Backbeat - Tutti hanno bisogno di amore

This is an excellent depiction of the Beatles ' Hamburg days .But the movie real heroes are actually Sutcliffe,Lennon and Astrid.The movie was made some years after Goldman's infamous book and there are hints at an homosexual relation between John and Stu ("you're jealous of me!"Astrid would have said to John!) but the director does not insist and he finally depicts a true friendship.He pits Stu's down-to-earth world against Astrid's chic elitist intellectual one : they go to the pictures to see Melville's "Les enfants terribles" (actually a Cocteau story),and she seems to be very fond of the French culture:Cocteau,Sartre ,Edith Piaf ,Rimbaud,;and she was ahead of her time since fifteen years later,rock singer Patti Smith had the same idols.The scenarists also sketch a parallel between the Klaus Voorman/Astrid relationship and "les enfants terribles" Ian Hart is an excellent John Lennon,in turn cynical,violent,delicate,nasty,hateful;Gary Bakewell resembles Paul,but he is not given a single moment to shine ;as for Georges ,he is completely insignificant.The music is very exciting .Even when Stu (Dorff) sings his ditty in a gleeful croak ,it's rock and roll ! At the end of the movie,the dialog begins to ring false.Everybody acts as if the Beatles were to become huge ;at the time ,who could have predicted such a career?It's a rebuilding of history a posteriori.And if the final lines about Astrid,Stu and Klaus are useful,those about the Beatles are overkill:everybody knows that they were the biggest group of all time.

A must for Beatles' fans anyway.

I won't attempt to cover the detail that so many others have simply to add. Sheryl plays Astrid very well, she implies the flavour of those early days of popular music very much in the raw. Not musically perfect or electronically sanitised but real thumping music for kids which they (and I was of that time albeit a little younger than the characters) loved. Remember there had been nothing like it before. Even Elvis's influence lacked the raw dark, smoky, sweaty feel of Hamburg, the Cavern Club and many venues that have disappeared from history. Astrid's art work through pictures captured the early feel of the Beatles and their lives/times like no other. When you look at those photos you can almost touch that slightly dangerous era.

The various films about the Beatles early years all contribute varying flavours of that time without individually capturing the whole and I would recommend Beatles/film buffs to look up and watch all versions.

Most of all the individuals.John was THE leader. Paul the workaholic perfectionist. George dedicated to improving his art while not taking any of it too seriously. Stuart doing his best for his friend John but inevitably his destiny (sadly abbreviated) was art. Pete was only transitional and Ringo who had already performed with them became an important factor. Tony Sheridan and others in Hamburg made important contributions and Brian Epstien was the final and very important cog.

Enjoy all of the films.

This is a film above all about the triangular relationship between John Lennon, Stuart Sutcliffe, and Astrid Kirchherr (four-sided if you include Astrid's boyfriend Klaus Voormann, five-sided if you include the band John and Stu were members of: the Beatles) -- a film about real events, about love and life and tragedy -- played out to a backdrop of the Beatles' visits to Hamburg and their performances there.

Based primarily on interviews with Stuart's mother and sister and with Astrid Kirchherr, it's been often criticised as a 'crude caricature', for its factual inaccuracies about the Beatles' time in Hamburg, about the musical performances portrayed, for the one-dimensional portrayal of the "minor" characters, including Paul, George, Pete and John's girlfriend Cynthia, and even for the fact that the actors aren't exact doppelgangers for the characters they portray (they're pretty good likenesses, though).

I can accept all these criticisms, but somewhat to my surprise they didn't spoil the film at all for me. If you want detailed accuracy about the Beatles, this is not for you. Read the books. But if you want to see a film which tells a good story well, and which will give you a real feel for the vibes of the time and for the characters it claims to portray, and an insight into one important aspect of the early history of the Beatles, I think you will enjoy this. I thought I wouldn't, but I did. And I will watch it again. And, did I say? it's about the Beatles.

This is not a biopic, nor does it pretend to be, but it does claim to tell the story of Stu and Astrid, and I thought it did that very well. I don't object at all to the use of some artistic licence, such as Astrid's excellent English. Contrary to some other reviewers, I found the portrayal of the quiet, enigmatic Stu by Stephen Dorff quite excellent, a perfect foil to the bitter, sometimes thoughtful, and wholly charismatic John Lennon, portrayed just as well by Ian Hart.

