Nel 1863, le forze del nord e del sud combattono a Gettysburg nella battaglia decisiva della guerra civile americana.Nel 1863, le forze del nord e del sud combattono a Gettysburg nella battaglia decisiva della guerra civile americana.Nel 1863, le forze del nord e del sud combattono a Gettysburg nella battaglia decisiva della guerra civile americana.
- Premi
- 1 vittoria e 1 candidatura in totale
- Maj. Gen. Isaac R. Trimble
- (as Morgan Sheppard)
- …
- Col. E. Porter Alexander
- (as Patrick Stuart)
Recensioni in evidenza
Truly classic storytelling beautifully presented. Each key event is intelligently and gently depicted leaving little of the battles, the personalities, and the actions to be misunderstood. I felt much closer to the unfortunate events that were our Civil War than I ever imagined. I don't consider myself ignorant as a rule, but to tell the truth I never envisioned that the battles were basically fought hand-to-hand, face-to-face, long lines of fighting men falling, almost randomly, on both sides.
This movie, along with John Frankenheimer's "Andersonville" jump-started a serious interest for me in these historical docudramas, and the Civil War in particular. Thank you Mr. Frankenheimer, and Mr. Ronald Maxwell (director of "Gettysburg").
So it's not that often that really good historical film comes around. As a result, it's good not to be too fussy when one does. Both Gettysburg and the Killer Angels, the book it was based on, were stuffed with historical inaccuracies, the grossest of all being the presence of the 20th Maine regiment anywhere near Pickett's charge (this happens in both the movie and the book).
For all the lengthy soliloquies, historical misses, whitewashed violence, and the fact that only about 30% of the battle of Gettysburg is shown on film, Gettysburg remains as the best effort to capture the sprawling battle of July 1863 on film. Where the movie lacks in realism, it makes up for it's dialogue, and in the scope of the battle scenes, which are on a scale so grand, that the bloodless body count and the inaccurate tactics can be forgiven. The sheer numbers of soldiers taking part in Pickett's charge was breathtaking. Kudos to the reenactors.
Martin Sheen and Tom Beringer were they're usual excellent selves as Lee and Longstreet and for me, their ongoing debate of the strategy of Gettysburg helped make the movie. Other highlights include the disenchantment of Union soldiers at this stage of the Civil War, and the personal trauma Richard Jordan's Lewis Armistead felt at having to fight his friend Winfield Hancock not only in the same war, but in the same sector of the same battle of that war.
Much of Gettysburg has to be viewed with a grain of salt, but until a Stephen Speilberg or other directing genius with a knack for war footage comes along, it's one of the best we have. And it's pretty good.
The performance of Richard Jordan as Lo Armistead must be singled out for praise - his anguish was very moving. I'd loved the actor in The Friends of Eddie Coyle and what a job he does. (It helps that he's given the best lines in the movie). Martin Sheen as Robt. E. Lee is not the first name that would come to mind - but I think he gave a fine performance - his accent was entrancing. Sam Elliott is perfectly chosen as (and wonderfully played) the western General John Buford. I also think Jeff Daniels was absolutely wonderful - conveying so well the different manner of someone who until a year before, had been a civilian professor, not a colonel. Unfortunately although I'm generally a fan of Tom Berenger, I wasn't particularly moved by any scene he was in - he kind of walks through it.
The movie is written so well - and its pace just fine. There are so many interesting scenes, touching on many different aspects of life and war - from the nature of man and race to the paradox of a general loving his army yet having to sacrifice it. Jordan brought home so well the closeness of the senior officers to those on the other side.
I loved how well they showed the varied purposes for fighting of the different armies, and the occasional reference to a perceived resentment by the Union soldiers over what they saw as Confederate pretensions to higher social class. ("They're so arrogant", etc.).
The music is first rate - and definitely enhances the drama. The depiction seems quite authentic.
Some niggling criticisms: aside from the map at the start of the movie, there is none. Maps would definitely have helped to undeerstand the overall picture. People commonly refer to directions (from the norht, from the west, etc.) or "we must flank them to the right" and it's hard to understand if you haven't read about the battle.
The scene with the runaway slave is too abbreviated from the book - it doesn't have much impact in the movie.
Kevin Conway's dialogue and accent was a bit over the top, and the English military attache was rather clicheed.
For all that General Hancock is referenced, we see very little of him.
We see the diatribe by General Trimble against General Ewell - but without seeing anything of that battle (or Ewell ever), it just hangs there - rather than being part of any continuous story. (In the book, Ewell's and Early's conduct is more discussed - including a wonderful scene by the two with Lee). If they weren't going to discuss that side of the battle, they should have left Trimble's (well-played) trembling anger out of the story - it doesn't belong in this movie.
