VALUTAZIONE IMDb
7,0/10
25.542
LA TUA VALUTAZIONE
Dopo essere sopravvissuto a un grave incidente aereo, un uomo vede la propria personalità cambiare radicalmente.Dopo essere sopravvissuto a un grave incidente aereo, un uomo vede la propria personalità cambiare radicalmente.Dopo essere sopravvissuto a un grave incidente aereo, un uomo vede la propria personalità cambiare radicalmente.
- Candidato a 1 Oscar
- 6 vittorie e 9 candidature totali
John de Lancie
- Jeff Gordon
- (as John De Lancie)
Recensioni in evidenza
After watching FEARLESS I clearly made up my mind about actor Jeff Bridges; he is utterly brilliant. This film is carried by his performance as a man who survives a plane crash and his the following life he lives in which his complete sense of existence is changed. The film finds mystery and tragedy and goes searching in religious places for answers that we draw out of the main character. Director Peter Weir lingers on Bridges and his inner self, and the many tender scenes that he goes through are very carefully achieved, never slipping into sentiment or boring clichés. Throughout you really don't know whether Bridges is crazy, spiritual, dead or alive - he's yearning in something that everybody around him really don't see to understand. FEARLESS is a great film with many low-key scenes that tells a story thoroughly and thoughtfully, but it always escalates into joyous wonder, and that's where director Weir and Bridges truly captured me as a viewer. It's like that dark corridor towards the light in the magnificent ending scene.
This movie really spoke to me. I find it hard to say whether or not is good or bad. Peter Weirs films have a way of communicating intense emotion to me, although not all are quite so good- I watched all of the disappointing Dead Poets society, and only felt this emotion in one scene- where the boy commits suicide. A powerful scene. In 'picnic at hanging rock' I felt this intense emotion a few times, especially with that shot of the girls disappearing.
I had wanted to see Fearless for a number of years and was not disappointed. I have never seen a film in my life that affected me so much. But hey, you might watch this and feel nothing. It is about human emotion, about the meaning of life and our mortality. If you care about these then I would guess this film would say something to you.
If you feel like an outsider, like an alien drifting amongst strangers, this is the film for you. If you dream of enlightenment, take pleasure in the simple intensity of the moment this is the film for you also. IMHO, is not just Peter Weirs greatest film, I feel it is one of the greatest films I have seen.
I had wanted to see Fearless for a number of years and was not disappointed. I have never seen a film in my life that affected me so much. But hey, you might watch this and feel nothing. It is about human emotion, about the meaning of life and our mortality. If you care about these then I would guess this film would say something to you.
If you feel like an outsider, like an alien drifting amongst strangers, this is the film for you. If you dream of enlightenment, take pleasure in the simple intensity of the moment this is the film for you also. IMHO, is not just Peter Weirs greatest film, I feel it is one of the greatest films I have seen.
Fearless is a film about how one event can change lives forever. It's a film about hope, about those who bring it and lose it, a film about love and ultimately a film about the kindness of strangers.
Jeff Bridges is Max Klein, a victim of a horrific air crash that kills his best friend. However, he emerges from the accident a changed man, believing he has found a previously lost spirituality. He is no longer allergic to strawberries, something that nearly killed him as a child, for example. From here, he helps others come to terms with their loss, including Rosie Perez's Calrla.
Peter Weir is probably one of the best filmmakers currently working. He has yet to make a bad film, and even struggles to make mediocre ones. However, Fearless is something a cut above his usual high standard. Posing genuinely thought-provoking questions, yet never didactic or vague, Fearless makes you reconsider your own actions and their affect on other people.
The cast is uniformly excellent, with Bridges and Rosselini (as his wife) particularly good. Perez's much maligned Carla is solid enough. Look out for an early, rather excellent performance by Benecio Del Toro, too.
The film ends on an incredibly moving note. Incredibly beautiful and true, Fearless should be considered,a long with Gilliam's The Fisher King, one of the most overlooked gems of modern times.
Jeff Bridges is Max Klein, a victim of a horrific air crash that kills his best friend. However, he emerges from the accident a changed man, believing he has found a previously lost spirituality. He is no longer allergic to strawberries, something that nearly killed him as a child, for example. From here, he helps others come to terms with their loss, including Rosie Perez's Calrla.