I first heard the Beatles just before their first British record "Love Me Do" became a minor hit in Autumn 1962. This film portrays events mostly more than a year before then, and even longer before their last stint in Hamburg, at the Star-Club in December 1962, the subject of a famous amateur recording. Apart from the Polydor recordings by Bert Kampfaert, we have little to judge objectively what the band sounded like in 1960-61, but judging from the 1962 live recordings, and the comments of those who heard them before they were famous, I'm quite prepared to believe the Beatles sounded then very much like the band used for the soundtrack to this film. OK, the band aren't the Beatles, and some of the details are a bit askew, but the rock-and-roll standards portrayed were all part of the Beatles' act, and are performed much as they performed them. Everyone tells how Stu Sutcliffe often played turning away from the audience, as often seen in the film. It's hardly a realistic portrayal of the Hamburg clubs on the Reeperbahn in the early 1960s, but I've seen worse, and if you have little idea what life was like for the band before 1962, this will not be a bad introduction.

Comparisons with "A Hard Day's Night" are ingenuous: that was a film made by the Beatles early in 1964 after they were famous (in Britain at least); this is a film about the band when they were teenagers, before pretty much anyone knew them outside Liverpool and Hamburg. Not the same at all. And of course, they didn't sound back then like the Beatles' later recordings, or even like they did on their tours of the US and elsewhere. Perhaps the only recording you can really compare is their first album "Please Please Me" (and the live Star-Club recording, if you have it).

It's a film, for goodness' sake. I enjoyed it as one, and I hope you do too. The characters rang true, especially Ian Hart as John Lennon, and the story is well worth telling, and well worth watching. And, did I say? it's about the Beatles.

Softley's 'Backbeat' is my favorite movie I've ever seen. I'm a huge Beatles fan and I've watched many biographical films about The Fab Four like 'Birth of Beatles' for example, and I must admit that this production from 1993 is the best of them all. This picture shows us the Hamburg's episode (early 60s) of Beatles career and it concentrates on relationship between John Lennon (fantastic play by Ian Hart) and Stuart Sutcliffe (aka The Lost Beatle). Lots of laughs, lots of tears and above all - great music ! A must seen for Beatles fans.

There's no doubt in my mind that 'Backbeat' is the best movie ever made about the Beatles. Dare I utter such blasphemy-- it may even be better than 'A Hard Day's Night!'

Director Iain Softley (his first film!) and his co-writers chose a period and a time that have always held a lot of romance for the group's fans, their trial-by-fire apprenticeship in the seedy nightclubs of Hamburg, Germany c. 1960. This was the crucible in which the band was transformed from noisy amateurs to professionals ready to take on- and change- the world. The focus is on two young friends from Liverpool, John Lennon (Ian Hart) and Stuart Sutcliffe (Stephen Dorff). (As a critic once noted, dead men don't file lawsuits.) Stuart is a sensitive lad with a great talent for painting. John is a cynic with a very large chip on his shoulder. He may be sensitive and intellectual, too, but he'd rather die than admit that to anyone. His artistic passion is expressed in the rock & roll music he's driven to play. Stu likes the image more than the music, so he buys a bass guitar, turns his back on a promising art career and joins the band. The fact that he can barely play his instrument is not lost on bandmate Paul McCartney (Gary Bakewell.)

Playing a backbreaking schedule in Hamburg they meet up with two young Germans who become important in their lives- Klaus Voorman (Kai Wiesinger) and especially Astrid Kirchherr (Sheryl Lee), two "exi's", sort of latter-day beatniks or early hippies. Stu and Astrid fall in love and John is both irritated and fascinated by her. Soon Stu has to choose between his love for Astrid and painting and his deep emotional ties to John and the band.

The actors portraying the most well-known characters (Hart, Bakewell and Chris O'Neill as George Harrison) all bear striking resemblances to their look in the early '60's. But this movie not only gets the style right, but the substance as well. Paul McCartney has said it was full of inaccuracies (like John singing "Long Tall Sally," always Paul's number) but as an avid Beatles fan since 1964 my view is that it's a very honest portrayal. Ian Hart shines in his evocation of the complicated personality and tortured soul of John Lennon. He practically looks like a twin of John's son Julian. Sheryl Lee also stands out as the super-cool Astrid in a restrained but powerful performance. The musical performances are fine, too, done by a band including Mike Mills of R.E.M. No Beatle originals are used in the movie but that's OK because at the time they were mostly playing powerful cover versions of American rock and soul. In fact the "B word" is not seen or uttered except once, just before the film's conclusion.

This movie is a triumph for all involved and even though it's not "official" it will only add to the great legacy left by the Beatles.