Un piedipiatti e mezzo

Burt Reynolds has shown a subtle comic flair in films like "Sharky's Machine" and "Shamus" (or even in "Stick"), but his work here, in a broader kind of comedy, is joyless. The kid does show some spirit, but as a "buddy" team these two rarely click. The film was probably supposed, among other things, to satirize the most familiar cop-movie cliches, but it's one big cliche itself, and has a rather erratic tone. (*1/2)

It doesn't rate MUCH higher than that, but Norman D. Golden II is so preciously precocious as to wax reminiscent of Shirley Temple's early performances.

Burt is great here, though his character is quite irascible and curmudgeonly, but he plays those parts very well. This film features some decent action, a story and plot line which is quite cliché, and some good elemental twists, which balance out the many clichés throughout.

It was muddled in that you had to suspend belief to an extreme level in order to embrace the work, but once done, there is a lot of heart and entertainment to be had. I'm not saying this is "great" or even "compelling," but I did derive some level of enjoyment from Norman D. Golden II's performance.

It rates a 5.2/10 from...

the Fiend :.

It's great to see Burt in a comedy, even though he's terrible as a long wolf cop, with a short fuse, who's now saddled with a not so normal partner, an 8 year old kid, who's seen Miami Vice too many times. He likes to play cop on the school grounds with his friend, and like all 8 year olds, likes to get lost in fantasy: pretend. This all changes, when he's witness to a murder committed by these dumb goons with low iq's headed by Ray Sharkey, this the last film he did, before he subsequently died, and we can see his sick form showing, which is sad, as he turned in a last great, bad dude performance. His character's hobby besides murder101, is he likes to sing 60's rock songs, in his sound proof booth, as thinking he's the re-inventive Elvis. Nothing can be further from the truth. Norman Goldstein 2n'd is a sheer revelation, bringing in such a natural acting performance, which is engaging, is it's bloody entertaining. Watching Burt and him go off at each other is gold. The premise has him agreeing to give Burt the plate number of the thug's vehicle, on the condition he rides shotgun with him. And of course, the kid gets his way, but this natural actor is such fun to watch. Cop And Half has a few funny bits, the same bits, which had me laughing again, the second time, around, but it's not overly funny. It's a very entertaining family film, and there's real cheese in a few places. The film has heart too, Reynold's becoming a possible father figure. As a police captain, a familiar Two And A Half Men face, was wonderfully warm, bringing softer more, understanding moments. One image you'll never forget are many flying Twinkies.

Until he died, Gene Siskel kept making fun of Roger Ebert for giving this movie a positive review. That's certainly more funny than anything in this movie! A short but to the point review: UNFUNNY! Not one laugh! Yes, Reynolds needed the money, but surely he could have found something of better quality - couldn't he? Cliched, blandly directed, sweet to the point of giving diabetes! UGH!

Cute little black kid wants to be a policeman. The diminuitive star, Norman Golden III is out to steal your heart while it feels like like the film-makers have stolen your wallet in the process.

This comes about a decade too late after the trend of cuddly black "child" stars Gary Coleman and Webster, who were both in their late 30's during their heyday. (I've always thought that a great idea for a TV show would be something called "Shrunken Miniature Black Man" cause apparently that's the way America wants to see them.) Anyway, back to this film...

It's basically Burt Reynolds co-starring with his toupee and trying to look put-upon by Golden. In actuality, over the course of the 90 minutes, actor Reynolds spends a lot of his on-screen time sweating profusely. It's actually kind of creepy.