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Scent of a Woman - Profumo di donna

Titolo originale: Scent of a Woman
  • 1992
  • T
  • 2h 36min
VALUTAZIONE IMDb
8,0/10
356.067
LA TUA VALUTAZIONE
POPOLARITÀ
1362
71
Al Pacino and Chris O'Donnell in Scent of a Woman - Profumo di donna (1992)
On this IMDbrief, we're talking turkey about the perfect Thanksgiving movies to watch before, during, or after your big meal.
Riproduci clip3: 51
Guarda The Perfect Movies to Watch This Thanksgiving
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DrammaEpico

Uno studente universitario bisognoso di denaro accetta di fare da babysitter ad un ex-colonnello cieco, ma il compito si rivela molto più difficile del previsto.Uno studente universitario bisognoso di denaro accetta di fare da babysitter ad un ex-colonnello cieco, ma il compito si rivela molto più difficile del previsto.Uno studente universitario bisognoso di denaro accetta di fare da babysitter ad un ex-colonnello cieco, ma il compito si rivela molto più difficile del previsto.

  • Regia
    • Martin Brest
  • Sceneggiatura
    • Giovanni Arpino
    • Bo Goldman
    • Ruggero Maccari
  • Star
    • Al Pacino
    • Chris O'Donnell
    • James Rebhorn
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    356.067
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1362
    71
    • Regia
      • Martin Brest
    • Sceneggiatura
      • Giovanni Arpino
      • Bo Goldman
      • Ruggero Maccari
    • Star
      • Al Pacino
      • Chris O'Donnell
      • James Rebhorn
    • 566Recensioni degli utenti
    • 52Recensioni della critica
    • 57Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 6 vittorie e 14 candidature totali

    Video1

    The Perfect Movies to Watch This Thanksgiving
    Clip 3:51
    The Perfect Movies to Watch This Thanksgiving

    Foto192

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    Interpreti principali52

    Modifica
    Al Pacino
    Al Pacino
    • Lt. Col. Frank Slade
    Chris O'Donnell
    Chris O'Donnell
    • Charlie Simms
    James Rebhorn
    James Rebhorn
    • Mr. Trask
    Gabrielle Anwar
    Gabrielle Anwar
    • Donna
    Philip Seymour Hoffman
    Philip Seymour Hoffman
    • George Willis, Jr.
    • (as Philip S. Hoffman)
    Richard Venture
    Richard Venture
    • W.R. Slade
    Bradley Whitford
    Bradley Whitford
    • Randy
    Rochelle Oliver
    Rochelle Oliver
    • Gretchen
    Margaret Eginton
    • Gail
    Tom Riis Farrell
    Tom Riis Farrell
    • Garry
    Nicholas Sadler
    Nicholas Sadler
    • Harry Havemeyer
    Todd Louiso
    Todd Louiso
    • Trent Potter
    Matt Smith
    • Jimmy Jameson
    Gene Canfield
    Gene Canfield
    • Manny
    Frances Conroy
    Frances Conroy
    • Christine Downes
    June Squibb
    June Squibb
    • Mrs. Hunsaker
    Ron Eldard
    Ron Eldard
    • Officer Gore
    Sally Murphy
    Sally Murphy
    • Karen Rossi
    • Regia
      • Martin Brest
    • Sceneggiatura
      • Giovanni Arpino
      • Bo Goldman
      • Ruggero Maccari
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti566

    8,0356K
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    Recensioni in evidenza

    8pedroborges-90881

    Good film with a great over the top performance

    At this point in his career, Pacino was starting to change a little his acting techniques and still remain great, but it wasn't only a great over the top performance, he also portrayed a blind person like no other actor i ever seen it.

    The movie is simple and good, Pacino is the one who elevated the whole material, the tango scene is great and the entire scene when Pacino gives his speech at the school is amazing .
    10billion_mucks

    Old Men Won't Cry- Scent of A Woman

    Why is Pacino such a beast acting? I'll tell you why. His passion. Passion that overwhelms all surrounding him. His voice starts roaring and he forgets that he is Al Pacino. He suddenly becomes his character, he stops seeing around him and he is now a prisoner in his role.

    The movie is about Pacino. His acting is grand, superb, majestic, heart-wrenching, deep, emotional, so forth. His portrayal of a blind man dangling in the rope of his life, is not only credible but immensely touching. We see directly, through his crystalline performance all of the pain that griefs on his character. Any other actor would have given a corny, over the top performance. Pacino is the Ace.

    Chris O' Donnell gives also a fantastic performance, shy and unsure will start to understand Colonel Frank Slade in a short trip that will change their future lives. This movie is not Hollywood Rubish. Martin Brest directs a movie that hits no cheap feelings and floods on great emotions that immediately contact the viewer. You have to be rock solid to not be touched.

