few months ago I had never seen I Can Make You Love Me or read the story about Laura Black and after watching the film I was left feeling sickened and horrified. This movie tells the story of how a man's four year obsession and stalking of a female employee ended in a tragic conclusion.

I had seen Richard Thomas in Death In Small Doses and he's a brilliant actor with great talent his portrayal of real life killer Richard Farley sent chills down my spine as he played a man with a sick obsession. Brooke Shields delivered an incredible performance as Laura as the film progressed it amazed me how she had the courage and bravery to escape the rampage alive and how she reacted when her boss told her about the real reason why Farley got fired .

At 23 years old Laura Black (Shields) is about to leave her parents home in Virginia after accepting a job at K.E.I. in Sillicon Valley California, on her first day she's introduced to long time employee Richard Farley (Thomas) whose immediately attracted to her beauty after lunch he invites her out she politely turns him down.Over the next few days he is shown waiting for her in her office with fresh baked bread to show how he feels and then watches outside her aerobics class as she removes her sweater to reveal her outfit.

What happens next is a four year nightmare for Laura as Farley continues to follow her repeatedly even going so far as to slash the tires on her car, trick other employees into giving him her address, enrolling in her exercise class,breaking into the office to get more info on her, breaking into the garage at her apartment building. The worst ones were taking pictures outside her home and writing to her parents about their relationship. There was a scene when she goes home to visit her family for Christmas and receives a gift entitled our summer vacation which causes her to break down crying.

What made the situation even more difficult was his threats to go after members of her family if she tried to leave or learn that she was meant for him.

She made many complaints to her boss about what she endured because of him only to be told that they didn't want to jeopardize his security clearance over her right to be safe.It made me feel angry the company should have done more to help keep her protected from harassment.

The final straw comes after she files a restraining order and it pushes him to the edge and the result is a shooting rampage which claims the lives of several employees and injured others including Laura.

After the film California became the first place to enact an anti stalking law and other cities have followed since. This film is an example of how horrifying obsession can be as well as stalking.

This movie was very creepy to me because this kind of thing happens every day.

What I can never understand, though, is why people don't notify law enforcement when things start to get out of hand (one has to be careful with employers, as they're quite often "good-old-boy networks" only concerned about protecting their own, as well as covering their own behinds). If I were the personnel director and I heard comments like he was making, I would have notified the police as soon as he left! However, this film was made in 1993, before workplace and school shootings became fairly commonplace.....

That withstanding, I've never been a victim of stalking, but you can bet that I would also never let things get as far as they tend to do with many people (maybe it's the way I was raised, or because I have a pretty good self-esteem, who knows).

Nevertheless, I find these types of films much more captivating and closer to home than the usual stuff out there.

It's too bad that there are such people in this world.......

When I first saw the movie, I was completely shocked! Richard Thomas did an amazing job, with this part! I saw the fear in Brooke Shields eyes, but her crying wasn't really good, sorry. The human resource lady, she was protecting Richard more then Laura! I didn't like her comment about Laura's smile! The other lady that showed Richard getting Laura personal information was so wrong! This company didn't protect Laura like they should have! She could have sued them! Laura went through hell and had to the surgeries because of him! Just because she refused to go out with him, he sexually harassed Laura for 4 years and they were worried about his clearance! What about Laura's!?! Richard was fired for threatening to kill the lady and his work fell off! Laura had every right to get restraining order, on him! If someone is talking about company's doors they should have warned the company! And, maybe saved lives! The music used, was perfect for this story!

STALKING LAURA, a true story about one man's increasing obsession with a work colleague which leads to eventual tragedy, is an astonishingly good film and quite possibly one of my favourite made-for-TV movies of all time. On the face of it, it looks like every other TV-movie ever made: matter of fact, routine, bogged down with the 'true story' hook. Indeed, for the first half of the production, all is familiar and safe, rather than gripping.

The film is anchored by Richard Thomas delivering a completely surprising turn as the villain of the piece. Thomas underplays it, selling us his nice-guy John Boy Walton character with a few hidden undertones; a little too insistent here, a gaze lingering too long here. Shields is perfectly adequate as the increasingly frustrated object of his obsession, but the film belongs to Thomas.

Then he flips and the film becomes something else: gripping, gutsy, compelling, harrowing and completely shocking. I wasn't expecting what happened next, but from that point in I was glued to the screen. Few films have the guts to tackle such disturbing – and, indeed, increasingly familiar, at least in the news – subject matter, but this movie handles it with aplomb. Kudos then, to both scriptwriter and director for making an unforgettable movie.