Wax, or the Discovery of Television Among the Bees

Just when i thought i had already seen all the super weird movies that suit a psychedelic movie night, along comes this gem. Total disorientation. Strange fascination. Reprogramming of pathways long disconnected way back by the dead on the moon created by the bees of kain, slayer of abel, inventor of the secret language that would one day come back to fulfill the destiny of creating a simulation of consciousness made from living symbols that contain the souls of the dead of the future in the form of bees from the garden of eden which refers to a cave that exists in the past inside a planet at the end of time and space itself that is folded into a telescope to insert the robotic target seeking consciousness of blind insectoid gods into missiles to come back to the place where my half brother used to live when he was a contractor for a company with ties to the US military that was founded by the grandmother of his stepsister to launch weapons loaded with the embodimend of the mind of kain who slew his brother abel out of jealousy for his bees, to fulfill his destiny of merging with his target in the first iraq war.

It all makes sense at the end.

just wanted to add that i really like the video, and i think its no more weird than any television talk show or game show or news show or presidential election show: it mixes up a lot (in our heads i mean), but the confusion comes from the matter, not from the artist.

it's full of speculations and confusing plot points, as part of what it is about. in fact it was the only movie i ever saw, that was able to both analyze and illustrate the TV strategies of war reporting since operation desert storm (which it is exactly about) and the beginning new world order. that's maybe what seems technically overwrought?

seems to me, other artists like godard or kitano work the same way, merging so many images, synthezising so many parts of life, in the end you're overwhelmed. because we are not used to watch movies that way. because there is little chance to see stuff like this in cinemas.

thx for your attention. ;)

Full review on my blog max4movies: Wax, or the Discovery of Television Among the Bees can probably best be described as a philosophic journey through the paranoid consciousness of the narrator, which is presented in the form of a science fiction pseudo-documentary. Much like documentaries on conspiracy theories, the movie is cluttered with seemingly random information about beehives, ghosts, and weapon's testing - just to name a few central themes. These concepts are mostly interconnected but overall the narrative still lacks structure and coherence. The visual presentation is perplexing with distorted images and heavy use of computer-generated effects, but the abstract shapes and intercut shots of bees match the dreamlike and hypnotic atmosphere of the movie. Overall, the movie presents some great ideas (e.g., criticism of intelligent weapons), and the presentation is, although being a low-budget production, unique and fascinating to watch - even though some aspects don't come together all that well.

it's a weird movie but maybe a little bit less so if you think about it as having a kind-of antiwar message -- the guy gets so overwhelmed by guilt over the job he does that he basically loses his mind and imagines himself to be a missile that doesn't want to hit its target.

or, another way of thinking about it is, what would happen if weapons could be haunted by the people that they kill? in order to do that you have to make the weapons into living things, which is a big part of where the movie's weirdness comes from, but at the same time there's a real valid point to it, i think -- which is that it asks us to think about the way we wage war, which is shown on t.v. so that it seems not to have a cost in human lives, when in fact, of course, the toll in human life of wars like desert storm is extraordinary and tragic.

i think the movie DOES get a little overwrought with its technical events from time to time, but i think too that it DOES have a basic message that helps to understand it, and it'd be a shame if that message was missed because i think, whatever its flaws, it conveys and explores that message (about the human toll of "pushbutton" or antiseptic modern wars) brilliantly.

oh, and it made MY dog talk, too. how about that? i'm convinced anyone who sees this movie seven times can be deemed legally insane. having said all i said above, i have to admit that this is probably the absolute STRANGEST movie i've ever seen, and i've seen some strange ones. i liked it anyway, though.

"Wax" is very likely the oddest film I've ever seen. Marvelously, beautifully, lyrically, and profoundly intellectually stimulating in all respects. Breathtaking in its scope and achievement. But very odd.

I have read medical reports containing sodium pentathol interviews and transcripts of schizophrenics' monologues. I have read memoirs and fiction by schizophrenics and hard drug users. I have read Surrealist and Beat Movement literature. I have read James Joyce and Gertrude Stein. I have read the visionary poetry of Charles Williams and H.D.

I have watched films by Kenneth Anger and David Lynch and Maya Daren. I have read Yoruba ethnic literature from West Africa and studied Aleister Crowley's skryings on the Enochian aethyrs. I have read H. P. Lovecraft and also Kenneth Grant's post-Crowleyan magickal writings describing journeys behind the Tree of Life which would have preempted H.P.L.'s usual nightmares had he but known of them.

"Wax" stands tall in that company. A hypnotic, hallucinatory, purely poetic fusion of words, images, political ideas, and mystical transformations, nothing quite resembles it. "Pi" (1998) tried for something as distinctive, but that film gave us a glowering, paranoid, tortured vision shot in deliberately painful close-ups. "Wax" makes a complete contrast in its joyful freedom of eloquence in narration and visuals.

"Wax" enhances life while critiquing it. The film employs early, simple computer graphics. It juggles idiosyncratic desert architecture, prosaic photography, and absurd juxtapositions of common images.

It tells a story of Middle Eastern honey bees along with offering a hard view of the original U.S. military actions against Iraq in 1991 (a time so simple in retrospect as to seem the good old days). It links Los Alamos with transformations in consciousness. "Wax" leaps beyond the merely political in its luminous metaphors for human existence.

You can find stronger films, more beautiful films, more linguistically spry films, but you will probably never find anything quite like this fireworks display of language and image. Think "2001: A Space Odyssey" on a home movie budget. Your grasp of reality (and cinema) may never feel the same.