Zebrahead

'Zebrahead' is an excellent, little known movie that manages to realistically portray racial issues in a contemporary teen movie without being saccharine or too preachy. Michael Rapaport, best known for playing supporting roles of losers in movies like 'True Romance', 'Cop Land' and 'Kiss Of Death', is given a strong leading role here and does very well with it. Surprisingly it was his movie debut and he rarely been given a part as good as this since. N'Bushe Wright, best known for 'Blade', is also excellent as his love interest Nikki, and the late Ray Sharkey ('Who'll Stop The Rain?') is first rate as his womanizing father. The rest of the supporting cast, mostly all young and unknown, are all very good, and the strange cameo by Kevin Corrigan ('Bandwagon', 'Buffalo '66') is unexplained but fascinating. Writer/director Anthony Drazan went on to make the equally overlooked 'Imaginary Crimes' and 'Hurlyburly'. All three movies deserve a lot more attention.

Initially I suspected that this might be another rather typical examination of racial strife in high school, almost of an ABC Afterschool special caliber. However, it was quite impressive in its portrayal not only of racial tensions but of the quality of friendship between two young men. Michael Rapaport typically flashes a somewhat limited range in his roles (he has most certainly been typecast by now) but his performance here has exceptional moments - particular in the last scene of the film where his emotion is tangible without being overdone.

This is a tight film. In fact, except for perhaps the last 20 minutes, the film is near-perfect. Michael Rapaport is absolutely excellent in the lead role, the best role I've seen him in, save Higher Learning. And N'Bush Wright and DeShonn Castle were also excellent in their parts. Ron Johnson was convincing as the aptly named 'Nut' as well. The film was heartfelt, with enough light attitude to balance the darker and more serious side.

The few issues I had were: The Kevin Corrigan 'I live in industrial Detroit and look what those evil companies have done to the neighborhood' scenes were completely unnecessary. They had nothing to do with the film except perhaps looking cool. We already know from the setting and characters that it's not exactly pretty and that it's a rundown neighborhood. Also, Zach's father was a little too lucid with Zach, especially concerning his own sexual prowess/conquests. he *is* still the boy's father. Also, the last 20 minutes were overdoing it. Until then time flew by, the film is very close to air-tight for the first hour and twenty, but then it started to drag. The film had pretty much said it all, we didn't need the whole premise explained to us as though we were mindless.

This is *not* another Jungle Fever, nor is it another Higher Learning; which is both a good thing and a bad thing. Good because it's a separate entity, it stands well on its own and deals with a too-familiar situation with originality and strong acting performances. Bad because the script could have been tighter; even though it was very well scripted, there were some scenes that didn't need to be there, others which could have been written better. The cinematography was also lacking; this film could have been shot with much more gusto, even without being fancy.

Overall: Considering this is a low-budget film with no-name actors (at the time, at least) and little other than Oliver Stone's name to back it, it does a damn fine job. There are improvements that would have helped, but its strong enough to stand on its own...better than many major films can. It's not as good as the aforementioned Jungle Fever or Higher Learning, but in a way its more raw in a good way. If it wasn't so preachy and if it was about 10-20 minutes shorter (with a better conclusion) it would easily rate and eight or nine. As it stands: 7/10.

I love this movie. Really, really love it. I went to a school like this with kids like these. I went home to a house like that. I was in the cafeteria the day a racially-charged situation almost went to critical mass, and I was part of a group discussion the following week, in which nothing was resolved.

Which is what I like most about this movie. It doesn't end with everyone singing. Or dancing, or marching towards the camera, or anything like that. The goomba and the Spike Lee guy duke it out while the Asian girl despairs (as I did), and the white guy and black girl embrace each other hopelessly. That is life. Some differences will never be resolved, and the best you can hope for is that *some* people will reach each other. I was praying all along that this would not have some pat ending that could never have happened at my school, and I was rewarded. There are no resolutions, just moments.

Just watched it last night. Had a real feel to it. It concentrated more on the day to day lives of these kids. It wasn't just about blowing guys away or drug use or dealing on the street corner. The movie was very low key but had its good up tempo parts also. Very realistic. Had no idea that Oliver Stone did this movie. A very underrated film. I also felt that more information on Rapaport's character's mother could have been shared. To go even deeper, more on why Nikki moved to Detroit would have been a plus. Those are minor suggestions though. Still a movie to see if you haven't. I have not seen "Save the Last Dance" so I can't compare. I did like it better than "Jungle Fever".