The Wicked City

The Reptoids, an alien species from beyond rule the future. They live amongst the human populace. Intelligent, urbane, charming, aggressive...and malevolent by nature... They control most of the international economy, and unknowingly to the people, the Reptoids manipulate most of the human race...

Throughout the city streets in Tokyo and Hong Kong, a lethal new drug is being distributed under the incognito known as the "Happiness." This drug promises the ultimate pleasure, the ultimate high...but it will lead to the ultimate demise...

Detective Taki (Jacky Cheung) has his hands full dealing with a series of drug related deaths. The police department also happens to be breathing down his neck. Taki is assigned to keep a surveillance over a enigmatic entrepreneur (Tatsuya Nakadai) who may hold the key to unlocking this entire riddle. This opulent entrepreneur though may in fact, be one of the Reptoids...and the "Happiness" drug is the Reptoids' method of preempting the human race, bringing them down to their knees... Only Taki, and his new partner, Ken (Leon Lai) can thwart the Reptoids' sinister plans for world domination...

Double-crossing, deception, and malediction are the name of the game as the stakes are rising.. Taki may very well realize that his partner is not who he claims to be. As well, a gorgeous woman (Michelle Reis) whom Taki has encountered before enters his life one more time...but why now?

I am a huge fan of Hong Kong cinema, and this film is no exception. WICKED CITY (The Cantonese title is YAO SHOU DU SHI) is one of East Asia's proudest pieces of work. This movie has an amazing exhibition of imaginative and mind-blowing special effects ever witnessed, especially for a film that was not made in Hollywood. The film makers throw in everything for this movie from martial arts, car chases and flying acrobats to lasers, metamorphosing creatures, liquid fiends, reptilian demons, and a humanoid pinball machine! There is even an incredible climactic confrontation aboard a moving passenger jet. Also, the dazzling and sparkling Michelle Reis adds a provocative edge to this emotionally pervasive film. Her beauty and grace are powerful enough to hypnotize the entire audience, thereby stealing the show from the two leads. Strong special effects, fine set designs, and a sexy leading lady highlight this formidable sleeper hit.

WICKED CITY was created to capture the visceral nightmarish flair of a fast moving anime. The intensity and sheer momentum in this film packs a wallop! The action sequences moves at a razor sharp pace and the surrealism of this film is omnipotent. This movie features some of the most startling (and definitely grotesque) creatures as well. The array of bestial monsters will paint an indelible picture in your mind after finishing the movie.

A stylish, science-fiction future noir for the next millennium! WICKED CITY contains the components of a future noir including a hard edged detective full of asperity, a beautiful mystery woman with a past, a bleak atmosphere, deviant camera angles, and flashbacks. Excellent characterization, magnificent cinematography, and a surprisingly abundance of plot twists make WICKED CITY a worthwhile pearl to collect. The brilliant imagery and predatory mutants propel this film several notches above the typical Hong Kong action film.

As a future noir, WICKED CITY is a heart-stopping ride descending into a apocalyptic world where time has no meaning...and life may hold no value... Certainly a fiendish, brutal vision of a future where humankind is in crisis. Director Tai Kit Mak did a great job adapting the famous Japanese manga as a big screen show where the objectives of good and evil are not always clearly defined...

For a precaution, DO NOT even bother trying to decipher a plot. Just sit back and prepare to be blown away by the most dizzying collection of special effects ever seen! While this movie is energetic and lively...just do not bother to have credibility and logic as top priorities... WICKED CITY is thoroughly wicked indeed, deserving all types of encomium with a wildly original concept.

RATING: *** out of ****.

I've seen this movie at least a dozen times, and never once, never, didn't I cry at the end! I'm glad this is my first impression of sci-fi movie (besides ET, when I saw it at 6, which I don't quite remember what was really going on until I become a grown-up) since I first saw it at the age 18. It forever influenced my view of sci-fi movies. Whenever I go to see sci-fi films, I always pay attention to the styles, the messages contained within, the connection between the imaginative world and the real life. For me, that is what sci-fi movies really about, not some fancy special effects.

The other day I was surprised to find out we have copies for sale in America, I order a copy at once. But I was also shocked to find that this wonderful film, probably the best Hong Kong movie I'd ever seen, was not received well here in America. Almost all the people who praise the film are Asian. I don't think this has something to do with culture gap, because this is a very unusual Hong Kong films, it didn't contain anything specific about the Asian culture. And that's the point. It is not anything you expect to see in a Hong Kong, or any other Asia films you can find here in the United States. It didn't have fancy martial art, no strange custom (which I strongly disagree with. They always portray Asia as bunch of strange, mysterious, sick places. Because that kind of films can easily won the prize in European film festivals). This is simply a film about humanity. At the same time, it was so beautifully done. Very stylish, with the music that was so heartbreakingly beautiful. But do see this film in its original language with subtitle. NO FOREIGN FILM SHOULD BE WATCHED IN ENGLISH DUBBED VERSION! IT IS ALWAYS THE BIG DISASTER!!! Do take a moment to think about what you see and enjoy that beautiful ending.

Mak Tai-kit co-directed this adaptation of the Japanese anime with Tsui Hark. This HK live version stars Jacky Cheung, Leon Lai and Michelle Reis as Taki, Ken and Windy, the characters from the anime whose names have been slightly changed as well as many other things, too. The anime has plenty of sex and nudity and this (of course) lacks all those elements and concentrates more on action filled mayhem. The plot is so confusing I don't even try to describe it, but it is about those reptoids who live "in peace" with humans and now someone is trying to destroy this peace and inhabit the world for reptoids only.

The action and mayhem-o-meter are as high as possible in this film. Still the story and plot are so hard to follow that it all looks little gratuitous, but maybe it is that way for Western eyes only. The cinematography and atmosphere created by blue and moody lightning is gorgeous and easily the greatest thing this film manages to give. The film bathes in this color and thus is very dark and takes place in night time only.

The film tries to say something about humans and our way of fighting and destroying everything and that is of course a positive point in a film like this, but still they don't concentrate too much on these deeper elements and they look little unconvincing. Also the fears of year 1997 (the film was made in 1992) when HK was given back to China are clearly visible and the film can be easily seen as a dark and pessimistic future vision of HK as well as the whole world of human beings. There is content but there is much more plain battles, shoot outs, chases and spectacular effects and monsters, which are really something rarely seen in Western films, but still they're miles away from those of the original Japanese anime, which I recommend very warmly for those interested after this film or in general.

I give this live version "just" 6/10 because of its mad and confusing elements and lack of any deeper meaning but still it is recommended for fans of fast paced Hong Kong action and fantasy cinema, but don't expect another Heroic Trio!

This movie rarely pauses to let you catch your breath (or figure out the plot) before another onslaught of stylish action wierdness happens. Like Jackie Chan's CITY HUNTER, this is a Hong Kong adaptation of a Japanese manga (comic) which would explain all the tentacle monsters in the movie (a particular Japanese obsession). I couldn't follow the plot but this film is so manic and overloaded with bizarre wham-bang special effects that only the most jaded of fans could dislike it.

WICKED CITY is a crazy Hong Kong slice of sci-fi action based on a Japanese manga and anime. It takes the wackiness of the 1990s craze of wuxia epics and transfers it to a contemporary or futuristic setting where monsters in human disguise roam the city and integrate with society. The film hits the ground running and throws you in at the deep end, trying to keep up with a fast-moving plot involving a war between cops and monsters that never makes entire sense.

It's bizarre stuff indeed and completely schlocky from beginning to end. Old dependables Leon Lai and Jacky Cheung play two cops hoping to avert an all-out war between humankind and monsters but the main emphasis of the film is on insane action sequences which have been inspired by TERMINATOR 2: JUDGMENT DAY. Thus we get scenes of characters being chased around by 'liquid monsters' and even a laughable attempt to copy the motorbike-out-of-the-window shot in the Cameron film.

Of course, the Cameron movie didn't have any scenes of long-limbed monsters wreaking havoc in hotel rooms or the absolutely bizarre, random interludes seen here. It's pretty poor stuff, it has to be said, and the direction and editing is very choppy, but I enjoyed it regardless, although perhaps on a so-bad-it's-good level. Given it's a 1990s Hong Kong film, the main guys entangle with a sexy femme fatale, here played by Macau-born actress Michelle Reis. The familiar-looking sergeant is none other than Yuen Woo-ping. Bad guy Roy Cheung starred in the PRISON ON FIRE movies. Best of all is Kurosawa veteran Tatsuya Nakadai who bags a great support role and is effortlessly cool as always.