Witchcraft IV: The Virgin Heart

I watched the first three movies in this series just over a year ago, took a year off as I didn't really enjoy any of them, but thought alright let's get back into the WITCHCRAFT series. Then comes this dud.

Supposedly 3 years after part 3 a girl named Nora Breckenridge (Diane Thomas or Sunset Thomas as she is better known in the adult films she made) goes missing. The cops think her boyfriend is the culprit. He is played by Orien Richman as Pete Wild...no really that's the character's name. His sister Lily (Lisa Jay Harrington) hires Will Spanner (Charles Solomon) to be his lawyer. He then connects it to a stripper named Belladonna (Julie Strain) who he begins to tail to find out what happened.

I feel bad for Solomon as this was his third and final WITCHCRAFT flick and really what a terrible way to go. His character has really been reduced almost nothing as times when he should be doing something to help himself or other people he does nothing and ends up peeping in Lily's window watching her undress as well before it fades to the next scene. Horribly lit as you feel like they didn't have enough money to even turn the lights on. Horrible sound as half the time you can hardly pick out what the actors are saying. Horribly directed as you generally go from one extremely long, boring shot to the next and any scene may in fact only have two shots in it. This movie seems so much cheaper than the earlier entries, which is really saying something. Not sure how I am going to get through the rest of the endless series.

Witchcraft IV: The Virgin Heart (1992)

* (out of 4)

The fourth film in the series finds lawyer Will Spanner (Charles Solomon) involved with a new girl (Julie Strain) while trying to investigate a case involving a man accused of killing his girlfriend. It turns out that the devil's son is also working the music scene by having young musicians sell him their souls in exchange for fame. I'm honestly not sure how those two stories were supposed to connect but WITCHCRAFT IV tries to do it but of course fails miserably. The first three films in the series were bad but each of them featured something strangely bad that made them entertaining. This fourth installment is clearly the worst of the bunch and you can't even say it reaches a so bad it's good level. The biggest problem is that there's just not much of a story here and what little there is gets stretched to a 93-minute running time, which is about 73-minutes too long. The film does offer up some rather funny moments including the scene where our lawyer-warlock goes up against the D.A. trying to say his client is innocent. The dialogue for these two going back and forth managed to get me to laugh. It's also funny hearing the lawyer tell the talented stripper that she should join a band and sing for a living. And let us not forget the scene where our lawyer buddy gets backstage at a strip club by claiming to have gotten lost looking for the bathroom (I hate when that happens). The performances, as you'd expect, are all pretty poor and even Solomon comes off rather bored here. Strain certainly can't act but I'm fairly certain she was hired for her breasts, which she shows a few times throughout the film. WITCHCRAFT IV just drags along so badly that it's really hard to find any sort of entertainment in it.

My review was written in August 1992 after watching the movie on Academy video cassette.

"Witchcraft IV' is one of the best in this popular home video series, with an alluring central performance by pinup Julie Strain. This patented combination of sex and horror will get a brisk response.

For the third film in a row, Charles Solomon (who had a small role as part of Jim Garrison's team in "JFK") plays lawyer Will Spanner, who suppresses his warlock nature until called back into action by adversarial witches.

He's hired by Lisa Jay Harringotn to defend her brother, accused in a ritual murder. Trai leads to evil Britisher Clive Pearson, who manages the career of sexy stripper/chanteuse Belladonna (Julie Strain).

In a script nod to Walter Hill's "Crossroads", an occultist acquaints Solomon with "The Legend of the Blues", relating musical mastery to devil worship. Happy ending is a bit hard to swallow, but the producers undoubtedly are thinking of sequels.

Solomon is his usual good ole boy self, while Strain, a 6-foot tall model familiar from both Penthouse and Playboy magazines and videos, has her best acting showcase to date in the central role. Special effects are minor.

It's been three years since warlock Will Spanner (Charles Solomon Jr.) has used his powers, but when faced with a demonic, murderous music manager who removes his victims' hearts, the supernatural lawyer must once again draw on his magical abilities.

With Will investigating a murder case that takes him to sleazy strip clubs and smoky blues bars, Witchcraft IV: The Virgin Heart is more like a film noir than a horror — and a bad one at that, with a dull mystery and a lifeless performance from star Solomon. Written and directed by James Merendino, the film cements the Witchcraft series as one of the worst horror franchises ever, this latest entry being the weakest one yet.

As with the previous three films, the film suffers from dreadful acting, flat direction, and cheap production values, with particularly bad sound, much of the dialogue almost impossible to make out. I imagine that none of this seemed all that important to Merendino, just so long as skin-flick legend Julie Strain (playing a stripper called Belldonna) got her clothes off—which she does.

This was the last of the Witchcraft films to feature Charles Solomon Jr. as William: perhaps even he had his limits and could take no more of this garbage.

WITCHCRAFT IV: THE VIRGIN HEART is the worst WITCHCRAFT film yet, and all four have been pretty bad. This sees Charles Solomon Jr., the main actor from the last two films in the series, coming back for a final time essaying the role of the good-guy warlock facing up to the forces of evil.

This effort tries to tell some sort of politically-tinged tale but the budget is far too low to convince with any of the court house scenes. The emphasis of the story is on rock music so there's lots of the expected padding and little in the actual way of story telling. Once again the devil is getting folk to sell their souls to him and only our hero can stop him.

The most notable thing about THE VIRGIN HEART is the willingness of starlet Julie Strain to show off her bare body, which she does on regular occasions playing a devilish stripper character. While Solomon Jr. would thankfully quit the series after this instalment, unfortunately it would continue to run and run without him.