Gen. Longstreet is the star of the book and movie - yet I never sensed from Berenger the great brooding quality (and he wasn't given any reference to the fact that his thre children had just died) that he has throughout the battle - according to the book. Similarly, Gen. Lee's health (his heart and headaches, etc.) is a constant factor - not shown in the movie.
Despite the criticisms, this is a wonderfully done movie - from a Pulitzer Prize winning book. It's long - but quite clear, and very deeply moving. I defy anyone to see the last 1/2 hour and not have tears in their eyes. I'd very strongly recommend this.
Yeah, I agree that the script tended to a lot of bloviation and speechifying by the principals. I do think we need to make allowance for the fact that in this pre-technological 19th century era portrayed, people DID communicate in ways that seem artificial and awkward by our standards. This was a time when oratory, whether in churches, politics, or general discourse, was valued both as communication and entertainment. So even if the dialogue got a bit overblown, I was more than willing to cut the production some slack.
The beards were a problem for me also, especially poor Tom Berenger's. Still, he (like ALL the lead actors) transcended the limitations and delivered what resonated for me as a credible interpretation of the time and situation.
MANY details of the movie can be nit-picked, and of course, those determined to hate "Gettysburg" can always find a reason, rational or not. I was BLOWN AWAY by the quality and passion of this movie from my first theatrical viewing and it was one of the very first DVD's I purchased. After multiple viewings (all 4 hours) I'm still impressed and grateful that Ted Turner had the desire and ambition to tackle such a BIG project that would be sniped at from all corners for eternity. My goodwill extends to the much weaker (but still defensible) "Gods and Generals"; if they go ahead and produce "The Last Full Measure," I promise I'll be first in line at the movie theater AND pre-order the DVD!
10 out of 10!
Lo sapevi?
- QuizSam Elliott is the only principal actor in the film who wears a worn and faded uniform. When he was issued a brand new uniform for the film, he called costume expert Luster Bayless and asked for instructions to properly age his uniform. The actor carried out the process in his motel bathroom.
- BlooperWhen Col. Chamberlain talks to his brother Tom while sitting on the big rock after the Battle of Little Round Top, a car drives by on a road in the background, on the right.
- Citazioni
Colonel Joshua Lawrence Chamberlain: I've been ordered to take you men with me, I'm told that if you don't come I can shoot you. Well, you know I won't do that. Maybe somebody else will, but I won't, so that's that. Here's the situation, the Whole Reb army is up that road aways waiting for us, so this is no time for an argument like this, I tell you. We could surely use you fellahs, we're now well below half strength. Whether you fight or not, that's up to you, whether you come along is... well, you're coming. You know who we are and what we are doing here, but if you are going to fight alongside us there are a few things I want you to know. This regiment was formed last summer, in Maine. There were a thousand of us then, there are less than 300 of us now. All of us volunteered to fight for the Union, just as you have. Some came mainly because we were bored at home, thought this looked like it might be fun. Some came because we were ashamed not to. Many of us came because it was the right thing to do. And all of us have seen men die. This is a different kind of army. If you look back through history you will see men fighting for pay, for women, for some other kind of loot. They fight for land, power, because a king leads them, or just because they like killing. But we are here for something new, this has not happened much, in the history of the world. We are an army out to set other men free. America should be free ground, all of it, not divided by a line between slave states and free - all the way from here to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by who your father was. Here you can be something. Here is the place to build a home. But it's not the land, there's always more land. It's the idea that we all have value - you and me. What we are fighting for, in the end, we're fighting for each other. Sorry, I didn't mean to preach. You go ahead and you talk for a while. If you choose to join us and you want your muskets back you can have them - nothing more will be said by anyone anywhere. If you choose not to join us well then you can come along under guard and when this is all over I will do what I can to ensure you get a fair trial, but for now we're moving out. Gentlemen, I think if we lose this fight we lose the war, so if you choose to join us I will be personally very grateful.
- Versioni alternativeOriginally filmed as a cable-tv miniseries but briefly released theatrically at 248 minutes. Some video versions add another 30 minutes of new footage.
- ConnessioniEdited into The Making of 'Gettysburg' (1993)
- Colonne sonoreKathleen Mavourneen
(uncredited)
Music by F. Crouch and lyrics by Francis Marion Crawford
Sung outside Longstreet's tent
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- Los ángeles exterminadores
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.769.960 USD
- Fine settimana di apertura Stati Uniti e Canada
- 913.617 USD
- 10 ott 1993
- Lordo in tutto il mondo
- 10.769.960 USD
- Tempo di esecuzione4 ore 14 minuti
- Colore
- Proporzioni
- 1.85 : 1