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IMDbPro

Backbeat - Tutti hanno bisogno di amore

Titolo originale: Backbeat
  • 1994
  • R
  • 1h 40min
VALUTAZIONE IMDb
6,7/10
6864
LA TUA VALUTAZIONE
Stephen Dorff, Ian Hart, Gary Bakewell, Sheryl Lee, Chris O'Neill, and Scot Williams in Backbeat - Tutti hanno bisogno di amore (1994)
Theatrical Trailer from Gramercy Pictures
Riproduci trailer0:31
1 video
23 foto
BiografiaDrammaMusicaRomanticismo

Aggiungi una trama nella tua linguaA dramatization of the Hamburg, Germany phase of The Beatles' early history.A dramatization of the Hamburg, Germany phase of The Beatles' early history.A dramatization of the Hamburg, Germany phase of The Beatles' early history.

  • Regia
    • Iain Softley
  • Sceneggiatura
    • Iain Softley
    • Michael Thomas
    • Stephen Ward
  • Star
    • Stephen Dorff
    • Sheryl Lee
    • Ian Hart
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    6864
    LA TUA VALUTAZIONE
    • Regia
      • Iain Softley
    • Sceneggiatura
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Star
      • Stephen Dorff
      • Sheryl Lee
      • Ian Hart
    • 31Recensioni degli utenti
    • 25Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 5 vittorie e 4 candidature totali

    Video1

    Backbeat
    Trailer 0:31
    Backbeat

    Foto23

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    Interpreti principali36

    Modifica
    Stephen Dorff
    Stephen Dorff
    • Stuart Sutcliffe
    Sheryl Lee
    Sheryl Lee
    • Astrid Kirchherr
    Ian Hart
    Ian Hart
    • John Lennon
    Gary Bakewell
    Gary Bakewell
    • Paul McCartney
    Chris O'Neill
    • George Harrison
    Scot Williams
    Scot Williams
    • Pete Best
    Kai Wiesinger
    Kai Wiesinger
    • Klaus Voormann
    Jennifer Ehle
    Jennifer Ehle
    • Cynthia Powell
    Marcelle Duprey
    • Singer
    John White
    John White
    • Sailor 1
    Bernard Merrick
    • Sailor 2
    Nicolas Tennant
    • Sailor 3
    • (as Nicholas Tennant)
    Finola Geraghty
    • Model
    Rob Spendlove
    • Arthur Ballard
    Charlie Caine
    • Lord Woodbine
    Freda Kelly
    Freda Kelly
    • Mrs. Harrison
    Paul Humpoletz
    • Bruno Koschmider
    Christiana Uriarte
    • Groupie
    • Regia
      • Iain Softley
    • Sceneggiatura
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    6,76.8K
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    Recensioni in evidenza

    crbowles

    Good Film, Even Better Soundtrack

    I really enjoyed this film, I do however doubt that i would have enjoyed it as much if it hadn't been for the absoloutely storming soundtrack made up of Fifties covers which you believe would have been played by the Beatles at that stage in their careers. Add to that the fact that the Band used to create the sound of the Beatles consisted of some of the leading musicians of the 90's. They bring their own interpretation to the music just as you believe the Beatles would have done, The only exception to this is the Drum beat which tends to sound more like the 90's than the 60's that being said it does make it more accessable to a contemporary audience.

    Now as for the actual film itself, It was built on an interesting story about Stuart Sutcliffe, John Lennons best friend, Choosing between music and Art, the latter enevitably wins out with the help of Astrid. Much of the story is of a Tug Of war between John lennon trying to keep him involved in the music and Astrid who sees his artistic potential. It's a story that has been played over and over again but is refreshed in the context of surrounding characters that you feel you already know.

    The Characteristically funny Lennon, Business like McCartney, Shy Harrison all come across very comfortably. But they are merely bit characters as this film is more about the choices of sutcliffe than it is about the fab four.
    8shinolah

    Pure garage raunch

    The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
    mnkim

    A Flavour of early 60's pop music in the raw

    I won't attempt to cover the detail that so many others have simply to add. Sheryl plays Astrid very well, she implies the flavour of those early days of popular music very much in the raw. Not musically perfect or electronically sanitised but real thumping music for kids which they (and I was of that time albeit a little younger than the characters) loved. Remember there had been nothing like it before. Even Elvis's influence lacked the raw dark, smoky, sweaty feel of Hamburg, the Cavern Club and many venues that have disappeared from history. Astrid's art work through pictures captured the early feel of the Beatles and their lives/times like no other. When you look at those photos you can almost touch that slightly dangerous era.

    The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.

    Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.

    Enjoy all of the films.
    10lee_eisenberg

    A long, long time ago, in a country not too far away...

    I think that it's especially appropriate that "Backbeat" was released right after the 30th anniversary of the Beatles coming to America: everyone was remembering them, and then a really good movie shows their early days. Specifically, it focuses on when they went to Hamburg and met artsy photographer Astrid Kirchherr. I should identify that this movie is for mature audiences only: aside from the language and sex, it shows how John, Paul, George, Pete, and Stu got addicted to speed so that they could keep playing; as a result, they got little sleep and their eyes got all glassy as they laid awake.

    A really effective scene is right after Stu leaves the Beatles. Hoping to devote his life to art, he goes out and gets all drunk. Around this time, East Germany's government erects the Berlin Wall. Watching it on TV, Astrid and Klaus hold hands to be supportive of each other. When Stu sees this, he gets all violent. This scene - possibly more than any other in the movie - shows his mental breakdown.

    All in all, a great movie. We also see that they first met Ringo in Hamburg. I'm sure that we'll all be remembering "Backbeat" for years to come. Rock on, lads!
    Quentin-12

    The Pre-Beatles Show

    Finally we see the side to the Beatles that no one really knew - what happened before and what they were before. Stephen Dorff gives off another simply brilliant performance as Stuart - the man who could have been but never cared enough he was "Just along for a few laughs". Being a Beatles fan I've always been interested in their personal lives and this movie gets more personal than any documentary or news reel could. As to how true the events are I'm not sure but it was a definitely enjoyable movie.

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    7,0
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      As seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
    • Blooper
      The train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
    • Citazioni

      John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.

    • Curiosità sui crediti
      At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
    • Connessioni
      Featured in Backbeat Band: Money, Version 1 (1994)
    • Colonne sonore
      Good Golly Miss Molly
      Written & Composed by Robert 'Bumps' Blackwell & John Marascalco

      By kind permission of Prestige Music Ltd

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    Domande frequenti26

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    Dettagli

    Modifica
    • Data di uscita
      • 1 aprile 1994 (Regno Unito)
    • Paesi di origine
      • Regno Unito
      • Germania
    • Lingue
      • Inglese
      • Tedesco
      • Francese
      • Russo
    • Celebre anche come
      • Backbeat: el inicio
    • Luoghi delle riprese
      • Cheney Road, Londra, Inghilterra, Regno Unito(German Gymnasium doubles as The Anchor pub)
    • Aziende produttrici
      • Channel Four Films
      • Fortbeam
      • Polygram Filmed Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 2.392.589 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 126.740 USD
      • 17 apr 1994
    • Lordo in tutto il mondo
      • 4.708.451 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 40min(100 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Dolby SR
      • LC-Concept Digital Sound
    • Proporzioni
      • 1.85 : 1

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