Chik geuk siu ji

Johnnie To's remake of the Shaw Brothers 1975 hit, The Invincible One (aka Disciples Of Shaolin), is indeed a classic of the Hong Kong New Wave era. With a great performance from all its main cast, a memorable score by William Hu Wei Li, gorgeous cinematography by Horace Wong, and fantastic fight choreography courtesy of the late, great Lau Kar Leung - who incidentally was the action director on Chang Cheh's original film. A modern take on a classic story of redemption and doomed love, wrapped up in a coming-of-age tale that, unfortunately, doesn't have the happiest of endings...

When I had this on VHS from the brilliant Made In Hong Kong label, I wore out the video tape in no time at all. I loved it then, and still love it as much now. Produced by Mona Fong and the Shaw Brothers studio, The Bare-Footed Kid may offer nothing new as such to long-time fans of kung-fu films, but it still feels as fresh and looks just as amazing today as it did all those years ago!

Aaron Kwok is just gorgeous and wonderfully cute in this as the titular character, naïve and innocent to the world around him, abused by many and easily led astray. This is one of my favourite Kwok movies, and think he is just wonderful in everything from the drama and comedy, to the awesome kung-fu action scenes. Kwok is supported by the amazing Hong Kong film legend that is Ti Lung, a man with a secret past who now works for the equally impressive Maggie Cheung, both of who are also lovers, As the boss of the bye factory, Maggie runs a fair but tight ship producing top-quality fabrics, helping the needy, and making great business which angers her competitor, played by the great Kenneth Tsang.

Tsang is as wonderfully wicked as always as the boss of the Dragon Spinners; the gangster dye factory causing all the trouble. After a great martial-arts tournament, Tsang tricks Kwok into working for him with a new pair of shoes, and a promise of big money. Of course, Aaron doesn't have a clue of his new masters plans in putting his new friends...

As mentioned, the film is shot beautifully with thanks to cinematographer Horace Wong who has shot everything from Twin Dragons to The Myth, King Of Comedy, and pretty much, every major John Woo hit. His mix of handheld shots and epic sweeps are aided by some wonderful lighting, making almost every frame of The Bare-Footed Kid, just gorgeous to look at. The incredible night scene with Ti Lung and Maggie Cheung going out on a date in the pouring rain, is one such scene - and one of many.

The legendary Lau Kar Leung provides some crisp and powerful kung-fu fights, a lot of which is aided by wires, although not in a distracting way. The only let-down for me in this film was a couple of moments of over-cranking during action. It didn't need it, and while noticeable, did not ruin the action on-screen at the time as it was brief. Regardless, both Kwok and Ti Lung get to kick ass a number of times, and both look amazing doing it. Ti Lung's tea-house battle and fight for survival is a highlight, as is the epic finale with Kwok taking on everyone. Just brilliant!

Wu Chien Lien, who had starred with Aaron in A Moment Of Romance 2 that same year, starts off as a pretty unlikeable girl but soon turns things around, taking a fancy to Aaron and becoming closer after the murder of her father, of which Kwok was a part off unknowingly...

Fans of Sammo Hung's Blade Of Fury and Jet Li's Fong Sai Yuk movies will love The Bare-Footed Kid. With stunning fight sequences, romance, emotion and melodrama, you can't help but fall for it!

Overall: Beautifully directed, funny, charming and action-packed, The Bare-Footed Kid is a modern classic and highly recommended!

Aaron Kwok is great as the Barefooted Kid. He is a great martial artist, but doesn't know the rules of life. This he will learn from his uncle and a very kind woman who gives him shelter. This uncle is played by Ti Lung, who is even a greater martial artist and has some great scenes where he shows his talents. The story is very melodramatic, which doesn't have to be annoying. I personally like melodrama at some occassions. But if you don't like melodrama you can skip to the action sequences because that is why this movie is made in the first place. The action sequences are divine to watch. They are far superior to the scenes shown in the Matrix. Which prooves, that digital effects are not needed to create explosive wireworks! If there is one typical HK martial arts movie you have to watch then it's this one.

This remindes me of the Shaw Brothers classics or generally the movies from the 80s. There's a lot of characters a lot of deception, a lot of development ... and a lot of fighting too. Some may seem ridiculous but overall this is just good fun, if you let it to be that is.

I'm surprised by the level of violence or rather the display of blood we see. While there is lightness and fun, there also always consequences. You might find that weird and you may not enjoy that balance act, but overall I would argue it works. And having someone like Johnnie To at the helm helps a lot. He may have turned his back on these Martial Arts movies and gone for movies set in recent times but you can see he knew what he was doing in this one too. Characters may seem to have issues with decision finding (or finding their moral compass/radar) but how would it work otherwise ... also really melodramatic .. but that doesn't have to be a bad thing ...

Although the central themes of the Barefoot Kid are hardly original by kung-fu cinema standards - doomed love, coming of age and redemption - they are delicately and effectively handled to produce a result which is by turns charming, exciting and funny. Similarly, although the structure of the action sequences is rarely ground-breaking, superb choreography, clever camera work and a standout performance from Aaron Kwok elevate them well above the ordinary.

To a veteran of Kung Fu films, The Barefoot Kid would appear rather pedestrian and certainly nothing exceptional, but for a beginner, its simple but strong themes, crisp cinematography and whipcrack action performances make it a uniquely accessible and hugely enjoyable ride.

Highly Recommended!

Johnny To has recently become the critic's HK director to tout. He certainly has a stylistic flair for gangster movies but I am not familiar with his martial art films so this was a treat.

In terms of story, the movie is certainly a throwback to the HK films of the seventies. An illiterate young man travels to a town to find the best friend of his recently deceased father. He wants to retrieve a prized possession of his father's that the friend is holding on to. He finds the man (Ti Lung) working at a cloth factory that's being harassed by the local crime boss. We meet the owner of the factory, a beautiful widow. The young man also meets a beautiful young woman who's a teacher so he decides to have her teach him how to spell his name. Of course the young man is thrust into the middle of a conflict.

The story is played with a comic touch that carries the film for most of the way until the end which is quite serious. For me, what didn't work is how the exaggerated, wide angle, cartoony film technique was really unsuited for the end of the film. The action is very sped up during some tragic scenes. I started watching HK kung fu films during the end of the Shaw era and I've never warmed up to the kung fu film style of the 1990's. Too many cuts (move, move, cut, move, cut, punch, punch, cut) and too many sloppily composed action scenes. It seems every film had to have a scene with the hero running on the heads and shoulders of a crowd. IN Johnny To's defense, he seems to do an average of 4 films a year and that's not enough time to really make a great fight scene.

If you like 90's style HK action, this is a good film. For aficionado's of classic Shaw, this might not be that exciting.