VALUTAZIONE IMDb
7,2/10
30.432
LA TUA VALUTAZIONE
Un ballerino dalle idee rivoluzionarie rischia la carriera eseguendo passi insoliti e cerca il successo con una nuova partner.Un ballerino dalle idee rivoluzionarie rischia la carriera eseguendo passi insoliti e cerca il successo con una nuova partner.Un ballerino dalle idee rivoluzionarie rischia la carriera eseguendo passi insoliti e cerca il successo con una nuova partner.
- Regia
- Sceneggiatura
- Star
- Ha vinto 3 BAFTA Award
- 19 vittorie e 20 candidature totali
Recensioni in evidenza
I sure enjoyed it despite the complete lack of explosions or car chases.
Where I'm coming from: I'm a 54 year old male who has danced for 15 years. My girlfriend has danced since she was 3. We don't compete because it would make our relaxing hobby a pressured nightmare (and, frankly, because I'm not very good). My daughter competed and did very well.
Some reviewers apparently missed that this movie is a satire and it's supposed to be dumb and funny. Having sat through more competitions than I can count, I can state this movie hits the nail on the head. The parents, the kids, the beginners, the prima donnas...it's all true. Yes, it's really campy and schmaltzy, the plot has holes you could drive a truck through, the acting is sometimes marginal, but we both enjoyed it and laughed out loud.
And what's the best part of this movie? The dancing. It is photographed and edited such that you can really see and enjoy the dancing without having constant cutaways to the judges or the audience (as in current American TV dance competitions. I don't know about you, but I watch dance shows for the dancing).
There are no deep plot twists to be analyzed, no characters I need to understand better...but we definitely plan to watch this again because the dancing is really good.
If you liked this, you will enjoy Best in Show.
Where I'm coming from: I'm a 54 year old male who has danced for 15 years. My girlfriend has danced since she was 3. We don't compete because it would make our relaxing hobby a pressured nightmare (and, frankly, because I'm not very good). My daughter competed and did very well.
Some reviewers apparently missed that this movie is a satire and it's supposed to be dumb and funny. Having sat through more competitions than I can count, I can state this movie hits the nail on the head. The parents, the kids, the beginners, the prima donnas...it's all true. Yes, it's really campy and schmaltzy, the plot has holes you could drive a truck through, the acting is sometimes marginal, but we both enjoyed it and laughed out loud.
And what's the best part of this movie? The dancing. It is photographed and edited such that you can really see and enjoy the dancing without having constant cutaways to the judges or the audience (as in current American TV dance competitions. I don't know about you, but I watch dance shows for the dancing).
There are no deep plot twists to be analyzed, no characters I need to understand better...but we definitely plan to watch this again because the dancing is really good.
If you liked this, you will enjoy Best in Show.
Strictly Ballroom (1992)
A campy, glossy, colorful, surprising fairy tale, total romance, lots of dancing, and inventive through and through. No, director Baz Luhmann has not pulled off another Moulin Rouge, which is a whole other order of invention and beauty, but this is his first movie, and it's filled with idealism. And some people to root for and to hiss against--you know, heroes and villains.
It could have been tightened up, no doubt--there are times when I was a little impatient even though they were dancing away. But mostly I was happy to watch and wait for the next step toward the big climax.
The two young leads, interestingly, came from nowhere (the perfectly named Paul Mercurio and the understated Tara Morice both in their first films). They've gone on to largely television careers, and in part you appreciate how much Luhmann gets from them. The highly stylized approach helps avoid a need for real acting, per se, but Mercurio in particular really rises to the occasion. The whole affair is Australian, and it feels bright and original the way some of fellow Aussie Peter Weir's films do, or in another sense, Peter Jackson.
If you can summon up any innocence and romance and go for what really clicks here, be swept up and love it.
A campy, glossy, colorful, surprising fairy tale, total romance, lots of dancing, and inventive through and through. No, director Baz Luhmann has not pulled off another Moulin Rouge, which is a whole other order of invention and beauty, but this is his first movie, and it's filled with idealism. And some people to root for and to hiss against--you know, heroes and villains.
