Sister Act: Una svitata in abito da suora

This is, indeed, a comedy. It is mostly funny, though it won't have anybody rolling in the aisles. This movie is terrific, but not because of the acting or directing...what this movie does is demonstrate the possibility of positive change. If you allow yourself to suspend disbelief about certain aspects of the plot, you'll discover that you can relate to and understand the struggles the sisters go through. They are universal--every human being has been in some dysfunctional, stuck or dying organization. Everybody knows what it feels like, and everybody wishes that they could do something about it.

I think every member of every church, synagogue, mosque, house of worship, civic organization, school, committee, and/or organization of any kind should be tied to a chair and made to watch this movie. It's a paean to possibility, and a wonderful encouragement to those who believe that life could be better than it is.

I really like this movie and the sequel, this one being the better movie. The third act is silly perhaps, and the crime subplot could have been a little better handled. However, a lot of things make this movie terrific and very entertaining.

I just love the songs, they are so upbeat and joyful, and they are wonderfully staged and sung. The nuns are great to watch, they are sweet, innocent and so easy to fall in love with. Whoopi Goldberg is absolutely terrific in the lead, she really gives it her all and it comes through loud and clear. The film looks great too, goes at a good pace and has a decent story and funny and charming script. Also, the direction is competent, and Maggie Smith is a welcome presence.

Overall, thoroughly enjoyable and if you haven't seen the West End stage show, do, it's even better. 8/10 Bethany Cox

TIDBIT - Bette Midler was the original choice for the lead in "Sister Act".

That may have been cute (a Jewish nun?) but in choosing Whoopi, "Sister Act" gives itself a shot in the arm with an incomparable comic talent and insures every scene with Deloris/Mary Clarence is a highlight unto itself.

After witnessing a Mob hit courtesy of her boyfriend (Keitel), casino lounge singer Whoopi hightails it to her local police where a helpful cop (Nunn) puts her in the Witness Protection Program and before you can say "holy, holy, holy", sends her to the last place in the world anyone would think of finding a second-rate lounge singer.

Once the church, nuns and choir music with a Motown beat are all introduced, things pick up steadily. All the nuns are funny (especially Najimy as the eternally sunny Sister Mary Patrick) and there are so many good scenes to be had thereafter (the bar scene, the first choir practice, the blossoming of Sister Mary Robert (Makkenna), etc.), that you can't help but smile, even if you're tired of nuns as a springboard for comedy.

And there's something about the music: the gospel-tinged soul songs like "My God", "I Will Follow Him" and such lift your spirits and are infectious in their own right. The last scene in the movie is quite moving, truth be told, and lets you in on a secret... God moves in mysterious ways.

Amen.

Nine stars. These "Sister"s rock!

This is a great movie. It is light, interesting, funny, and - well, just great. The plot is not extremely predictable, though you can tell what could happen after a while. All the characters were entertaining. The night club scene with Mary Roberts, Mary Clarence, and Kathy Najimy's character was great... as was the scene where Delores becomes Mary Clarence and the nuns in church here her yell at Mother Superior because of the wardrobe.

I seem to be the only person who has noticed the remarkable similarity between "Sister Act" and "Brother Orchid", a 1940 Edward G. Robinson film. Does anyone else agree? Certainly the details of the plot have been changed to make the central character female and a singer. In the earlier play/film the Robinson character was a gangster who took refuge in a monastery when he was in trouble with the mob. He uses his business "talent" to put the institution on a better footing, as I remember, by selling flowers. The basic plot is that of the worldly individual entering a religious setting, at first attempting to con the inmates, and then becoming a real part of their system.