Peter Weir is probably one of the best filmmakers currently working. He has yet to make a bad film, and even struggles to make mediocre ones. However, Fearless is something a cut above his usual high standard. Posing genuinely thought-provoking questions, yet never didactic or vague, Fearless makes you reconsider your own actions and their affect on other people.
The cast is uniformly excellent, with Bridges and Rosselini (as his wife) particularly good. Perez's much maligned Carla is solid enough. Look out for an early, rather excellent performance by Benecio Del Toro, too.
The film ends on an incredibly moving note. Incredibly beautiful and true, Fearless should be considered,a long with Gilliam's The Fisher King, one of the most overlooked gems of modern times.
When I first saw "Fearless" in a movie theater, I believe there were about 20 to 30 other moviegoers in the theater on a weekday afternoon. It was in it's second week in theaters. After the credits rolled, I heard a lot of weeping from the small but vocal audience.
Maybe the film flopped because some people expected a 1970's-style disaster flick with cardboard characters, laughable dialog and unknown extras & doubles performing dangerous stunts.
It's been almost eight years since watching "Fearless" for the first time. This is one of only 5 movies I actually own in my very small tape library.
Director Peter Weir amazes me. With a few exceptions (I didn't like "Dead Poets Society" and I haven't seen "Green Card"), he has always walked on a tightrope when it comes to telling a story. It might not result in a "satisfying" ending but when you think about what was presented two hours earlier, it makes a lot of sense. It's a logical and very fascinating progression.
I believe that Jeff Bridges can (almost) do no wrong. His character may not be very likable but put yourself in his character's shoes and you may understand the reasons why he believes that he is "fearless".
I haven't seen Isabella Rossellini's performance in "Blue Velvet" but it makes me wonder if her performance in that film beats her role as the caring but very confused wife of Jeff Bridges' character. She's definitely the heart of "Fearless". I cared for her. I felt empathy; her confusion of what her husband was doing to himself, her family and herself. She's on the outside trying her best to understand what it was like to survive a plane crash. But at the same time, not totally understanding what it was like to be on the ill-fated flight. Rossellini gave a glowing performance.
Rosie Perez's performance as the distraught woman who lost her young son in the crash was incredible. Unlike some people in this world, I do like Perez (thick Spanish accent and all). What really impressed me was how she captured the depth of losing her child. There have been some films & TV movies that have captured the effects of a family losing a spouse or adult child. There haven't been as many to deal with the loss of a child as well as "Fearless" did. Perez hasn't had a role with this much depth in a long time. I was pleasantly surprised when she received an Oscar nomination for Supporting Actress, the movie's only nomination.
The unrequited bond between Bridges' and Perez's characters was fascinating to watch. They survived something that their love ones will never understand. In the end, the two need to understand that despite their losses, they are still alive in this world and somehow they need to find a way to get back to reality.
Screenwriter Rafael Yglesias, who wrote the novel, captured the complexity of crash survivors almost flawlessly. One weak link: John Turturro had the thankless job of playing the underwritten role of the psychiatrist.
When a film like "Fearless" even inspires a music video (Brian McKnight's "Back At One"), then you know that this movie will have a lasting effect and with cable, VHS & DVD, it'll never be forgotten. I certainly haven't forgotten it.
Maybe the film flopped because some people expected a 1970's-style disaster flick with cardboard characters, laughable dialog and unknown extras & doubles performing dangerous stunts.
It's been almost eight years since watching "Fearless" for the first time. This is one of only 5 movies I actually own in my very small tape library.
Director Peter Weir amazes me. With a few exceptions (I didn't like "Dead Poets Society" and I haven't seen "Green Card"), he has always walked on a tightrope when it comes to telling a story. It might not result in a "satisfying" ending but when you think about what was presented two hours earlier, it makes a lot of sense. It's a logical and very fascinating progression.
I believe that Jeff Bridges can (almost) do no wrong. His character may not be very likable but put yourself in his character's shoes and you may understand the reasons why he believes that he is "fearless".