It could have been tightened up, no doubt--there are times when I was a little impatient even though they were dancing away. But mostly I was happy to watch and wait for the next step toward the big climax.
The two young leads, interestingly, came from nowhere (the perfectly named Paul Mercurio and the understated Tara Morice both in their first films). They've gone on to largely television careers, and in part you appreciate how much Luhmann gets from them. The highly stylized approach helps avoid a need for real acting, per se, but Mercurio in particular really rises to the occasion. The whole affair is Australian, and it feels bright and original the way some of fellow Aussie Peter Weir's films do, or in another sense, Peter Jackson.
If you can summon up any innocence and romance and go for what really clicks here, be swept up and love it.
I wasn't sure I was going to like this so imagine my surprise when I found out that I absolutely loved it! Contains and comprises all the right ingredients, perfectly proportioned, blended and mixed to make you laugh, cry, smile and grimace. Slip on your dancing shoes, glide onto the dance floor and free yourself for ninety minutes of antipodean ballroom brilliance.
Long before the visually flamboyant director Baz Luhrmann gave us the blockbuster "Moulin Rouge", he made his debut with this quirky Aussie dancecom. The spirit of "Strictly Ballroom" is very campy, tongue-in-cheek and outright parodic, mercilessly skewering the pretentious world of ballroom dance competitions in a way that makes us wonder what planet this film was shot on.
Immediately you might be reminded of the hilarious Christopher Guest mockumentaries (Spinal Tap, A Mighty Wind, etc), but Baz gives this production an extra little push over the cliff. Unapologetically departing from reality, he hits us with a hyper-saturated visual feast, coupled with the fact that the story is set in the 1970s, taking us to the edge of absurdist fantasy. The presentation is almost claustrophobic, in that the entire story takes place on basically just 3 sets: the dance school, the girl's home, and the competition arena), and yet the magnificent use of colorful sets, elegant camera work, and large spaces makes us feel like we're in some sort of bizarre Aussie Wonderland. That's the Terry Gilliam (Brazil) part.
And if that blend isn't bizarre enough, get this. The plot itself is rooted in a very cute John Hughes-ish teen rebel story (Sixteen Candles, Ferris Bueller), thus appealing to our inner misfit youth. The combination is a real treat, and if any of these elements interest you, I guarantee you'll have a wild ride.
The dancing and choreography is absolutely stunning. Paul Mercurio ("Scott") definitely has moves that would make Fred Astaire tip his top hat, and Baz allows for a few long segments so we can take it all in. At the same time, the dance segments don't interrupt the pacing and flow of the story. Somehow it all blends together seamlessly. I have to say, dance, comedy and surrealism is an unlikely mix, but it comes together brilliantly. That's something I haven't seen since the days of Jerry Lewis directing.
"Strictly Ballroom" is one of the most entertaining and engaging movies about dancing I've ever seen. If you enjoy this flick, definitely check out "Razzle Dazzle", another hilarious Aussie dancecom, which also features the lovely Tara Morice ("Fran") but in a role I guarantee you wouldn't recognize her in if I hadn't told you.
Immediately you might be reminded of the hilarious Christopher Guest mockumentaries (Spinal Tap, A Mighty Wind, etc), but Baz gives this production an extra little push over the cliff. Unapologetically departing from reality, he hits us with a hyper-saturated visual feast, coupled with the fact that the story is set in the 1970s, taking us to the edge of absurdist fantasy. The presentation is almost claustrophobic, in that the entire story takes place on basically just 3 sets: the dance school, the girl's home, and the competition arena), and yet the magnificent use of colorful sets, elegant camera work, and large spaces makes us feel like we're in some sort of bizarre Aussie Wonderland. That's the Terry Gilliam (Brazil) part.
