Aggiungi una trama nella tua linguaAn elderly man receives a head injury which affects his attention-span and leads him to become a devout believer in television commercials.An elderly man receives a head injury which affects his attention-span and leads him to become a devout believer in television commercials.An elderly man receives a head injury which affects his attention-span and leads him to become a devout believer in television commercials.
- Premi
- 1 vittoria e 1 candidatura in totale
Sfoglia gli episodi
Recensioni in evidenza
10seb-137
This is very black comedy which leaves an indelible impression on the viewer. It is so powerful because of its impeccable attention to detail in the way it satirises contemporary advertising and the chasm between the glossy fantasy worlds they paint and the sad painful world inhabited by ordinary people. The casting of Bryers as the Pollyanna-ish protagonist is spot on, as his usual chirpy persona is given a new sinister twist by the catastrophic outcomes of his well meant intentions - like Tom Good accidentally launching bird flu on the unsuspecting citizens of Surbiton. Edmondson plays a similar character to Angus Deayton in 'One Foot in the Grave': permanently exasperated with Bryers but ultimately sympathetic that he is just a victim of an unfair world against which he has no defences.
Excellent series satirising early-90s marketing and consumer culture. At times I felt I was watching a mirror of One Foot in the Grave: whereas Victor Meldrew rails against modernity, Richard Brier's character - through a whack to the head - comes to embrace it wholeheartedly. This results in him acting upon the advice and slogans of every piece of advertising he sees. This darkly absurdist approach is perfect for shining a comedic light on the superficiality of much of modern life.
Briers' character could easily become grating over the course of an episode, but is handled perfectly by the veteran actor and is instead a benign, sympathetic figure playing wonderfully against Adrian Edmonson's more caustic and jaded character.
There's a real ferocity behind the writing - a genuine anger and disgust at the depersonalizing effects of consumerism - that really spills out overtly in Edmonson's courtroom diatribe in the final episode. But the rest of the time it's there, a passive-aggressive sardonicism simmering away in nearly every line of dialogue.
Of course, it's all still relevant today - probably moreso - and this totally forgotten gem deserves far greater acknowledgement. Seek it out!
Briers' character could easily become grating over the course of an episode, but is handled perfectly by the veteran actor and is instead a benign, sympathetic figure playing wonderfully against Adrian Edmonson's more caustic and jaded character.
There's a real ferocity behind the writing - a genuine anger and disgust at the depersonalizing effects of consumerism - that really spills out overtly in Edmonson's courtroom diatribe in the final episode. But the rest of the time it's there, a passive-aggressive sardonicism simmering away in nearly every line of dialogue.
Of course, it's all still relevant today - probably moreso - and this totally forgotten gem deserves far greater acknowledgement. Seek it out!
This was a classic piece of comedy, take a look round at the current state of British sitcom. Richard Briers was brilliant as the hapless Godfrey Spry. Four episodes only, this could have been legendary given half a chance. Definetly needs a re-run or DVD.
10Bantaar
This is what ought to have been a classic satire. The story isn't very important: Gordon Spry, an elderly man (Richard Briers) gets a brain injury which causes him to believe everything he's told.
The point is that nobody cares about him -- not really -- and so, he's only told anything at all by TV commercials. And, as he believes everything that TV commercials tell him, numerous (and wickedly, even harshly, funny) scenes ensue.
The satire is bleak and merciless, even for the BBC, if extremely well-made. It probably came too close for comfort for the general audience, and was quickly forgotten.
The point is that nobody cares about him -- not really -- and so, he's only told anything at all by TV commercials. And, as he believes everything that TV commercials tell him, numerous (and wickedly, even harshly, funny) scenes ensue.
The satire is bleak and merciless, even for the BBC, if extremely well-made. It probably came too close for comfort for the general audience, and was quickly forgotten.
What I remember of a program shown a decade ago is that it was a hilarious yet (in its finale) moving modern retelling of Don Quixote. It was slated at the time, and has gone unrecognised ever since. This is well overdue for a reshowing or a DVD release.
Lo sapevi?
- Citazioni
Muriel Spry: Gordon, how do you feel about a baby?
Gordon Spry: Not sure I could manage a whole one. Perhaps I'd better just have the dummy with a bit of cream.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- If You See God Tell Him
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was If You See God, Tell Him (1993) officially released in Canada in English?
Rispondi