I haven't seen Isabella Rossellini's performance in "Blue Velvet" but it makes me wonder if her performance in that film beats her role as the caring but very confused wife of Jeff Bridges' character. She's definitely the heart of "Fearless". I cared for her. I felt empathy; her confusion of what her husband was doing to himself, her family and herself. She's on the outside trying her best to understand what it was like to survive a plane crash. But at the same time, not totally understanding what it was like to be on the ill-fated flight. Rossellini gave a glowing performance.
Rosie Perez's performance as the distraught woman who lost her young son in the crash was incredible. Unlike some people in this world, I do like Perez (thick Spanish accent and all). What really impressed me was how she captured the depth of losing her child. There have been some films & TV movies that have captured the effects of a family losing a spouse or adult child. There haven't been as many to deal with the loss of a child as well as "Fearless" did. Perez hasn't had a role with this much depth in a long time. I was pleasantly surprised when she received an Oscar nomination for Supporting Actress, the movie's only nomination.
The unrequited bond between Bridges' and Perez's characters was fascinating to watch. They survived something that their love ones will never understand. In the end, the two need to understand that despite their losses, they are still alive in this world and somehow they need to find a way to get back to reality.
Screenwriter Rafael Yglesias, who wrote the novel, captured the complexity of crash survivors almost flawlessly. One weak link: John Turturro had the thankless job of playing the underwritten role of the psychiatrist.
When a film like "Fearless" even inspires a music video (Brian McKnight's "Back At One"), then you know that this movie will have a lasting effect and with cable, VHS & DVD, it'll never be forgotten. I certainly haven't forgotten it.
Films like this, where the main character survives a plane crash, reveal more of how unprepared a hunter gatherer mind is to the trauma of the modern world, let alone after a traumatic event. When the fight or flight mechanism is unable to function, when there's nowhere to run and nothing can be done, the stress and anguish experienced must be one of the most painful emotions a human mind can experience. We also get another perspective, perhaps one more recognisable, through the helplessness of losing a loved one, a young child, in the same tragedy, completely unprepared and instant.
Yet we continue to push, push, push, backing ourselves into metaphorical corners with no means to escape or defend ourselves. This is deep introspective film making, as relevant as ever, with great performances from some truly great actors.
Yet we continue to push, push, push, backing ourselves into metaphorical corners with no means to escape or defend ourselves. This is deep introspective film making, as relevant as ever, with great performances from some truly great actors.
Lo sapevi?
- QuizThe airplane crash site was recreated in a field in Central California in the Southern San Joaquin Valley and was exactly modeled on a crash that occurred outside Sioux City in Iowa in 1989. The "accident" was reported by several flights flying over the scene. The field was first planted with 85 acres of corn which was then bulldozed to recreate the gouge that a crashing plane would have made. The adjoining cotton field was also purchased to make the crash appear bigger. 140 extras were employed for the scene along with 40 members of the Kern County and Bakersfield Fire Department. One of the town's main roads was closed for a week, and the local electricity company was persuaded to knock down several pylons and snarl up half a mile of electric cable to create a scene of almost total devastation. The crash site took a total of 10 days to prepare, and included throwing 600 suitcases and their contents (all items purchased from local thrift stores) liberally around the site. In total, the recreation cost $2 million.
- BlooperCamera operator reflected in Klein's sunglasses when he's leaning against the car tire near the beginning.
- Citazioni
Laura Klein: Why didn't you call and say you were alive?
Max Klein: I thought I was dead.
- ConnessioniEdited into Freefall - Panico ad alta quota (1999)
- Colonne sonoreSostenuto tranquillo ma cantabile
from Symphony No. 3 ("Symphony of Sorrowful Songs")
Written by Henryk Mikolaj Górecki
David Zinman, conductor
Dawn Upshaw, soprano
Performed by London Sinfonietta
Courtesy of Elektra Nonesuch
By arrangement with Warner Special Products
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Sin miedo a la vida
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 6.995.302 USD
- Fine settimana di apertura Stati Uniti e Canada
- 144.044 USD
- 17 ott 1993
- Lordo in tutto il mondo
- 6.995.302 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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