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Sadly a rather bland version of King's sadly rather bland novel. Romero had apparently been slated to direct Pet Semetary before commitments (Monkey Shines) pulled him off - now that would have been worth watching. This on the other hand is a rather tepid slasher flick punctuated with a few inspired moments (the dream sequences and the whole sparrow things in particular). It's hard to know who is a fault here - certainly Dark Half - despite its intriguing premise - is one of King's weaker novels - but Romero's screenplay is little more than a rather one dimensional collection of deaths. There is some suspense and some good effects but overall a rather dull affair.

I saw this movie after i read the book and i have to say pretty much of the book was also in the film, although not all. Some parts with the sparrows for instance weren't in the film, probably because the budget wouldn't allow special effects that elaborate. And the murders, although violent enough in the movie, were particularly more gruesome in the book.

Ultimate conclusion: great acting from top notch actors/actresses who usually are nowhere to be found in horror (if you discount Michael Rooker's performance in "Henry"), pretty good special f/x and direction from a director who has made his mark in horror.

This is one strange, surreal literate piece of psychological horror pulp in the tradition of Dr Jekyll and Mr Hyde by film-maker George Romero who adapted it from novelist Stephen King. Thad Beaumont is a successful novelist who decides to literally bury his alter ego George Stark, who he used as a pseudonym for his overly violent pulp novels. This occurs because someone tries to blackmail him. But after putting an end to this alter ego, people are starting to be killed off and these are people who are somehow tied in to seeing George Stark finish up. However the evidence at every murder scene points to Thad and something is happening to him that he hasn't experience for almost twenty years. The sparrows are calling. Underrated work from Romero, which can be atmospheric in its vivid visuals, computer effects are ably done, the jolts are nastily macabre (the graphic climax of when sparrows attack) and the steadfast narrative gradually builds up its dread-filled suspense and stinging matter with precise control. Timothy Hutton plays the dual roles with outstanding ticker. Then there is solid support by Amy Madigan, Michael Rooker and a tiny part for Robert Joy.

"We shouldn't be writing trash."

Thad Beaumont (Timothy Hutton) had a brain tumor as a child that was an undeveloped twin. Now, as an adult, the twin returns, fully formed and violent. The source is a bit supernatural, but real enough to kill.

The story goes over ground that should be familiar to Stephen King fans. The idea of a child growing up to confront something from his childhood. The theme of a writer, explored numerous times ("Misery", "The Shining") but most closely to this in "Secret Window". Howard Maxford calls it a cross between "Misery" and "The Birds", which I do not fully accept but see his point.

Interestingly, Stephen King is not known for good movie adaptations, and George Romero has had his slew of below average films (though, if you stray from his zombie films, you will find an assortment of goodies). But together, they seem to have made a decent movie here. I really enjoyed it. I also enjoyed "Creepshow" -- maybe these guys bring out the best in each other? Michael Rooker is here (with hair) playing the role played by Ed Harris in "Needful Things". I would have liked to see some consistency in casting, but how do you choose between Rooker and Harris? Both top notch. Another Harris, Julie Harris, does appear, though... And the music is from Christopher Young, perhaps best known for his "Hellraiser" score.

Some of the factual information I found to be a bit questionable. Does a military service record really go into an FBI fingerprint database? I suppose it might, but the idea struck me as odd. And the idea that one in ten people start off as twins seemed too exaggerated (and then they said that was at the very least). I would like to know the truth on that.

Overall, though, a really decent film. It is not Oscar or Golden Globe material by any means, but a horror fan should enjoy the mix of gore and dark humor. Rue Morgue has called it "a middling Romero film based on a middling King novel", which really sells it short.

Unfortunately, the film did not get the proper respect in 1993, because its distributor (Orion) was fighting a bankruptcy battle and promoted it poorly. But now (2015), it has a second chance thanks to the fine folks at Scream Factory who have loaded up the Blu-ray with everything possible, including the kitchen sink.

The Dark Half is one of the finest Stephen King adaptations. It's also one of George Romero's most under-appreciated works. The two of them have collaborated on many occasions to produce nothing but good things, but this takes it to a new level. Romero is known for casting unknowns for his leads. This time he went against the grain. He used the amazing Timothy Hutton. Hutton, in a dual role, plays both mild-mannered Thad Beaumont and mean b*stard George Stark. But when he's Stark, he really comes to life. He's both cool and creepy. The sparrows are also a crucial part of the overall eeriness of the movie. Although he will always be known for the unforgettable Dead trilogy, this may be Romero's finest, most high-brow picture to date. The production values are the cleanest I've seen in any Romero flick, the acting is top-notch, and story is solid. Getting a scare at the theater is fairly easily achieved. Getting me to jump in the privacy of my own home in another thing altogether. Romero made me jump while watching the movie on a crappy 19 inch television.and I've seen the movie before. That's saying something. Royal Dano and Michael Rooker co-star.