Sidney e Billy sono rispettivamente giocatori di basket nero e bianco che si danno da fare sui campi di strada a Los Angeles. Uniscono le forze per vincere soldi sui campi di strada in un to... Leggi tuttoSidney e Billy sono rispettivamente giocatori di basket nero e bianco che si danno da fare sui campi di strada a Los Angeles. Uniscono le forze per vincere soldi sui campi di strada in un torneo di basket.Sidney e Billy sono rispettivamente giocatori di basket nero e bianco che si danno da fare sui campi di strada a Los Angeles. Uniscono le forze per vincere soldi sui campi di strada in un torneo di basket.
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- 6 candidature totali
Recensioni in evidenza
It is more than just a sports film, it's a an evolution of the 'buddy' movies and 'odd couple' movies of 80's (think Lethal Weapon, Stir Crazy, Twins, Trading Places). So in effect it is about the relationship, and the chemistry between Snipes and Harrelson is excellent. You really feel for each character in their highs and especially lows throughout the movie, and wonder how they will scrape themselves out the next scam they create.
The games scenes are really well shot with slo-mo action of the actors doing some cool skills and plays on the court, making me wonder how long they trained at basketball to prepare for this film!? The comedy element does not get overlooked either and the banter between the two leads is especially fun and does not feel forced. Also worth a mention is the scene of the store hold up robbery which is a genuinely funny moment.
On the downside, It does feel a little dated now, from the court fashion to the scenes of the tough neighbourhoods and the assorted hustlers and gangs, you don't get the impression of any true danger to the interlopers. Also some of the stereotypes are quite cliched, but then the film is really based wholly on the one big stereotype of the title.
Overall a good movie that is original and has a more genuinely fun interplay of characters than you might expect. A fun and somewhat underrated movie.
7/10.
White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).
After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10
Lo sapevi?
- QuizWhen Woody Harrelson was making this movie, the producers hired Bob Lanier, the retired Detroit Pistons' center, as a basketball coach. Harrelson, who had played some basketball in college, was bragging to Lanier about what a great player he was. Lanier invited Harrelson to play a little one-on-one. Harrelson later described it as "the most embarrassing fifteen minutes of my life."
- BlooperBefore the second hustle game in Watts, Sidney declares the game to be "make it take it", meaning a team retains possession of the ball after scoring a basket. However, after Billy makes the first shot of the game, their opponents (Robert and Zeke) take possession of the ball.
- Citazioni
Sidney Deane: [to Junior, after losing his borrowed money to Billy in a shooting challenge on the Venice Beach basketball courts] Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bahamian diet-drinking ass up. Leave me alone!
- Curiosità sui creditiIn the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style.
- Versioni alternativeSome U.S. video versions are three minutes longer.
- ConnessioniEdited into White Men Can't Jump: Deleted Scene (2000)
- Colonne sonoreMood Indigo
Written by Duke Ellington, Barney Bigard and Irving Mills
I più visti
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 76.253.806 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.711.124 USD
- 29 mar 1992
- Lordo in tutto il mondo
- 90.753.806 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Proporzioni
- 1.85 : 1