La ragazza della porta accanto

Good acting from Alicia silverstone at such a young age & Cary Elwes. Both showing off their good looks in an interesting 90s film. I liked that they played on a woman being the seductress and villain as i feel like in this modern day and age women are never set as the villain. If anything i'd have liked the film / ending to be more sinister, happy endings do tend to be forgettable.

In her film debut,the attractive Alicia Silverstone plays Darian Forrester,a mentally disturbed 14 year old girl who develops an unhealthy obsession with her neighbour,Nick Eliot (Cary Elwes)a baby faced blonde hair,blue eyed journalist who has no sexual interest in her.Silverstone shines in her role as the villain,making life hell for Nick,who wants nothing more than a friendship with the girl next door.Darian's desperate attempts to seduce the older man are unsuccessful,driving her deeper into her obsession and making her more psychotic.Silverstone's acting is superb,but her facial expressions are what is so convincing about her performance.Alicia superbly transforms herself from sweet and innocent into scary and psychotic giving new meaning to the phrase,'When she was good she was very very good,and when she was bad she was horrid'. The film has you on the edge of your seat as the plot unravels,and truths are discovered about sweet little Darian Forrester who is crazier than anyone thought.Her anger at Nick for leading her on goes to the extreme until she comes up with a plan she hopes will destroy his reputation.Nick is oblivious to Darian's feelings for him and believes its nothing more than a silly school girl crush that will pass until he discovers just how dangerous Darian really is.

"Nick Eliot" (Cary Elwes) has just moved to Seattle and needs a place to stay prior to working as an investigative journalist for a magazine there. He settles on a semi-furnished guest house belonging to a married couple by the name of Cliff Forrester (Kurtwood Smith) and his wife "Liv" (Gwynyth Walsh). Also there is their 14-year-old daughter "Adrian" (Alicia Silverstone) who immediately develops a crush on Nick. Since he is twice her age he figures that her attraction to him is nothing serious. Big mistake. Anyway, as far as this film is concerned it pretty much follows the standard format of any number of similar movies made both before and after. However, what distinguishes this one is the performance of Alicia Silverstone in her very first film debut. Likewise, both Jennifer Rubin (as "Amy") and the aforementioned Cary Elwes also performed quite well too. Again, the story is pretty formulaic but even so I thought it was still enjoyable. Accordingly, I rate this movie as slightly above average.

Alicia's first big film is by far her best. She's gripping, believable and absolutely devilish in the role of little rich witch. Cary Elwes is completely at home in the role of victim as this vortex of terror swirls around him. It's impossible to watch this film without a chill running down your spine. Oh, if only the rest of us could inspire that kind of devotion from our admirers!

This felt inspired by "Lolita" yet lacking all the finesse of the original. Yet this was the film that launched Alicia Silverstone into those Aerosmith music videos and into more movies as this was her debut. She did a solid job acting and displayed a range of believable emotions. The movie is about a journalist who rents an over the garage room from a family who has a 14-year-old daughter. The poor guy just wants to write but this girl keeps grabbing his attention. He tries to avoid an underage entanglement but he's ensnared by a kiss which she uses as leverage to torment him until he succumbs to her romantic desires. Who will have the upper hand and how intense will her tormenting go? This is a decent movie yet left room for cinematic improvement.