Tony Aaron è un poliziotto caduto in disgrazia diventato detective privato che lavora con false prove di adulterio da utilizzare nei casi di divorzio. Coinvolge sua moglie e vengono uccisi i... Leggi tuttoTony Aaron è un poliziotto caduto in disgrazia diventato detective privato che lavora con false prove di adulterio da utilizzare nei casi di divorzio. Coinvolge sua moglie e vengono uccisi in una stanza d'albergo.Tony Aaron è un poliziotto caduto in disgrazia diventato detective privato che lavora con false prove di adulterio da utilizzare nei casi di divorzio. Coinvolge sua moglie e vengono uccisi in una stanza d'albergo.
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Recensioni in evidenza
The plot is definitely this film's main strongpoint, and it is carried off well. Director Simon Moore does a good job of getting his audience interested in the characters, which allows him to weave the simple, but twisted tale. Liam Neeson won some award for his portrayal of the central character, and it is a really good performance. This sort of role can often be difficult for actors to play because the character is essentially scum, but we do feel for him; and this is thanks to the charismatic and warm performance. The ensemble cast is rather impressive and, as mentioned, many British viewers will recognise a lot of faces. The mystery is constantly intriguing and we are made to wonder who has committed the crimes. It does have to be said that the final third of the movie not as interesting as the first two; but all in all, this is a well worked and interesting little thriller that is rounded off by a strong ending. I wouldn't recommend anyone goes out of their way to see this film; but it's certainly worth a look if you do find a copy.
Set in England in 1959-60, Neeson plays an police officer, Tony Aaron. While on assignment with his partner Frank guarding the home of a wealthy man who is out of town, Tony takes time out to have a dalliance with the owner's wife. In the fray that erupts when he's nearly caught by her husband, another officer is killed. Tony is pressured to resign and when he leaves, he only has one friend left - his partner Frank. Tony becomes a low-life private detective who helps clients fake adultery in order to have grounds for divorce. To do this, Tony uses his own wife, Hazel, the woman of the above dalliance, as the "other woman." One night, he does the usual thing of entering the hotel room with a camera and surprising the client and Hazel in bed when he discovers that both have been brutally murdered. He immediately becomes a suspect, though he trails along with his ex-partner during the investigation and discovers some other suspects - not only who had a reason to knock off the artist, but who had plenty of reason to frame Tony for the crime.
This is a very well produced and directed film with brilliant construction. The detail in evoking the atmosphere of the late '50s is wonderful, and if there were ever a film that deserved a "best costumes" nomination for an Oscar, this is it.
The acting is all around very good, with a good deal of the film's budget going to Liam Neeson, who back then was a prolific actor two years from superstardom. Neeson is terrific as a loser who has made one mistake after another so that a noose around his neck seems appropriate. Yet there's something likable about him, and earnest, too, so that the audience feels that though he may not have been able to keep his pants zipped, at heart he's not a bad guy. Laura San Giacomo, who has enjoyed an okay film career but is now best known for her work in the TV series "Just Shoot Me" is very effective as the mysterious mistress whom Tony suspects may have had something to do with her boyfriend's murder. Kenneth Cranham, a very familiar face in British productions, is excellent as Tony's loyal ex-partner, who risks his own job protecting his friend. An absolutely gorgeous woman, Alphonsia Emmanuel, plays Stasio's wife and does a good job in a role that, were she not so beautiful, would probably not have been noticed.
Any film that has me yelling out loud at the screen at 3 a.m. is a good movie in my book. That's the level of suspense that "Under Suspicion" has - if you have a weak heart, take medication first. It's absolutely thrilling.
Lo sapevi?
- QuizPatrick Bergin dropped out playing the male lead due to creative differences. Liam Neeson was eventually cast in his place.
- BlooperSet in the late 1950s, a pair of 1980s British Telecom phone booths are visible immediately after the opening sequence as Tony Aaron steps out of his car.
- Citazioni
Tony Aaron: Why did you stay with him, with Stasio? If he was so awful, why did you stay with him? Huh?
Angeline: Can't believe you're cross-examing me while we're making love.
- Colonne sonoreCHRISTMAS ISLAND
Performed by Dickie Valentine (as Dicky Valentine)
By courtesy of The Decca Record Company Ltd
Written by Lyle Moraine
Copyright Northern Music Company
Licensed by MCA Music Publishing
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- Under Suspicion
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Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 221.295 USD
- Fine settimana di apertura Stati Uniti e Canada
- 47.349 USD
- 1 mar 1992
- Lordo in tutto il mondo
- 221.295 USD
- Tempo di esecuzione1 ora 39 minuti
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- Mix di suoni
- Proporzioni
- 2.35 : 1