Guerra al virus

And The Band Played On is an extremely powerful movie. This movie should be required viewing in any high school. The fact that it took so incredibly long for the then higher powers to admit to the existence of AIDS is stunning and sad. The performances throughout the movie were moving and effective. I thought that Sir Ian McKellan and Richard Gere represented respectfully the signs of strength and fear.

I was also disheartened to learn that throughout this tragedy, there were individuals who might have been more concerned with helping and protecting their own reputation and agenda as well as accepting the credit for their work in breaking down point by point the disease known as AIDS. Alan Alda as Dr. Gallo was fascinating. In fact all of the performances from Matthew Modine and Richard Gere to Steve Martin and BD Wong were great. The most important thing here though is the history of this disease and the hope that we can learn from it.

I read this book in high school in the late 80's just as it was released. The book was excellent and gave a great educational lesson on HIV and AIDS. The movie was just as good. I was really touched at the end when "The last song" by Elton John was playing. The movie gave a great time-line of the virus.

It is so terrifying to think AIDS has actually been around since probably 1959 when a blood sample from a man from the Congo had died of a mysterious illness, and tests run on the blood sample today showed he did indeed have AIDS. The movie was very touching, this whole topic leaves a lump in my throat. I was 13 when AIDS had started making the news and in 1985 or 1986 my dad had a blood transfusion. We spend months worrying if he had contracted HIV. Thank god he got clean blood and he dodged a bullet, unlike the 25,000 people in the 70 and 80's who received tainted blood.

I got teary eyed when an HIV+ guy in the movie says "This is not a political issue. This is a health issue. This is not a gay issue. This is a human issue. And I do not intend to be defeated by it. I came here today in the hope that my epitaph would not read that I died of red tape."

The predictions were accurate. The scientists predicted there would be 40 million people worldwide infected with HIV by the turn of the century and that number has proved to be pretty much dead on, literally.

American doctors from the underfunded Center for Disease Control scramble to figure out the origin of--and the causes behind--the alarming rate of homosexual male deaths in the early 1980s. As the fatal strain of pneumonia and hepatitis B cases begin appearing, politicos in Reagan-era D. C. veto the mysterious disease as non-newsworthy; meanwhile, members of the gay community are not shown to be radically adept at helping their own cause, labeling the early cases as products of the Gay Cancer. Adaptation of Randy Shilts' frightening, groundbreaking book has an all-star cast but impresses mainly with its handling of the packed narrative, particularly when detailing the CDC's battles in coming up with an inexpensive way of filtering out contaminated blood from the National Blood Supply. Making a movie from the source material was seemingly an impossible undertaking, and yet HBO Films and co-producer Aaron Spelling manage to lay all Shilts' information out adroitly and adeptly. Some of the character interaction is awkwardly interjected, but most of the principal players do very good work with their technical roles. Alan Alda positively revels in the opportunity to play sniveling medical scientist Dr. Robert Gallo, who felt usurped when French scientists initially gained prestige for isolating the virus; as Dr. Mary Guinan, Glenne Headly does some of the best work of her career (while interviewing a sexually promiscuous airline steward, one of the earliest men to fall prey to the disease, Headly is remarkably natural and charming); and Saul Rubinek as Dr. Curran, who initiates the investigation and helps sort out all the jargon, is in masterful form. Some of the high-profile cameos stick out as artifices--such as Richard Gere's bit as a stricken choreographer--though it is commendable to see these marquee names taking part in the project. "Band" isn't compact--it isn't a quick-fix wallow or a time-filler--instead, it's a serious, frustrating, angry movie with no easy answers...and that's as it should be.

Unbelievable, wrenching film. This movie is told so thoughtfully and well; the sequences are laid out thoughtfully, and this is one of those rare movies literally told from the heart. The cast is just remarkable. What a huge story to tell; this could easily have become garbled due to the overwhelming subject matter. However, it is sequenced well, and acted so well, that you sit there in astonishment that this could happen in a world full of otherwise brilliant people.

I don't know what it will take to remove political considerations from life-and-death struggles...How about we work at saving lives, and worry about who gets credit later? If someone becomes injured due to gang warfare, we don't deny them care or drag our feet because we don't agree with the gangster "lifestyle".

Absorbing, heartbreaking and touching. A fantastic and, obviously, loving job by the entire cast.

AND THE BAND PLAYED ON (MADE FOR CABLE TV/HBO-1993) ***1/2 Matthew Modine, Alan Alda, Lily Tomlin, Charles Martin Smith, Richard Masur, Saul Rubinek, Richard Gere, Ian McKellen, Anjelica Huston, Swoosie Kurtz, Steve Martin, Phil Collins. Engrossing adaptation of Randy Shilts' landmark prize-winning document on the onset of AIDS and the fevered manhunt to find the cause and cure of the HIV virus. Compelling storytelling and a remarkable performance by Modine as the head for the Centers for Disease Control facing impossible odds and heartbreaking frustrations. Hallmark for cameo appearances and political correctness it may be but stirring and revelatory nonetheless. Dare not to be moved during Elton John's "The Last Song" as images and names of the disease's victims roll during the closing credits. Directed by Roger Spottiswoode for HBO.