VALUTAZIONE IMDb
4,4/10
46.267
LA TUA VALUTAZIONE
La prepotente madre di un duro sergente di polizia va a fare visita al figlio e inizia a intromettersi nella sua vita privata e nella sua carriera.La prepotente madre di un duro sergente di polizia va a fare visita al figlio e inizia a intromettersi nella sua vita privata e nella sua carriera.La prepotente madre di un duro sergente di polizia va a fare visita al figlio e inizia a intromettersi nella sua vita privata e nella sua carriera.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Recensioni in evidenza
Continuing my plan to watch every Sly Stallone movie in order, I come to the movie he considers the worst of his career. 1992's Stop Or My Mom Will Shoot.
Plot In A Paragraph: A tough police sergeant (Stallone) has his life turned upside down, when his mother (Estelle Getty) comes to visit him, and promptly starts trying to fix up his life, much to his embarrassment. For his birthday she buys him a machine gun out of the back of a van, and ends up being the prime witness in a drive by shooting.
Stallone and Arnold Schwarzenegger were competing against each other at that time this was made, and Arnold faked interest in this movie in order to make Sylvester go for it. Stallone who heard that Arnold was interested in headlining in this movie, fell for it and immediately dropped everything and contacted the producers, saying that he wanted to headline. He deeply regrets this.
For this reviewer, it is the lowest point of his post 'Rocky' career so far. As with 'Oscar' Stallone is clearly trying hard, and Getty brings the fun she brought to TV's 'Golden Girls' but it misses on so many levels. It is not without its moments, and anyone with an over bearing mother can certainly relate, but I actually struggled to make it to the end, despite a short running time.
Plot In A Paragraph: A tough police sergeant (Stallone) has his life turned upside down, when his mother (Estelle Getty) comes to visit him, and promptly starts trying to fix up his life, much to his embarrassment. For his birthday she buys him a machine gun out of the back of a van, and ends up being the prime witness in a drive by shooting.
Stallone and Arnold Schwarzenegger were competing against each other at that time this was made, and Arnold faked interest in this movie in order to make Sylvester go for it. Stallone who heard that Arnold was interested in headlining in this movie, fell for it and immediately dropped everything and contacted the producers, saying that he wanted to headline. He deeply regrets this.
For this reviewer, it is the lowest point of his post 'Rocky' career so far. As with 'Oscar' Stallone is clearly trying hard, and Getty brings the fun she brought to TV's 'Golden Girls' but it misses on so many levels. It is not without its moments, and anyone with an over bearing mother can certainly relate, but I actually struggled to make it to the end, despite a short running time.
I think the movie is funny, despite Sly says it's the worst movie he has ever made! It's the first Stallone movie I've seen, so I am emotionally devoted to it! Estelle Getty is so cheerful, full of life and energy and Sly is sexy! If only it was 1992 and he was my man:) It's not fair that the film won Razzie for worst actor, screenplay and supporting actress! Well, maybe it didn't deserve Oscar, but it didn't deserve Razzie either! Besides, compared to movies of today Stop... is just genius! Turned me back in time when music and cinema were just another! Rest in peace, Estelle Getty! And Sylvester is one of the greatest actors of all time!
Alright, I recognize that this movie is not good and has several problems. However, it was the product of a time when nonsensical parodies were in vogue. I remember that the "Police Academy" franchise was one of the successes of that years, having continued to have acceptance on TV throughout the 90s. It is a familiar and educated comedy that tries to have fun without slang or dirty jokes, that has been more popular with young people nowadays. Despite the film's problems and flaws, which are undeniable, perhaps the way we look at humor and what makes us laugh also helped to bury this film in the oblivion.
The screenplay is based on Joe, a tough, independent detective's complicated relationship with his elderly mother, Tutti, who came to visit despite his unwillingness to do so, and who intrudes heavily on her son's personal and love life, subjecting him to deeply embarrassing situations, such as showing everyone photographs of his childhood and picaresque stories that he preferred to keep to himself. The film shows us how that mother is truly in love with her son, and she stubbornly resists acknowledging that she no longer has to take care of him like she used to. It also reveals how, deep down, he likes his mother, caring about her and accepting her help when he sees that she is right in what she says. For many people, the movie is pure nonsense, but the truth is that I know many mothers like that, for whom their children never grow up, and who like to have an active role in their lives, even if that's not what they want.
The movie is funny, in a polite and moderate way. He's not flashy and knows how to parody the cop action movies that were successful in the 80's. Despite this, he has a far-fetched story involving a situation of insurance fraud and arms trafficking, villains that never deserve our respect nor threaten, cliché characters loaded with almost every possible stereotype and a total lack of direction.
The cast is weak and doesn't get decent material. The spotlight naturally turns to an excellent performance by Estelle Getty, who achieves the most popular performance of her career in this film. The most resounding name, however, is Sylvester Stallone, who offers us a work that almost satirizes some of the action works that made him popular. The actor would later admit that he considers this film the worst he has starred in, and I can see why: there are many bad scenes, and some of them are particularly worthy of regret (the diaper scene, I confess, was something I would refuse). Nevertheless, and despite being far from his usual record, Stallone guarantees an impacting and charismatic presence.