    A masterpiece, one of the best studies on man's desperation, helped by wonderful performances and and a stirring, poignant script, with no wasted lines. You will raise goosebumps with scenes like the tango scene, you will laugh, you will cry, you will feel empathy, sorrow, anger. Isn't this movie the Holy Grail of Emotions.

    Don't miss it. One of a kind.
    8khatcher-2

    Delicious high-class drama

    I do not tend to go along with Hollywood-created cult figures, that kind of hero-worship, idol-making, whatever: you can have your Julia Roberts and such like making endless and mindless blockbuster hits with such insipid nonsense as `Pretty Woman', `Notting Hill' and so on, but it has to be something more serious like Joel Schumacher's `Dying Young' or even Steven Soderbergh's `Erin Brockovich' to convince me that Ms Roberts can/might be a good actress. The same goes for Al Pacino. Until the arrival of `Scent of a Woman' he was just merely another actor of those who come out of the Hollywood mass-manufacturing industry. `Scent of a Woman' changed all that: here Pacino shows he is a grand master, a brilliant actor. It is not important that this film is a redoing of an Italian original, or even whether this film won him an Oscar: the film stands up for its own merits, and Pacino reaches colossal heights in this well-directed drama, ably and willingly aided by a refreshing Chris O'Donnell. Very much a two-man film as the characterisation centres masterfully on these two leading characters, Pacino had to carry out a truly theatre-like interpretation of a blind retired colonel; Bo Goldman's dialogues are up to the challenge, creating some magnificent monologues which Pacino so superbly enacted.

    My rating is somewhat higher than the surprisingly low IMDb user rating: a memorable and classic piece of serious cinema which puts Pacino into a very high category.
    8Srbo

    A beautiful film

    Truly amazing acting by Al Pacino and a long overdue Oscar finally received. Also, O'Donell had a very fine performance. It is incredibly hard to act like Al did, specifically given his condition, but he did a master work in my opinion. Truly recommended for everyone. A masterpiece. Kudos to the director as well. And some scenes, like the dancing are just amazing. The passport to heaven, he says. Isn't that a wonderful statement? I wish there were more films like this made. And a great comeback for Al. If he had to come back from anything, that is. Movies like this are pure inspiration. To fight. And never give up. And thats what Al did. He never gave up.
    8macpherr

    This is a terrific movie!

    Al Pacino (The Godfather, Looking for Richard) won an Oscar for Best Actor for his outstanding performance as Lt. Col. Frank Slade. I have the tape and have watched it a bazillion times. I have seen many other actors playing a blind man but Pacino outwits them all. I have watched it closely just to watch his eyes. He is terrific! Every time we watch the movie we spend at least two days going: "Oo-rah!" I like prep school movies and I have two movies where Chris O'Donnell (Circle of Friends) Charlie Simms is in a prep school. I guess it goes with his type. I like the part of Charlie who is doing the best he can with the weekend he has to face. One of the most difficult things for people is to feel is useless. That is how Lt. Co. Frank Slade feels. He also has a cynicism about life that in a sense is funny because of its irony. He meets Charlie and has everything planned out. The Colonel has extremely good taste. Meeting young Charlie, who is in a very difficult situation, the outspoken Lt. Col. found a reason to live and to feel useful again, even enjoying the smell of the perfume of Charlie's teacher. I did not see the 1974 Italian film "PROFUMO DI DONNA," but would love to see the performance of the late Vittorio Gassman, one of the most well known actor of the Italian Theater and Cinema. My Favorite Scenes: Lt. Col. driving in New York city, dancing tango, and giving a speech before the student body, to clear up Charlie's name. This is a great movie! My Favorite Quotes: Lt. Col. Frank Slade: "Oo-rah!" ..." But there isn't nothing' like the sight of an amputated spirit, there is no prosthetic for that.." "There are two kinds of people in this world, Charlie. The first group are the people that face the music; the second group are those who run for cover. Cover is better."

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The scene on the street where Lt. Colonel Slade falls over a garbage can was actually unplanned.
    • Blooper
      There appears a missing day in the timeline of the movie. Considering Frank and Charlie have Thanksgiving dinner on the actual day, the following day (Friday) is spent meeting Donna and spending the evening with the escort. The next day (Saturday) is spent driving the Ferrari and the climatic scene between Frank and Charlie. It's that evening that they're informed they missed their flight and drive up to New Hampshire, arriving moments before the meeting of the disciplinary committee on Monday morning, thus eliminating all of Sunday.
    • Citazioni

      [Charlie refused to come clean with the names of the students responsible for the prank; Mr. Trask is furious]

      Mr. Trask: [furious] I am left with no real witness. Mr. Willis's testimony is not only vague, it is unsubstantiated. The substance I was looking for, Mr. Simms, was to come from you.