And if that blend isn't bizarre enough, get this. The plot itself is rooted in a very cute John Hughes-ish teen rebel story (Sixteen Candles, Ferris Bueller), thus appealing to our inner misfit youth. The combination is a real treat, and if any of these elements interest you, I guarantee you'll have a wild ride.
The dancing and choreography is absolutely stunning. Paul Mercurio ("Scott") definitely has moves that would make Fred Astaire tip his top hat, and Baz allows for a few long segments so we can take it all in. At the same time, the dance segments don't interrupt the pacing and flow of the story. Somehow it all blends together seamlessly. I have to say, dance, comedy and surrealism is an unlikely mix, but it comes together brilliantly. That's something I haven't seen since the days of Jerry Lewis directing.
"Strictly Ballroom" is one of the most entertaining and engaging movies about dancing I've ever seen. If you enjoy this flick, definitely check out "Razzle Dazzle", another hilarious Aussie dancecom, which also features the lovely Tara Morice ("Fran") but in a role I guarantee you wouldn't recognize her in if I hadn't told you.
It's a love story. It's a story about being yourself. It's story of following your dreams and not giving up. It's a story with DANCING!!
A boy who loves to dance HIS WAY loses at the major dancing competition. Why or why can't he dance like the others. This is killing his mother. No one wants to be his partner now. He is TOO MUCH!
He works as an instructor at his parents dance studio. His mom wants him to dance again, but the right way. His dad doesn't say much. He is too busy reliving his old dancing days when he was happier. There is a girl who dances at the studio who wants to be his partner. She is too plain and clumsy to be taken seriously. Will she ever get the chance?? Will the boy ever make the world see his way?? Will his mom ever chill out?? Will his Dad end up in the Nuthouse??? For the answers to these questions, please get this film.
Seriously, you will love this film. Though it follows closely to the "DIRTY DANCING" story, it is much more than that. The characters are just so off the wall you will laugh your arse off. The love story is kind of sweet, but the DANCING is great!
8 out of 10
A boy who loves to dance HIS WAY loses at the major dancing competition. Why or why can't he dance like the others. This is killing his mother. No one wants to be his partner now. He is TOO MUCH!
He works as an instructor at his parents dance studio. His mom wants him to dance again, but the right way. His dad doesn't say much. He is too busy reliving his old dancing days when he was happier. There is a girl who dances at the studio who wants to be his partner. She is too plain and clumsy to be taken seriously. Will she ever get the chance?? Will the boy ever make the world see his way?? Will his mom ever chill out?? Will his Dad end up in the Nuthouse??? For the answers to these questions, please get this film.
Seriously, you will love this film. Though it follows closely to the "DIRTY DANCING" story, it is much more than that. The characters are just so off the wall you will laugh your arse off. The love story is kind of sweet, but the DANCING is great!
8 out of 10
Lo sapevi?
- QuizFran's house was a set built on to an existing railway station. In the most expensive shot in the entire film, a train was hired to pass by the house twice. Once, a real food inspector came onto the set and demanded paperwork because he thought it was a real shop.
- BlooperWhen Shirley Hastings finally rips the calendar pages off in anger shouting, "It was his year," some of the pages underneath also show days marked off and the Pan-Pacific date circled in red.
- Curiosità sui creditiAt the end of the film credits on VHS, a message appears saying "And the dancing continues...", and then it plays the video that was made at the time for John Paul Young's Love Is In The Air, the video having been made to go with the film's release.
- Colonne sonoreLove Is In The Air
Vocal by John Paul Young
Written by Harry Vanda & George Young
(c) 1978 J. Albert & Son Pty Ltd
by Courtesy of Albert Productions
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Strictly Ballroom
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 A$ (previsto)
- Lordo Stati Uniti e Canada
- 11.738.022 USD
- Fine settimana di apertura Stati Uniti e Canada
- 145.977 USD
- 15 feb 1993
- Lordo in tutto il mondo
- 11.761.116 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Proporzioni
- 1.85 : 1
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