Cel mai iubit dintre pamânteni

This film adaptation is pure squalidness, a shameful alteration of the book. If he could watch this movie - Marin Preda one of the most successful romanian writers - will be enough to make him turn into his grave and die again. This film adaptation is the worst adaptation in the history of romanian cinema. The book itself is butchered by one untalented director, Șerban Marinescu and one mediocre actor, Mircea Albulescu who came up with the idea of inventing a film character and therewith a horrid scene (prison-rape-homosexual-scene, Albulescu and Iordache). For god's sake, why? Why must be a great book slaughtered in such manner by two uninspired men? Is this some kind of history retribution for the years that we have lived in the dark ages of communism? May be, but Marin Preda doesn't deserve that, that's for sure.

The movie follows the events of the novel "Cel mai iubit dintre pamanteni"( could be translated as "The most beloved among humans" ), written by Marin Preda ( a very controversial book and movie), a novel which became something like The Bible or the story of Hamlet, very popular and hard to get, due to its satiric contents over the Communist regime. It represents the drama of the intellectual man, the humanist, in a "red" world. A movie filled with passion, fear, sexuality, all the great ingredients for a great movie recipe.One of the greatest Romanian movies,despite its psychological charge(after all, it is an European movie).

A great novel by one of Romania's greatest writers was adapted (read: inevitably simplified) after the fall of Communism to make a film about how tyranny destroys people and ideas. The critique of early Communism published in that novel during late Communism was a sensation back then in Romania, and who knows if Preda wasn't actually aiming at the regime as a whole.

The all-star cast carries the film, headed by the formidable Stefan Iordache (one of the greatest actors ever), although the script has some plot holes or poorly explained transitions, and some characters are less complex than in the book. But the issue with adaptations is that a novel could never be transferred on screen and still keep its level and amount of insightful exploration, so we don't have to compare adapted movies to their literary origins.

The film is heavy and dark due to its tragic and awful subject, and also to its cinematic tone. Still, the most horrid aspect of that story is the almost general filth of selfish compromise which, despite appearances of social success sometimes, has actually destroyed the souls of so many around the main character. Thus, in this respect, he may really be the most beloved man on earth (as in the film's ironic title), because he at least tried to remain true to himself. 'If there were no love, there would be nothing'... This famous quote about love adapted from St. Paul was another slap in the face of an atheist, absurd, egotistic and cruel regime.

Arguably, the best Romanian movie to date. Benefiting from a powerful screenplay, based on a novel by Marin Preda, a cast composed of the best Romanian actors, excellent directing, the movie is a monument in film for the suffering of Romanian intellectuals in the hands of the communists. Never in the history of mankind, a doctrine created so much suffering for so long, for so many, and this movie is one of the few out there testifying to it. One day, the rest of the world will discover this gem and give it the proper recognition. But then again, that day may never come.

a great novel, brick of subtle resistance in Comunist period. a honest adaptation. and impressive Ștefan Iordache performance. for me, remember of high school last year when, in summer, I reading Marin Preda novel imagining its adaptation. my screenplay was different. but the work of Șerban Marinescu is gorgeous. for the accuracy of atmosphere recreation. for the science of details. for the occasion for Ștefan Bănică to make a fabulous role. his last role in a movie. for nuances of evil makes in front by Dorel Vișan or Mircea Albulescu. for image of profaned innocence of Marius Stănescu character. for measure of feelings in Colea Răutu performance. for Matilda by Maia Morgenstern ( in my vision, Matilda must be Tora Vasilescu ). for the music, image and autopsy of an absurd regime.