Arcade: Impatto Virtuale

Yes, this is the worst film I have ever seen. That's not to say it's the least enjoyable film I've ever seen, that dubious honour goes to My Dog Skip, a hideously patriotic story of a boy who learns all life's lessons through his pet dog that I was forced to watch on a bus. But Arcade has the worst plot, the worst production values, the worst script, the worst acting, the worst... everything, really.

This complete lack of virtue is, of course, Arcade's saving grace. This really is a freak show exhibit of a film. I watched it all the way through because I simply could not take my eyes from the grotesque spectacle on the screen. I had to see how much worse it could get. And boy, did it ever get worse.

How did this film get made? Who knows. I'm glad to see it went straight to video, which is where it deserves to be. Watch it if you've got a taste for the truly horrible.

There really isn't anything special about this movie. Filmed 2 years before its release year. Charles Band wanted to punch up the CGI to make it look better...He should have tried again. The acting is decent with such actors as Megan Ward, Peter Billingsley and Seth Green to hi0llite some of the main characters.

Arcade, though one of Full Moon better, not great, but better movies, really tries to be something big, but due to a poor script, fails to deliver the goods.

5 out of 10

Rating Breakdown.

Story - 1.25 :: Direction - 0.50 :: Pace - 0.50 :: Performances - 1.25 :: Entertainment 1.00 :::: TOTAL - 4.50/10.00.

Ah, Arcade (1993), a cyber-horror movie that promised to make us "kiss reality goodbye" but instead delivered a virtual reminder of how far CGI has come since the early '90s. Albert Pyun, known for his low-budget miracles, takes a big swing here-unfortunately, it's more of a foul tip than a home run.

The premise is tantalizing: a malevolent VR video game traps teens in a digital hellscape, forcing our lead Alex (Megan Ward) to rescue her friends. It's a concept worthy of Tron's neon dreams or The Lawnmower Man's techno-paranoia. But unlike those films, Arcade buckles under the weight of its own ambition. The budget is painfully evident, especially once the characters enter the VR world, a green-screen nightmare where the CGI resembles a rejected screensaver from Windows 95. What should've been high-octane spectacle becomes a sluggish chore, as scenes that should dazzle instead drag.

And yet, there are glimmers of hope. The cast-led by Ward, with a young Seth Green and John de Lancie along for the ride-does its best to sell the material. They bring a touch of humanity to their clichéd characters, even if the direction falters once they step into the digital void. Pyun struggles to translate VR peril into cinematic thrills, leaving the actors adrift in a sea of garish polygons.

Still, there's an earnest charm to Arcade's flawed ambition. It's a film that aims for the stars but lands in a low-resolution crater. If you have fond memories of the movie, be warned: revisiting it might tarnish your nostalgia. For everyone else, it's a cautionary tale about dreaming big on a small budget.

Original (excludng Disney's actually inferior hit 'Tron') Full Moon picture whereby a group of slightly irritating youngsters get wrapped in a game called 'Arcade' down at the local bargain basement, ummm, arcade. The cast is a staggering one considering the low budget (though at the time they were largely unknown). Lead Megan Ward (also in Full Moon's 'Crash and Burn'; 'Trancers 2/3') is a fantastic actress and the now successful director/producer/writer/actor Peter Billingsley, A.J. Langer and Seth Green are among the other teens. To give the film some Sci-Fi credibility we have Star Trek's John de Lancie. The effects, though good considering budget and scope are too adventurous for their own success and frequently characters sucked in to the game look like they are not in the game at all merely wearing tight all-in-one swimsuits and pretending to touch or hold game components (which in reality they are). Megan Ward is an unlikely heroine which adds to the credibility (not all hero/heroine types are built for the role) and the cast have striking chemistry. Put any understanding of big budget CGI and your own knowledge of computer graphics aside to really appreciate this film and you may be pleasantly surprised. Writer David S. Goyer who wrote a few Full Moon films including 'Demonic Toys' has achieved great mainstream Hollywood success since and this is probably significant on his path there (as it was for stars Ward, Green and Langer). Director Albert Pyun is generally pretty poor and this is - without doubt - his best work. Good, (and except for some pointless bad language) clean, fun.

This is a harmless little sci-fi for pre-teens that mom and dad can scan at any time and see no sex and only a touch or two of violence grace the screen. The plot and pseudo- science are of the leave-your-brain-at-home variety while the graphics are nothing special. The direction is slow, clear and undistinguished. The photography is pedestrian, but not bad. The cast is cute, led by the beautiful Megan Ward. She is demure and fully clothed as a teenaged heroine who saves her boy friend and pals from an evil virtual-reality game gone amuck. The fact that she was 23-years-old at the time and a little too old for the part did not bother me at all. Her fresh face and great beauty allowed me to watch the whole thing! The once vampish Sharon Farrell has a small part as the star's mom which she plays flawlessly with just a touch of irony.