Processato e condannato a morte per l'omicidio della moglie, il dottor Kimble ha una sola speranza di salvarsi: trovare il vero assassino prima che la polizia trovi lui.Processato e condannato a morte per l'omicidio della moglie, il dottor Kimble ha una sola speranza di salvarsi: trovare il vero assassino prima che la polizia trovi lui.Processato e condannato a morte per l'omicidio della moglie, il dottor Kimble ha una sola speranza di salvarsi: trovare il vero assassino prima che la polizia trovi lui.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 13 vittorie e 37 candidature totali
Jeroen Krabbé
- Dr. Charles Nichols
- (as Jeroen Krabbe)
Joseph F. Kosala
- Detective Rosetti
- (as Joseph Kosala)
Recensioni in evidenza
This is a fine vehicle for Harrison Ford made even more agreeable by a clever, somewhat tongue in cheek performance by Tommy Lee Jones as a US Marshall out to have a good time getting the bad guy, even though the bad guy might not be so bad, and even though that's irrelevant, but hey, don't think so much and get me some coffee and a chocolate donut with those sprinkles on top, ya hear?
This is also a Hollywood producer's orgasmic dream with a chase scene beginning in the first reel and lasting throughout. It is based on the 60s TV show of the same name, but gets its premise from a true crime story, that of Ohioan Dr. Sam Shepherd who actually went to jail for murdering his wife in the 50s. He too claimed to have fought off the real killer, but the forensic evidence and his personality were against him. Here we have Harrison Ford as the good doctor, and it doesn't take a Hollywood genius to tell you that the most popular leading man of the late twentieth century ain't about to play the kind of guy who murders his loving wife.
Ford does a stand-up, competent job, saving lives and patting kids on the head as he plunges through sewers and off the top of a towering waterfall, steals an ambulance, survives a bullet wound and a bus wreck, etc. His fans will be pleased, but Tommy Lee Jones steals the show (and got a Best Supporting Oscar for his trouble) as a clever, wise-cracking good ole boy who has a lot of fun leading the posse. I wonder if he or director Andrew Davis invented the spin because without it, this wouldn't be half so good.
This is not to be confused with, nor is it a remake of The Fugitive from 1947 starring Henry Fonda and directed by John Ford, a cinematic gem of an entirely different sort.
See this for Tommy Lee Jones who has made a career out of turning oh-hum parts into something special.
This is also a Hollywood producer's orgasmic dream with a chase scene beginning in the first reel and lasting throughout. It is based on the 60s TV show of the same name, but gets its premise from a true crime story, that of Ohioan Dr. Sam Shepherd who actually went to jail for murdering his wife in the 50s. He too claimed to have fought off the real killer, but the forensic evidence and his personality were against him. Here we have Harrison Ford as the good doctor, and it doesn't take a Hollywood genius to tell you that the most popular leading man of the late twentieth century ain't about to play the kind of guy who murders his loving wife.
Ford does a stand-up, competent job, saving lives and patting kids on the head as he plunges through sewers and off the top of a towering waterfall, steals an ambulance, survives a bullet wound and a bus wreck, etc. His fans will be pleased, but Tommy Lee Jones steals the show (and got a Best Supporting Oscar for his trouble) as a clever, wise-cracking good ole boy who has a lot of fun leading the posse. I wonder if he or director Andrew Davis invented the spin because without it, this wouldn't be half so good.
This is not to be confused with, nor is it a remake of The Fugitive from 1947 starring Henry Fonda and directed by John Ford, a cinematic gem of an entirely different sort.
See this for Tommy Lee Jones who has made a career out of turning oh-hum parts into something special.
There is a kind of magic when a superb cast, a truly gifted director, and a literate script with equal parts 'over-the-top' action, riveting suspense, and rich characterization, come together. The end result attains a luster that only grows through the years, as new audiences, through DVD and VHS, experience the same excitement we felt, viewing it on a theater screen. In the last decade, only a handful of suspense films could be called 'great'...and on top of the list is THE FUGITIVE.
Based on the popular David Janssen TV series, the film faithfully follows the same premise; a doctor is accused of his wife's death, but escapes before his execution, and tracks down the 'one-armed man' responsible for the murder, as a driven law officer attempts to recapture him. Being a big-budget film, however, the scale of everything is expanded...Dr. Richard Kimble is now a brilliant vascular surgeon, at a major Chicago hospital; the handicapped killer is a dirty ex-cop working on orders from crooked board members of a billion-dollar pharmaceutical firm; and the lawman is no longer a solitary police lieutenant, but a deputy United States Marshal, and his team of agents! While some fans of the original series complained that the 'intimacy' the series had was lost, director Andrew Davis only used the 'bigger' aspects as plot elements, placing the focus, wisely, on the dual stories of Kimble's search, and Gerard's pursuit.
