Aggiungi una trama nella tua linguaA writer flies to Mexico to finish an action movie script in a hurry. He dives into the seedy life and gets inspiration at a hefty price.A writer flies to Mexico to finish an action movie script in a hurry. He dives into the seedy life and gets inspiration at a hefty price.A writer flies to Mexico to finish an action movie script in a hurry. He dives into the seedy life and gets inspiration at a hefty price.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Leilani Sarelle
- Natalie Caldwell
- (as Leilani Sarelle Ferrer)
Tony Denison
- Noel Guzmann
- (as Anthony John Denison)
Recensioni in evidenza
Good suspense and writing anchor this otherwise routine thriller about a writer who lives out the urban legend of waking up without a kidney while investigating a series of murders in Mexico. He soon finds himself running for his life. (and his other kidney!) Average at best, you might like it. Miguel Ferrer gives a good performance.
** 1/2 out of ****
** 1/2 out of ****
In this excellent unabashed B movie from 1993 you get to watch Miguel Ferrier and his wife turn one of the most enduring urban legends ever (guy wakes up in a bathtub of ice missing -insert body part- with instructions to call an ambulance) into a South of the Border escape covering topics from the Hollywood screen writing culture to Latin American police corruption to long term depression to child molestation to the underground gay community back to the Hollywood screen writing culture. What it lacks in production values (not much) it makes up for in heart.
This type of film was often showed on the off-brand pay movie channels in the early to mid 90s but usually centered more around the exposure of many, many nude body parts belonging to Shannon Tweed, Joan Severence or C. Thomas Howell (::shudder::). This film keeps its clothes on (and puts a dress on George Clooney, to boot) and delivers an enjoyable watching experience of pure escapist fantasy throughout which you will consistently thank God you aren't Miguel's character (when he is rolling around on the ground in pain) or curse God you aren't Miguel's character (when he is rolling around in the front seat of a Volkswagon with his insanely beautiful real life wife).
Good stuff.
This type of film was often showed on the off-brand pay movie channels in the early to mid 90s but usually centered more around the exposure of many, many nude body parts belonging to Shannon Tweed, Joan Severence or C. Thomas Howell (::shudder::). This film keeps its clothes on (and puts a dress on George Clooney, to boot) and delivers an enjoyable watching experience of pure escapist fantasy throughout which you will consistently thank God you aren't Miguel's character (when he is rolling around on the ground in pain) or curse God you aren't Miguel's character (when he is rolling around in the front seat of a Volkswagon with his insanely beautiful real life wife).
Good stuff.
I saw this on cable, and it impressed me. Hollywood makes tons of boring thrillers, full of gunplay and mindless brutality. What I liked about this movie is that the hero goes through unusual trials to find the people that did him wrong: he doesn't just shoot and interrogate bad guys.
An author goes to Mexico for inspiration. He get seduced, get drugged, and wakes up minus one kidney. He is too obsessed with the woman who wronged him to drop the matter and fly home, however. To find her, he tangles with corrupt cops, endures his weakened state (he has just lost a kidney, after all), faces off with Mexican gangsters, and hikes through the jungle wasted on psychedelic drugs.
Not a bad film as far as these things go. There is also a hot love scene in a moving Volkswagen beetle, but I don't want to spoil that part for you.
An author goes to Mexico for inspiration. He get seduced, get drugged, and wakes up minus one kidney. He is too obsessed with the woman who wronged him to drop the matter and fly home, however. To find her, he tangles with corrupt cops, endures his weakened state (he has just lost a kidney, after all), faces off with Mexican gangsters, and hikes through the jungle wasted on psychedelic drugs.
Not a bad film as far as these things go. There is also a hot love scene in a moving Volkswagen beetle, but I don't want to spoil that part for you.
'The Harvest' is one of those viewing experiences that gets by largely on mood & atmosphere. It features a bunch of ingredients - interesting theme, damaged characters - that when blended together go down smooth like a refreshing drink. It's the after taste that's off putting.
Charlie Pope (Miguel Ferrer) is a burnt out screenwriter who gets a paid trip to Mexico to try and turn in one final draft of his script he's been churning for two years that will appease the studio and his headache of an agent (Harvey Fierstein). Doing so he finds the original basis for his story is incorrect. More importantly he meets a bunch of characters - particularly Natalie (Leilani Sarelle) - and loses a kidney in the process.
