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Jeff Fahey stars as a sketch artist who basically takes a witness's(Drew Barrymore) details who then describes the sketch artist's wife (Sean Young) in denial about this Fahey launches his own investigation finding out secrets about his wife and her lover's shaky business ventures. Sketch Artist is actually far better than you would expect, for instance the film is downbeat and features characters who are cynical and willing to protect their own interests. Which brings us to our hero in Jeff Fahey who draws the picture wrong because he wants to keep his wife from being suspect. In real life things like this are not black and white, although people tend to find these antics unlikable it goes without saying that it gives more reality and dimension to a story that could be easily routine and transparent. While the story itself is routine, the story's downbeat angle and film noir style make this an interesting effort. A better than average TV movie if there ever was one.

* * * out of 4-(Good)

This straight-to-video movie was obviously made after the "neo-noir" revival that began in late 80'd/early 90's with films like "The Grifters" and "After Dark My Sweet", but before the advent of the "erotic thriller" ushered in by the success of "Basic Instinct". It has less eroticism than your typical "erotic thriller" (although it does start out with an acrobatic sex scene involving British beauty Charlotte Lewis), and like a lot of the low-budget "neo-noirs" of the era it has way too much sun-drenched LA ambiance to be very noirish. It is redeemed somewhat, however, by the interesting cast.

Jeff Fahey plays a sketch artist who, while sketching a murder suspect with a witness (Drew Barrymore), realizes the killer might be his own wife (Sean Young). He changes the sketch and inadvertently draws another woman he encountered near the murder scene (Stacy Haiduk), implicating her in the murder. Then he finds himself implicated as well when the witness turns up dead. After that though, the movie falls on the old cliché of the suspect investigating the crime to clear his own name. And the ending is pretty predictable.

Fahey is a talented actor who makes his underdeveloped, blow-dried character a lot more likable than he ought to be. Sean Young is an interesting actress who was done in more by her own real-life erratic behavior than any lack of talent. She's pretty good, but doesn't have a lot of screen time. Drew Barrymore is, of course, a big star now, but this movie came at a really awkward point in her career between her child acting years and her "lethal loilta" career-revival period when she appeared in "Poison Ivy" and as teen prostitute/would-be assassin Amy Fisher in "The Amy Fisher Story". Both she and Stacy Haiduk (from "Luther the Greek") play surprisingly functional (and non-erotic) roles, but still it is unusual to see an actor of that caliber in a supporting role in a film like this. Charlotte Lewis wasn't much of an actress, but nobody ever seemed to complain too much, and she too has a relatively small role as a prostitute. Rounding out the cast is memorable character actor as a police lieutenant. This is certainly not good, but the interesting cast prevents it from being a total waste of time. . .

The stage curtains open ...

This film just recently popped up on my radar, and seeing the cast, I decided to give it a try. It came out in 1992, but I just watched it for the first time a few nights ago. Better late than never, right? I came away from it feeling pretty good. It is your better-than-average thriller with an interesting concept and decent acting.

"Sketch Artist" is centered around Jack Whitfield (Jeff Fahey), a sketch artist who works for the police department who, based off of a witness description, is able to draw a likeness of persons of interest. But, when Daisy (Drew Barrymore in an early role), gives him the description of a person she saw leaving the scene of a murder, the image on the paper he is drawing is that of his wife (Sean Young). His marriage is already on the rocks, and even though he wants to save it, he can't help but wonder if she was really there. So, he changes the likeness, and begins his own investigation which leads to film's final revelation.

I actually really enjoyed watching this hidden gem. The acting was done convincingly by everyone involved. I felt that Jeff Fahey handled his role well as the conflicted police officer and tormented husband. Drew Barrymore would obviously go on to bigger and better things, but it was fun to see her in an early supportive role. The suspense wasn't overdone, and the story was easy to follow. There weren't many red herrings here, but there is enough doubt thrown in to keep you guessing until the final reveal.

I would recommend this one, and I would watch it again. It is indicative of your early 90's thriller film fare. I personally love that era of movies and this one hold's its own just fine against the movies of that time. This is a solid 7 stars out of 10. I'm glad I discovered it.

I found this 1992 TV movie not only irritating but a waste of two good talents. What a waste to see Sean Young in a thankless role and Drew Barrymore seen only in a few clips. Both ladies, high on my list of good actresses, were seen only in a few scenes. And those scenes gave them nothing to do. Instead we're forced to watch Jeff Fahey play a role that got more irritating as it went along. If he chain smoked in another scene I was going to scream. With hair from the 70s, unshaven, unkempt and generally looking as seedy as you can get, you wondered what Sean saw in this loser. In life he'd never get away with what he does in this film. Stealing a car, as a detective, even having a police car pass him on the road and not getting stopped. I won't bother you with all the flaws of this movie. It was written by Michael Angeli and directed by Phedon Papamichael. So I give this loser 2 stars for the 2 ladies wasted in a bad bad movie.

"Jack Whitfield" (Jeff Fahey) is a sketch artist who works for the Los Angeles Police Department and has been instructed to draw the image of a possible murder suspect as described by a witness named "Daisy" (Drew Barrymore). To his horror he then draws a picture of his wife, "Rayanne Whitfield" (Sean Young). Not wanting to implicate her he hurriedly draws another picture of a person he had just met named "Claire" (Stacy Haiduk) and presents it to his boss, "Tonelli" (James Tolkan). A little later Daisy is killed and Jack becomes a murder suspect as well. Now, rather than reveal any more of this film and risk ruining it for those who haven't seen it I will just say that although some scenes were a bit unrealistic I still enjoyed it for the most part. I liked the performance of Jeff Fahey and I thought Sean Young definitely added some heat. All in all then, I rate this movie as slightly above average.