Despite the esteem the film has achieved over the years, Harrison Ford has gotten a bad rap for his very understated performance as Richard Kimble. While Tommy Lee Jones certainly had a far flashier role (earning him an Oscar as 'Best Supporting Actor'), Ford's intent wasn't to play 'Indiana Jones', but a man whose whole life was dedicated to his career as a surgeon, and his wife (played, in flashbacks, by the lovely Sela Ward). Seeing his wife brutally murdered devastated him (his scene in the police interrogation room, going to pieces, was largely improvised on the set, and displays some of his finest acting). His search for the killer was not the confident quest of an action hero, but based on uncertain, spur-of-the-moment decisions made by a desperate man, whose medical background was his only tool. Fear does not lend itself to flashy theatrics...
Jones, as Marshal Sam Gerard, on the other hand, was a seasoned veteran, the best at what he did, and pursuing a fugitive was 'old hat' for him. With a confidence bordering on arrogance, he ordered people about like chess pieces, multi-tasked without breaking a sweat, and still could charm with a wicked smile and sarcastic remark. Of COURSE he wins the audience's heart!
Featuring some of the most spectacular action scenes ever recorded on film (the train/bus wreck that frees Kimble, the dive off a dam into the churning maelstrom of the reservoir), as well as two slam-bang fistfights when Kimble finally gets 'justice', THE FUGITIVE still is remembered primarily for the suspenseful Jones/Ford 'cat-and-mouse' chase, cross-country, and the grudging respect that grows between them...which, ultimately, was what the TV series was best remembered for, as well.
There is magic, here!
Based on the popular David Janssen TV series, the film faithfully follows the same premise; a doctor is accused of his wife's death, but escapes before his execution, and tracks down the 'one-armed man' responsible for the murder, as a driven law officer attempts to recapture him. Being a big-budget film, however, the scale of everything is expanded...Dr. Richard Kimble is now a brilliant vascular surgeon, at a major Chicago hospital; the handicapped killer is a dirty ex-cop working on orders from crooked board members of a billion-dollar pharmaceutical firm; and the lawman is no longer a solitary police lieutenant, but a deputy United States Marshal, and his team of agents! While some fans of the original series complained that the 'intimacy' the series had was lost, director Andrew Davis only used the 'bigger' aspects as plot elements, placing the focus, wisely, on the dual stories of Kimble's search, and Gerard's pursuit.
Despite the esteem the film has achieved over the years, Harrison Ford has gotten a bad rap for his very understated performance as Richard Kimble. While Tommy Lee Jones certainly had a far flashier role (earning him an Oscar as 'Best Supporting Actor'), Ford's intent wasn't to play 'Indiana Jones', but a man whose whole life was dedicated to his career as a surgeon, and his wife (played, in flashbacks, by the lovely Sela Ward). Seeing his wife brutally murdered devastated him (his scene in the police interrogation room, going to pieces, was largely improvised on the set, and displays some of his finest acting). His search for the killer was not the confident quest of an action hero, but based on uncertain, spur-of-the-moment decisions made by a desperate man, whose medical background was his only tool. Fear does not lend itself to flashy theatrics...
Jones, as Marshal Sam Gerard, on the other hand, was a seasoned veteran, the best at what he did, and pursuing a fugitive was 'old hat' for him. With a confidence bordering on arrogance, he ordered people about like chess pieces, multi-tasked without breaking a sweat, and still could charm with a wicked smile and sarcastic remark. Of COURSE he wins the audience's heart!
Featuring some of the most spectacular action scenes ever recorded on film (the train/bus wreck that frees Kimble, the dive off a dam into the churning maelstrom of the reservoir), as well as two slam-bang fistfights when Kimble finally gets 'justice', THE FUGITIVE still is remembered primarily for the suspenseful Jones/Ford 'cat-and-mouse' chase, cross-country, and the grudging respect that grows between them...which, ultimately, was what the TV series was best remembered for, as well.
There is magic, here!
"The Fugitive" is one of those movies that you may already have seen a dozen of times, but which still seems to surprise every time that you watch it. I don't know what it actually is that makes this movie so good, but it sure works. It's probably the combination of a good script, good acting and the abundance of action that's always present, but never exaggerated.
The movie is about a doctor who's wife has been murdered by a one-armed man. He's innocent but is accused of the murder and convicted by court. He will get a lethal injection soon, but as he is transfered to another jail, the bus in which he is transported with some other inmates, crashes. He knows to escape and is determined to find his wife's murderer, but has to try to stay out of the hands of the police. The result is an interesting cat-and-mouse game between him and the police that never allows your attention to fade away.
The story is perhaps not exceptional, but thanks to the good directing and acting and the constant action and tension, this movie really delivers everything that you can expect from it. I give it an 8.5 - 9/10.
