I nuovi eroi

What's not to like? Van Damme and Dolph star as soldiers who kill each other in Vietnam and are than reanimated as Uni Sols but when Dolph remembers his sadistic ways the trouble starts.

Universal Soldier is Van Damme and Lundgren's best movie ever made.It has some strong action scenes and decent acting from the cast. The climax is one of the greatest in a long time. And if anybody tells you this movie sucked. Feel free to knock them upside their heads. (JK)

Overall Universal Soldier is a great movie that shouldn't be missed.

**** (Out of four)

Before films like Sylvester Stallone's The Expendables (2010) were released, most action stars performed solo. Arnold Schwarzenegger, Sylvester Stallone, Bruce Willis, Dolph Lundgren, and Jean-Claude Van Damme all made their own separate movies. Combining star power wasn't usually thought of because of how different the fan bases were. However, this movie is one those exceptions. Today it could be considered a movie where they collaborated before they were extremely well known (although at the time they were anyway). It was rare at that time to see two big names on the same screen - which probably pumped up a lot of people.

Here, Jean-Claude Van Damme and Dolph Lundgren play Luc Deveraux and Andrew Scott, two Vietnam veteran soldiers killed in the line of duty, who end up being regenerated to serve as a UniSol (short for Universal Soldier). As a UniSol, their purpose is to carry out impossible tasks that no other ordinary soldier could do. To carry out these missions, the UniSols are monitored and commanded by remote audio instructions. One day on the latest mission, Luc begins to have a relapse of old memories and begins to bug out. After disobeying an order, he runs off with reporter Veronica Roberts (Ally Walker) to find out what he missed. Close behind them is Luc's colonel with Andrew Scott 2nd in command looking to rid them of their existence.

For the majority of the running time, the plot is a big chase. Yet, in only some instances does it actually feel like a chase. Writer Dean Devlin managed to include some unique scenes but his pacing on how the story moves, plods from time to time. That's not to say the material he includes in the story isn't noteworthy. Again, this goes back to some unique scenes that Devlin included - most of which involve Andrew Scott (Lundgren). This movie is also one of the few that director Roland Emmerich did not include a political commentary on since this idea is so far fetched. However, he does mingle some themes that are still important to recognize - for example, playing the role of God. If there was the technology to actually re-animate dead tissue, would it be possible to have complete control over the body? Hard to say, the mind is a tricky thing.

However, the movie cannot be analyzed too much because throughout the story there are a lot of loopholes and questions that aren't answered - like how can someone survive a fall from an enormous height and not come back mangled or even bruised? This is one those films where it's fun to watch but cannot be taken literal because of how absurd the idea really is. The acting can be moderately dealt with. Ally Walker plays her role like any other person would. She has a few lines that'll make people chuckle but not much else. Jean-Claude Van Damme's acting is stone faced for most of the time because of how he's not familiar with the world. However, Dolph Lundgren looked like he had a great time playing his role because of how deranged his character is. It was also wise of the casting department to at least make Lundgren the antagonist because of his height. If it were the other way around, I'm not sure if the entertainment level would be as high.

What is fun to watch here, is when Lundgren and Van Damme finally clash. Since they both have martial arts training, there's no question that the kicks and fists will fly between them. Lundgren's got the bulk and Van Damme's got the agility. They both are good in contrast to each other, the only thing that was needed was Van Damme putting just a little more emotion into his role. Other than that, the cinematography and editing works well too. Finally, composing the musical score belongs to Christopher Franke who now produces music for The Amazing Race (2002) series. Franke's score does contain tunes that can be heard with light emotional tones but it's nothing too deep; which is pretty much how the film should be taken. Fun but not deep.

The action on screen between Dolph Lundgren and Jean-Claude Van Damme is fun even though it is sporadic. The story elements are interesting considering it also makes the plot drag. Look for nothing too deep here.

Okay, okay: it's as macho as hell, questionably acted, pretty brutal and not particularly imaginative. But it has faith in itself. Please don't think I mean to give this B-movie any real grandeur, but it does know how to get the blood pumping. If the action sequences are nothing new (cribbed from Arnie and Mad Max flicks), it pushes them home with a relentless logic, and the production values are fine.

