Frequenze pericolose

The things that Ritter's character found 'hellish' back in '92 are now common fare - e.g. stabbing each other in the back (figuratively) in 'The Apprentice', 'Survivor', etc.; paternity tests on 'Maury'; revealing the adultery of spouses (and nude wrestling) on 'Springer'; not to mention Jackass, Southpark or Borat.

I think the word is prescient.

I have often thought over the years about how this movie was so outrageously impossible when it was made, but how, within a few years how mainstream much of the portrayed content had become.

I think this is a movie - although a low budget comedy (dare I use the descriptor "B"?) - that should be recognized for its historical significance, and perhaps studied in sociology courses about the effect of media on society (or more exactly - the effect of media on media).

The significance of this movie has been overlooked.

The funniest bit is probably Roy Knable being plopped into a certain Santa Monica three story house, tripping over a sofa, and being questioned by a certain blonde and brunette, "Where have you been?!" Is "Three's Company" John Ritter's personal Hell? Who knows, but it's a broad wink to the couch potatoes in the audience.

I have always liked this film, since I was younger. It's an expensive flop but at the same time I think it has plenty of laughs and is entertaining. The late great John Ritter is always good value and likeable as is Pam Dawber, the ultimate fanciable former sitcom star. She is differently attractive and I have always fancied her like many others, particularly from the Mork And Mindy days, you know that sitcom with Robin Williams that you used to find funny but when you look back now it kinda sucks!

This is good family entertainment. It's inconsistent and some of the references aren't that funny but on the most part the referencing of old movies and TV shows is where most of the humour lies. Good fun. ***

This was a clever and funny movie, much better than I anticipated. Most of the humor involves takeoff or parodies of television programs and movies. Being familiar with most of them, I enjoyed the humor. The takeoff involved having the devil take charge of some of these programs.

John Ritter and Pam Dawber play husband-and-wife "Roy and Helen Knable" who get sucked into buying a TV dish package straight from The Devil. After the purchase, which comes complete with 666 channels, mayhem ensues. There were a number of spots in here I just laughed out loud. Knowing a lot of the TV programs that were being spoofed helps a lot, of course, but there is a lot of good material in this film. The special-effects were pretty good, too, especially for a film that really never got a lot of exposure nor, I assume, had a huge budget.

Jeffrey Jones and Eugene Levy, two guys who are usually pretty funny, supply some good humor here, too. I looked at this strictly for laughs even though I know the devil is somebody to take seriously, but this film was anything but played for seriousness. As a bonus, we even got a Chuck Jones cartoon in the middle of the story.

This is one wacky movie and I'd like to see it on widescreen DVD. I last saw it on tape. This is recommended to those who enjoy dark humor.

The concept story where heaven and hell have their war over souls displayed in a positive light involving Hell to lure people who watch too much TV be apart of its programming. It's a charming film with a good cast, John Ritters character becomes the encouraging Underdog.

This film is easily hidden away and should be apart of any families library. The story may seem light but it executes its purpose.

Character wise their wholesome and an homage to popular films and TV shows the characters ventures through.

Even displaying the TV shows that Roy watches on Hell TV is clever including Salt N Peppa making an appearance. It is an underrated film its charm and innocent.