      Charlie Simms: [remorseful] I'm sorry.

      Mr. Trask: I'm sorry too, Mr. Simms, because you know what I am going to do. In as much as I can't punish Mr. Havemeyer, Mr. Potter, or Mr. Jameson, and I won't punish Mr. Willis. He's the only party to this incident who is still worthy of calling himself a Baird man. I'm going to recommend to the disciplinary committee that you be expelled. Mr. Simms, you are a cover-up artist and you are a liar.

      Lt. Col. Frank Slade: But not a snitch.

      Mr. Trask: Excuse me?

      Lt. Col. Frank Slade: No, I don't think I will.

      Mr. Trask: Mr. Slade...

      Lt. Col. Frank Slade: This is such a crock of SHIT.

      Mr. Trask: Please watch your language, Mr. Slade. You are in the Baird School, not a barracks. Mr Simms, I will give you one last opportunity to speak up.

      Lt. Col. Frank Slade: Mr. Simms doesn't want it. He desn't need to labeled, "Still worthy of being a Baird man". What the hell is that? What is your motto here? "Boys, inform on your classmates, save your hide. Anything short of that, we're gonna burn you at the stake"? Well, gentlemen, when the shit hits the fan, some guys run and some guys stay. Here's Charlie facing the fire and there's George hiding in Big Daddy's pocket. And what are you doing? You're gonna reward George and destroy Charlie.

      Mr. Trask: Are you finished, Mr. Slade?

      Lt. Col. Frank Slade: No, I'm just gettin' warmed up. I don't know who went to this place, William Howard Taft, William Jennings Bryan, William Tell, whoever. Their spirit is dead, if they ever had one. It's gone. You're building a rat ship here. A vessel for seagoing snitches, and if you think you're preparing these minnows for manhood, you better think again, because I say you are killing the very spirit this institution proclaims it instills. What a sham. What kind of a show you guys are putting on here today? I mean, the only class in this act is sitting next to me, and I'm here to tell ya this boy's soul is intact. It's non-negotiable. You know how I know? Someone here, and I'm not gonna say who, offered to buy it. Only Charlie here wasn't selling.

      Mr. Trask: Sir, you're out of order.

      [Trask hits the gavel; Col. Slade stands up angry]

      Lt. Col. Frank Slade: Out of order. I'll show YOU "out of order"! You don't know what "out of order" is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fucking blind. If I were the man I was five years ago, I'd take a...

      Lt. Col. Frank Slade: [slams his cane on the desk, screaming] FLAMETHROWER to this place! Out of order? Who the hell do ya think you're talking to? I've been around, ya know? There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There's no prostetic for that. You think you're merely sending this splendid foot solder back home to Oregon with tail between his legs, but I say you are executing his SOUL! And why? Because he's not a Baird man. Baird men. You hurt this boy, you're gonna be Baird bums, the lot of ya. And Harry, Jimmy, Trent, wherever you are, fuck you too!

      [the student body and the committee are in shock as Trask's anger is further aggravated]

      Mr. Trask: [yells; hits the gavel three times] Stand down, Mr. Slade!

      Lt. Col. Frank Slade: I'm not finished! As I came in here, I heard those words, "Cradle of Leadership". Well, when the bough breaks, the cradle will fall. And it has fallen here. It has fallen. Makers of men, Creators of leaders. Be careful what kind of leaders you're producing here. I don't know if Charlie's silence here today is right or wrong. I'm not a judge or jury, but I can tell you this: He won't sell anybody out to buy his future! And that, my friends, is called integrity. That's called courage. Now that's the stuff leaders should be made of. Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew. But I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle that leads to character. Let him continue on his journey. You hold this boy's future in your hands, committee. It's a valuable future. Believe me. Don't destroy it. Protect it. Embrace it. It's gonna make you proud one day, I promise you.

    • Versioni alternative
      The heavily edited network TV version was disowned by director Martin Brest, and credits "Allen Smithee" as director.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Forever Young/Damage/Toys/Scent of a Woman/Used People (1992)
    • Colonne sonore
      Evangeline
      Written by Robbie Robertson

      Performed by Emmylou Harris

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    Dettagli

    Modifica
    • Data di uscita
      • 26 febbraio 1993 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official Facebook
    • Lingua
      • Inglese
    • Celebre anche come
      • Perfume de mujer
    • Luoghi delle riprese
      • Emma Willard School - 285 Pawling Avenue, Troy, New York, Stati Uniti
    • Aziende produttrici
      • Universal Pictures
      • City Light Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 31.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 63.095.253 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 357.468 USD
      • 27 dic 1992
    • Lordo in tutto il mondo
      • 134.095.253 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 36 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
    • Proporzioni
      • 1.85 : 1

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