The movie is about a doctor who's wife has been murdered by a one-armed man. He's innocent but is accused of the murder and convicted by court. He will get a lethal injection soon, but as he is transfered to another jail, the bus in which he is transported with some other inmates, crashes. He knows to escape and is determined to find his wife's murderer, but has to try to stay out of the hands of the police. The result is an interesting cat-and-mouse game between him and the police that never allows your attention to fade away.
The story is perhaps not exceptional, but thanks to the good directing and acting and the constant action and tension, this movie really delivers everything that you can expect from it. I give it an 8.5 - 9/10.
Back in the 60s I tuned into ABC TV on Tuesday night to see how David Janssen as
Dr. Richard Kimble would once again escape the clutches of the law. Kimble was a convicted murderer who escaped execution in a train wreck. Once out Kimble
searches for a one armed man he saw leaving his home where his dead wife was
who can clear him. Searching for single wing and avoiding the cops was what was
behind every episode for four years.
That's still in the film, but it's a more complex motive behind the killing and it involves Kimble's colleagues in the medical field. Harrison Ford who is now Richard Kimble is as resourceful as Janssen was on television. What is a change is instead of the very dour Barry Morse as Lt.Gerard the pursuer and a lone hand pursuer we have good old boy Tommy Lee Jones who is in command of a unit of Fugitive chasers. The voluble and quotable Jones earned himself a Best Supporting Actor Oscar for what he did here.
The tension is good and crackling throughout and both Ford and Jones have their moments. Ford and Jones are evenly matched as adversaries. As the pursuer Jones could easily have been made to look like Wile E. Coyote as Morse was sometimes over the run of the TV series.
Also Joe Pantoliano has some good moments as Jones's 2nd in command. He has some droll lines.
This is one case where a movie adaption of a classic television series did not make you wax nostalgic for the series.
That's still in the film, but it's a more complex motive behind the killing and it involves Kimble's colleagues in the medical field. Harrison Ford who is now Richard Kimble is as resourceful as Janssen was on television. What is a change is instead of the very dour Barry Morse as Lt.Gerard the pursuer and a lone hand pursuer we have good old boy Tommy Lee Jones who is in command of a unit of Fugitive chasers. The voluble and quotable Jones earned himself a Best Supporting Actor Oscar for what he did here.
The tension is good and crackling throughout and both Ford and Jones have their moments. Ford and Jones are evenly matched as adversaries. As the pursuer Jones could easily have been made to look like Wile E. Coyote as Morse was sometimes over the run of the TV series.
Also Joe Pantoliano has some good moments as Jones's 2nd in command. He has some droll lines.
This is one case where a movie adaption of a classic television series did not make you wax nostalgic for the series.
The Fugitive is a complex thriller with every detail playing a significant role in the outcome of the movie. It's the story of a conspiracy surrounding Dr. Richard Kimble, a surgeon who is on the run while U.S Marshal Samuel Gerard tries to find an explanation of why Kimble was framed for the murder of his wife. The movie has a sticking nature to it, every detail in the actors face will prove that Harrison Ford and Tommy Lee Jones deserve every praise they have received for their performance.
Based on the 1960's Television series, this movie does not disappoint. It makes the watcher want to go back and view the original series to see how it compares.
Based on the 1960's Television series, this movie does not disappoint. It makes the watcher want to go back and view the original series to see how it compares.
The Life and Times of Harrison Ford
The Life and Times of Harrison Ford
Take a look back at Harrison Ford's movie career in photos.
Lo sapevi?
- QuizHarrison Ford damaged some ligaments in his leg during the filming of the scenes in the woods. He refused to take surgery until the end of filming so that his character would keep the limp. The limp can be seen in any subsequent scene where Richard Kimble is running.
- BlooperThe detectives watching the interrogation room say "The good doctor's prints are all over the lamp, the gun and the bullets." No matter how biased, incompetent (or plain stupid) a police detective is, the fact that a person's fingerprints are present in his own home, on his own stuff, should not even be mentioned as evidence (the gun wasn't even used in the crime at all). It would only constitute as evidence if there were no other prints in the room.
- Citazioni
Dr. Richard Kimble: [Holding Gerard at gunpoint] I didn't kill my wife!
Deputy Marshal Samuel Gerard: I don't care!
- Curiosità sui creditiNear the end of the end credits, there is a scene showing fireworks going off over the Chicago skyline.
- Versioni alternativeThe Warner Bros. Pictures logo is plastered with the 2003 logo in the 20th anniversary Blu-ray version.
- Colonne sonoreThe Thrill is Gone
Written by Roy Hawkins and Rick Darnell
Performed by B.B. King and Bobby Bland
Courtesy of MCA Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El fugitivo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 44.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 183.875.760 USD
- Fine settimana di apertura Stati Uniti e Canada
- 23.758.855 USD
- 8 ago 1993
- Lordo in tutto il mondo
- 368.875.760 USD
- Tempo di esecuzione
- 2h 10min(130 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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