I've watched a lot of movies so when a plot deals with a writer I know enough to see where things might be going. You have to question if what you see & hear is fact or fiction. Add in the usual tropes about foreign countries where you don't speak the language, corruption and holiday romance and you've just summed up 3/4's of this film.
Writer/director David Marconi's 'The Harvest' has two things going for it. Standout acting from Ferrer & a great musical score. Unfortunately as the tagline states "They stole one of his kidneys. Now they've come for the other one" the movie is playing loose & unfair with the rules. It's a fine trip up until that point though.
Charlie Pope (Miguel Ferrer) is a burnt out screenwriter who gets a paid trip to Mexico to try and turn in one final draft of his script he's been churning for two years that will appease the studio and his headache of an agent (Harvey Fierstein). Doing so he finds the original basis for his story is incorrect. More importantly he meets a bunch of characters - particularly Natalie (Leilani Sarelle) - and loses a kidney in the process.
I've watched a lot of movies so when a plot deals with a writer I know enough to see where things might be going. You have to question if what you see & hear is fact or fiction. Add in the usual tropes about foreign countries where you don't speak the language, corruption and holiday romance and you've just summed up 3/4's of this film.
Writer/director David Marconi's 'The Harvest' has two things going for it. Standout acting from Ferrer & a great musical score. Unfortunately as the tagline states "They stole one of his kidneys. Now they've come for the other one" the movie is playing loose & unfair with the rules. It's a fine trip up until that point though.
A screenwriter goes to Mexico and gets his kidney stolen! Along the way, searching for that appendage which did a vanishing act, he meets a girl and they have a sexual liaison. It all spells trouble with a capital T, as he finds out that his other kidney is about to be targeted!
Miguel Ferrer, a lesser known supporting actor whom you may of seen in such flops as "Another Stakeout", "Royce", "The Stand" and "Twin Peaks: Fire Walk With Me", does a great job as the smitten man frantically searching for the nabber of his kidney.
Another woman, dubiously surnamed "Ferrer" as well, plays the sexual interest. She was the lesbian offsider also in Basic Instinct, this girl surely does get around! Going from ice-pick crazy millionaire lesbian to kidney stealing enthusiast is a leap at both ends of the spectrum.
The intrigue builds through a plot that develops relatively devoid of action, and builds up to an abrupt climax which halts the film. But, I found myself strangely drawn to the movie. I liked it, I really did!
I hope that Miguel Ferrer makes something of himself, because seeing someone of his acting calibre would be very satisfying.
Eight out of ten.
Miguel Ferrer, a lesser known supporting actor whom you may of seen in such flops as "Another Stakeout", "Royce", "The Stand" and "Twin Peaks: Fire Walk With Me", does a great job as the smitten man frantically searching for the nabber of his kidney.
Another woman, dubiously surnamed "Ferrer" as well, plays the sexual interest. She was the lesbian offsider also in Basic Instinct, this girl surely does get around! Going from ice-pick crazy millionaire lesbian to kidney stealing enthusiast is a leap at both ends of the spectrum.
The intrigue builds through a plot that develops relatively devoid of action, and builds up to an abrupt climax which halts the film. But, I found myself strangely drawn to the movie. I liked it, I really did!
I hope that Miguel Ferrer makes something of himself, because seeing someone of his acting calibre would be very satisfying.
Eight out of ten.
Lo sapevi?
- QuizGeorge Clooney is credited with the small role of "Lip Syncing Transvestite" in this movie. Clooney, who was two years away from his breakthrough role in E.R. - Medici in prima linea (1994), was still a struggling actor in LA, doing guest-starring and semi-regular roles on shows like Pappa e ciccia (1988) and Cuori senza età (1985). This movie's lead actor, Miguel Ferrer, is Clooney's first Cousin (Ferrer is the son of Clooney's father's sister, Rosemary Clooney).
- Citazioni
Steve Mobley: The days are like the women here - slippery and hard to stay on top of.
- ConnessioniReferenced in Film Junk Podcast: Episode 324: The Tree of Life and Cars 2 (2011)
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Dettagli
- Tempo di esecuzione
- 1h 37min(97 min)
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- Mix di suoni
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