The film has heavily dated cinematography that reeks of the 80s, with washed out colors and low contrast, but I think that's part of the nature of the film, which can't go against what was in use when it was conceived. There are a lot of action scenes, highly predictable but well done, where the special effects work reasonably well. The rhythm is very good, it doesn't get into tiring melodramas nor does it really tire us.
The screenplay is based on Joe, a tough, independent detective's complicated relationship with his elderly mother, Tutti, who came to visit despite his unwillingness to do so, and who intrudes heavily on her son's personal and love life, subjecting him to deeply embarrassing situations, such as showing everyone photographs of his childhood and picaresque stories that he preferred to keep to himself. The film shows us how that mother is truly in love with her son, and she stubbornly resists acknowledging that she no longer has to take care of him like she used to. It also reveals how, deep down, he likes his mother, caring about her and accepting her help when he sees that she is right in what she says. For many people, the movie is pure nonsense, but the truth is that I know many mothers like that, for whom their children never grow up, and who like to have an active role in their lives, even if that's not what they want.
The movie is funny, in a polite and moderate way. He's not flashy and knows how to parody the cop action movies that were successful in the 80's. Despite this, he has a far-fetched story involving a situation of insurance fraud and arms trafficking, villains that never deserve our respect nor threaten, cliché characters loaded with almost every possible stereotype and a total lack of direction.
The cast is weak and doesn't get decent material. The spotlight naturally turns to an excellent performance by Estelle Getty, who achieves the most popular performance of her career in this film. The most resounding name, however, is Sylvester Stallone, who offers us a work that almost satirizes some of the action works that made him popular. The actor would later admit that he considers this film the worst he has starred in, and I can see why: there are many bad scenes, and some of them are particularly worthy of regret (the diaper scene, I confess, was something I would refuse). Nevertheless, and despite being far from his usual record, Stallone guarantees an impacting and charismatic presence.
The film has heavily dated cinematography that reeks of the 80s, with washed out colors and low contrast, but I think that's part of the nature of the film, which can't go against what was in use when it was conceived. There are a lot of action scenes, highly predictable but well done, where the special effects work reasonably well. The rhythm is very good, it doesn't get into tiring melodramas nor does it really tire us.
Every living person on earth should see this movie. Not because its good and worth watching, but because it is so awful. The reason why everyone should watch this movie is so that you have a measuring stick for judging just how bad a movie is. For example, your buddy says "Man that Jim Carey movie 'The Majestic,' was the worst movie ever made!" And you can be like, "No man, have you ever seen 'Stop or My Mom Will Shoot? I mean don't get me wrong 'The Majestic' sucked, but its no 'Stop or my Mom Will Shoot.'" Then your friend will be like "Oh yeah man, your right. I totally forgot about 'Stop or My Mom Will Shoot!' I guess I had blocked out that painful memory." Also you can be telling your friend like "Hey, 'The Core' sucked." They can be like "No surprise there. How bad did it suck?" You can be like "I'd say its about one 'Majestic' above 'Stop or my Mom Will Shoot!'" Your friend, "Man, thats pretty bad."
This movie is fun to watch with the kids. Stallone CAN do comedy - we liked OSCAR, too. If you've never had an Italian "mama" you might miss some of the humor!
Lo sapevi?
- QuizAccording to Sylvester Stallone, Arnold Schwarzenegger was interested in playing the lead in this movie. Stallone admitted in an interview that once he heard that Schwarzenegger wanted to do the movie, he immediately called his agent and campaigned for the leading role. He found out much later that Schwarzenegger faked interest in order to trick him into doing the movie.
- BlooperIn the "locking his mom in the car" scene, Joe twists the car's lock-posts clockwise to supposedly unscrew them; this direction would tighten them down more, not loosen them.
- Citazioni
Joe Brofmowski: Stop or my mom will shoot!
- Curiosità sui creditiFilm title logo when end credits are done
- Versioni alternativeThe original UK cinema version was cut by 6 secs by the BBFC to remove shots of a man's hand being crushed in a door and to edit the sounds of a man's scream and crash as he is thrown from a window. All video releases were uncut.
- ConnessioniEdited into Impatto criminale (2002)
- Colonne sonoreUndecided
Music by Charlie Shavers (as Charles Shavers)
Lyrics by Sid Robin
Performed by The Ames Brothers
Courtesy of MCA Records
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Stop! Or My Mom Will Shoot?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- ¡Para! O mi mamá dispara
- Luoghi delle riprese
- 290 South Toluca Street, Los Angeles, California, Stati Uniti(Paulie and Munroe enter car after being chased by Joe at this dead end street..)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 28.411.210 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.058.590 USD
- 23 feb 1992
- Lordo in tutto il mondo
- 70.611.210 USD
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti