I nuovi eroi

Muscles from Brussels and the Swedish man-of-war Dolph Lundgren team up as superhuman soldiers brought back to life from Vietnam in this movie. I'm not sure what it is exactly that they do – I wasn't paying attention. But I'm pretty sure it's something about struggling with obeying the orders from their commanders and having flashbacks from their past lives. What I know is that they do fight a lot. They also fight civilians. They even fight each other, and that's when things start to get very entertaining.

It is only fair to watch this movie at least once since it has brought us not one, not two, but THREE sequels. What's even more awesome about these sequels is that they are all rated under 3.5 but not by enough votes to get them on the bottom 100 list on IMDb. If you fail in getting on a list like that, you even fail at failing and that is admirable. Universal Soldier is much more well-liked and higher-rated and rightly so.

I do not recall who, but another film critic put it best when he pointed to how different Universal Soldiers was from your average science-fiction movie. To summarize this, where most sci-fi movies get to the part where all the complex science needs to be explained by some brilliant professor, Universal Soldiers simply offers the explanation "we hypercharged their bodies to turn dead flesh into living tissue." And that's how dead soldiers were reanimated into superhuman killing machines. Brilliant. There's no pretension – just take it or leave it.

I can't find it in my heart to give this movie anything less than a 7 based on what it set out to do. Even though the acting is atrocious, the script is a joke and the dialogue is stupid, it's still a classic in my opinion. It had some intentionally funny moments like when Van Damme was in the diner and ate like ten meals of "today's special" and everyone was staring at him. If you don't find stuff like that funny, you have to watch it strictly tongue-in-cheek and just go for the brainless early-90s style action and cut-rate explosions. 7/10

Universal Soldier might be dumb and derivative but I couldn't care less, it is also one of the most entertaining action films to be released in the 1990s and provided signature roles for two of my favourite trash icons, Jean-Claude Van Damme and Dolph Lundgren. The film also serves as a testament to the last good movie made by Roland Emmerich before selling his soul to the Hollywood machine.

This film has long been a favourite with genre fans. Universal Soldier was a theatrical box office hit but really developed its cult following on video. I watch this film every couple of years and I'm always struck by the quality of the writing, directing and yes, even the acting. This is simply a well crafted movie and an excellent example of a film that is so much more than the sum of its admittedly tawdry parts.

Universal Soldier owes a hell of a lot to "The Terminator". It lifts a whole raft of ideas from Cameron's action classic, including the basic concept of a good guy with superhuman strength protecting a woman from a bad guy with superhuman strength. Actually, it even borrows minor details like the eye-cam, the nude walk and an act of self-mutilation. Nevertheless, the film never feels like a blatant rip off. Roland Emmerich, while never a particularly original mind, injects sufficient change and innovation into the film to ensure it has a distinct energy of its own.

The film recycles old ideas with great skill due to the excellent screenplay. The action comes thick and fast, and the dialogue is first rate for an action film. Furthermore, it provides several memorable characters and successfully introduces an element of black humour without detracting from the action. No matter how well written it is, an action film is only as good its action sequences and Mr Emmerich does not disappoint. The film contains several fantastic set pieces, from the grandeur of the hostage rescue to the phenomenal truck chase through the desert, which even manages to find time for a mid-chase game of "catch" with live grenades and a string of memorably corny one-liners. Emmerich is in his element, filming explosions and stunts from every imaginable angle. Universal Soldier is also far gorier than his later films and is all the better for it.

The film would not be half as enjoyable without its leading men. Jean-Claude and Dolph both give great performances. And no, I'm not being sarcastic. Jean-Claude was at his physical peak and excels during the action scenes. He performs several signature flying kicks in a great fight with Dolph, which is mercifully filmed in a long shot - I wish the John Woo wannabes from the "cut and paste" school of directing who directed Jean-Claude's later films had taken note. Dolph is great fun as the villain, making crazy eyes for all he is worth and relishing every trashy one-liner. They both are more than adequate in their non-action scenes, which probably has a lot to do with the fact that they are essentially playing refined zombies who walk around naked a lot. The supporting cast is also great. Ally Walker showed a lot of promise as the female lead and has gone on to have a good career in television. Jerry Orbach and Tico Wells, also TV regulars, give memorable performances in minor roles.

Universal Soldier is relentless, the film starts with a bang and never lets up. It might be trashy, but it is never less than completely entertaining. In my opinion, this is one of the seminal action films of the 90s. The sequels, however, are only recommended for experienced crap connoisseurs.

I just wanna say that I have a real soft spot for the 80's action heroes that I watched relentlessly when I was growing up. Stallone, Schwarzenegger, Seagal and yes, to some extent, Van Damme. The Muscles from Brussels was always my least favourite but I usually checked out his films. I don't think any of them are REALLY good but I've always liked this one very much. Sure, it's pretty dumb for the most part but it has a distinct advantage over most of his films; IT'S ALSO GOT DOLPH LUNDGREN. Now, I just remember him so vividly in Rocky 4, and being as young as I was when I first saw it; I remember cheering him on, and being immensely sad when he lost.

Universal Soldier has a good opener, introducing Van Damme and Lundgren as Vietnam soldiers (Lundgren a total nut and Van Damme a good soldier) who wind up killing each other. Decades later, they end up becoming part of a zombie ultra military squad who are controlled by the government. But they snap out of it, come to life and go head to head once more, since they have some unfinished business.

Now, the story is no Oscar winner, but it's fairly original and sets the motion for some great action sequences and a very entertaining good vs. evil battle between Lundgren and Van Damme. If only the Ally Walker character could have been made a bit more tolerable (and less a cliché) we'd nearly have a total winner.

All in all, the action scenes are great, Lundgren is terrific, obviously having a field day playing his role and Van Damme is alright, but then again, he's never been great.

Universal Soldier is Van Damme's best film and quite easily recommended for action fans.

Two dead American soldiers from Vietnam resurface years later as nuclear machines that help take down terrorists. However when a nosy reporter starts snooping around she rekindles the memories of the soldiers, one wants to go home and the other wants to kill the other. Jean-Claude Van Damme and Dolph Lundgren together in one film doesn't exactly bring up expectations of quality. However Universal Soldier manages to be far more entertaining than one would've guessed and not even in guilty pleasure way. The action is rather spectacular and while Van Damme and Lundgren are rather well suited to their parts. The secondary characters such as Jerry Orbach,Ed O'Ross and Ally Walker only provide our hero and villain with targets to shoot at but for mindless enjoyment, you can certainly do worse.

* *1/2 out 4-(Pretty good)

Before films like Sylvester Stallone's The Expendables (2010) were released, most action stars performed solo. Arnold Schwarzenegger, Sylvester Stallone, Bruce Willis, Dolph Lundgren, and Jean-Claude Van Damme all made their own separate movies. Combining star power wasn't usually thought of because of how different the fan bases were. However, this movie is one those exceptions. Today it could be considered a movie where they collaborated before they were extremely well known (although at the time they were anyway). It was rare at that time to see two big names on the same screen - which probably pumped up a lot of people.

Here, Jean-Claude Van Damme and Dolph Lundgren play Luc Deveraux and Andrew Scott, two Vietnam veteran soldiers killed in the line of duty, who end up being regenerated to serve as a UniSol (short for Universal Soldier). As a UniSol, their purpose is to carry out impossible tasks that no other ordinary soldier could do. To carry out these missions, the UniSols are monitored and commanded by remote audio instructions. One day on the latest mission, Luc begins to have a relapse of old memories and begins to bug out. After disobeying an order, he runs off with reporter Veronica Roberts (Ally Walker) to find out what he missed. Close behind them is Luc's colonel with Andrew Scott 2nd in command looking to rid them of their existence.

For the majority of the running time, the plot is a big chase. Yet, in only some instances does it actually feel like a chase. Writer Dean Devlin managed to include some unique scenes but his pacing on how the story moves, plods from time to time. That's not to say the material he includes in the story isn't noteworthy. Again, this goes back to some unique scenes that Devlin included - most of which involve Andrew Scott (Lundgren). This movie is also one of the few that director Roland Emmerich did not include a political commentary on since this idea is so far fetched. However, he does mingle some themes that are still important to recognize - for example, playing the role of God. If there was the technology to actually re-animate dead tissue, would it be possible to have complete control over the body? Hard to say, the mind is a tricky thing.

However, the movie cannot be analyzed too much because throughout the story there are a lot of loopholes and questions that aren't answered - like how can someone survive a fall from an enormous height and not come back mangled or even bruised? This is one those films where it's fun to watch but cannot be taken literal because of how absurd the idea really is. The acting can be moderately dealt with. Ally Walker plays her role like any other person would. She has a few lines that'll make people chuckle but not much else. Jean-Claude Van Damme's acting is stone faced for most of the time because of how he's not familiar with the world. However, Dolph Lundgren looked like he had a great time playing his role because of how deranged his character is. It was also wise of the casting department to at least make Lundgren the antagonist because of his height. If it were the other way around, I'm not sure if the entertainment level would be as high.

What is fun to watch here, is when Lundgren and Van Damme finally clash. Since they both have martial arts training, there's no question that the kicks and fists will fly between them. Lundgren's got the bulk and Van Damme's got the agility. They both are good in contrast to each other, the only thing that was needed was Van Damme putting just a little more emotion into his role. Other than that, the cinematography and editing works well too. Finally, composing the musical score belongs to Christopher Franke who now produces music for The Amazing Race (2002) series. Franke's score does contain tunes that can be heard with light emotional tones but it's nothing too deep; which is pretty much how the film should be taken. Fun but not deep.

The action on screen between Dolph Lundgren and Jean-Claude Van Damme is fun even though it is sporadic. The story elements are interesting considering it also makes the plot drag. Look for nothing too deep here.