There is an element of self-parody, thanks largely to Lundgren's engagingly OTT psychotic turn (he's the best of the bunch) and the film-makers have enough nouse to make JVCD rely on his ability to kick the life out of everyone.

Plot means nothing, the film is nasty, the semi-moral/sentimental tone that descends towards the end is pretty offensive and it's derivative.

But admit it - you enjoyed it. Hell, I thought it was a laugh.

I just wanna say that I have a real soft spot for the 80's action heroes that I watched relentlessly when I was growing up. Stallone, Schwarzenegger, Seagal and yes, to some extent, Van Damme. The Muscles from Brussels was always my least favourite but I usually checked out his films. I don't think any of them are REALLY good but I've always liked this one very much. Sure, it's pretty dumb for the most part but it has a distinct advantage over most of his films; IT'S ALSO GOT DOLPH LUNDGREN. Now, I just remember him so vividly in Rocky 4, and being as young as I was when I first saw it; I remember cheering him on, and being immensely sad when he lost.

Universal Soldier has a good opener, introducing Van Damme and Lundgren as Vietnam soldiers (Lundgren a total nut and Van Damme a good soldier) who wind up killing each other. Decades later, they end up becoming part of a zombie ultra military squad who are controlled by the government. But they snap out of it, come to life and go head to head once more, since they have some unfinished business.

Now, the story is no Oscar winner, but it's fairly original and sets the motion for some great action sequences and a very entertaining good vs. evil battle between Lundgren and Van Damme. If only the Ally Walker character could have been made a bit more tolerable (and less a cliché) we'd nearly have a total winner.

All in all, the action scenes are great, Lundgren is terrific, obviously having a field day playing his role and Van Damme is alright, but then again, he's never been great.

Universal Soldier is Van Damme's best film and quite easily recommended for action fans.

Big, dumb, loud, and fun. Four words that could aptly summarise the appeal of this blockbuster movie which proved a hit with audiences back in '92 and spawned three inferior sequels. UNIVERSAL SOLDIER is probably Van Damme's most successful mainstream movie to date and his pairing with Lundgren as the enemy is a good one; Lundgren's height alone gives him the imposing edge over the smaller, tougher Van Damme and their final one-on-one battle is one to remember. Packed with lots of hard-edged violence and some unwanted comic relief from a highly annoying female support (Ally Walker), UNIVERSAL SOLDIER is a movie that gets better as it goes along.

At first, the sheer woodenness of Van Damme and Lundgren is inexcusable. I know that they're supposed to be playing emotionless dead robots, but even after they first rebel they seem wooden and unable to even say their lines convincingly. Thankfully this wears off as time goes on and the pair settle down into their roles. In fact Lundgren goes a 360-degree turnaround at the end and actually becomes quite good as the psychotic soldier who believes that he's surrounded by the enemy. Van Damme? Well, here he plays a more sympathetic character than usual which will no doubt endear him to female fans, while still providing the high-kicking action that the fans expect. Ally Walker is terrible, though, as the intensely annoying female lead, and although it's good to see Ed O'Ross make an appearance as a colonel, he's underused and killed off quickly.

The flimsy plot strings together a scene of big-budget action sequences (no surprise, as most of Roland Emmerich's films are thus styled, e.g. INDEPENDENCE DAY) which are pretty impressive. From the opening hostage stakeout at the Hoover Dam to the shoot-up at a motel, to the climatic truck chase and the final battle with Van Damme and Lundgren, things just keep getting better and better. The high body count sees lots of people getting shot or killed in nasty ways, and of course there's the usual quota of bullet-shedding and big explosions.

Lundgren's method of death at the end of the movie (like you couldn't guess) is highly graphic and unexpected. The loud score is sufficiently adrenaline-pumping to work and the film tries so hard to please that the feeling rubs off on the audience. Although it may be dumb entertainment, UNIVERSAL SOLDIER "delivers the groceries" so to speak and is quite watchable in a forgettable way, in that it passes the time and engages the attention but doesn't leave much impact afterwards. It may be a popcorn movie but it's undoubtedly a well-made one.