Chik geuk siu ji

Brilliant kung-fu scenes, loads of melodrama, peculiar footwear symbolism and an unhappy (?) end makes Barefoot Kid an unforgettable film.

One of the silliest subtitles I've seen...

"The Bare-Footed Kid" (aka "Chik geuk siu ji") is a classic in its own right, and it is definitely a movie that while was made in 1993 still is very watchable and enjoyable in 2020.

I stumbled upon this movie in the mid-90s given my admiration for Hong Kong actress Maggie Cheung, and I doubt I would have stumbled upon the movie back then if I wasn't a fan of her.

The storyline is enjoyable, and it is a fast-paced story with interesting characters. So that combination definitely made for a watchable and entertaining movie. And they had a very impressive cast ensemble together for the movie. Aside from Maggie Cheung, the movie has the likes of Aaron Kwok, Kenneth Tsang and Paul Chun on the list as well, to mention but a few.

I believe that "The Bare-Footed Kid" is a movie that will actually never become old and outdated. It has that quality to it, thanks to director Johnnie To.

My rating for "The Bare-Footed Kid" is a seven out of ten stars. And if you enjoy the classic martial arts movies from Hong Kong (or China) set in this particular era, then "The Bare-Footed Kid" is a movie that you just have to sit down and watch - if you haven't already seen it.

Although the central themes of the Barefoot Kid are hardly original by kung-fu cinema standards - doomed love, coming of age and redemption - they are delicately and effectively handled to produce a result which is by turns charming, exciting and funny. Similarly, although the structure of the action sequences is rarely ground-breaking, superb choreography, clever camera work and a standout performance from Aaron Kwok elevate them well above the ordinary.

To a veteran of Kung Fu films, The Barefoot Kid would appear rather pedestrian and certainly nothing exceptional, but for a beginner, its simple but strong themes, crisp cinematography and whipcrack action performances make it a uniquely accessible and hugely enjoyable ride.

Highly Recommended!

I wonder why so many people mention only Chow Yun-fat among the actors in [A Better Tomorrow] in talking about the film. I love him, too, but the focus of ABT is Sung Tse-ho played wonderfully by Ti Lung. ABT was my first Ti Lung experience, and since then I wish I had a chance to see the martial art films of 70's in which he had starred. I haven't had such a luck yet, but I found [Barefooted Kid] a good treat. Though Lung plays a supporting role, you can fully taste of his noble warrior appeal in this. Great. And Maggie Cheung is even greater. She portrays a warm-hearted (treats the barefooted kid very kindly), beautiful (yes, Maggie is beautiful), brave (neither surrenders to the greedy local strong man, nor fears loving Lung's character being a widow in those old days), and wise (disperses a bunch of beggars troubling a bride, by scattering the coins) character brilliantly.

Lung and Maggie work beautifully together in the most impressive scenes -- meeting up on a full moon night, collecting the stone dust in rain, walking on a street in the rainy evening. Above all, it's a love story (for me, at least). Aaron Kwok and Wu Chien-lien form a charming couple also. And it is nice surprise to see Kenneth Tsang (who played Danny Lee's sidekick cop in [The Killer] and the taxi company owner in ABT) play a pure villain. Plus, it has good action sequences -- nothing new, but neat, enjoyable movie.

Aaron Kwok is great as the Barefooted Kid. He is a great martial artist, but doesn't know the rules of life. This he will learn from his uncle and a very kind woman who gives him shelter. This uncle is played by Ti Lung, who is even a greater martial artist and has some great scenes where he shows his talents. The story is very melodramatic, which doesn't have to be annoying. I personally like melodrama at some occassions. But if you don't like melodrama you can skip to the action sequences because that is why this movie is made in the first place. The action sequences are divine to watch. They are far superior to the scenes shown in the Matrix. Which prooves, that digital effects are not needed to create explosive wireworks! If there is one typical HK martial arts movie you have to watch then it's this one.