Uomini e topi

If you are looking for a movie that has every scene, every character, and every part of the plot that is exactly accurate to the book, you have found it in this film. It was absolutely incredible to watch one of my favorite books come to life.

Well, well done.

"Of mice and men" is one of these movies we definitely need in our times.Gary Sinise 's directing is classic in the noblest sense of the term.The cinematography recalls some of those Ford (who adapted "Grapes of wrath",another Steinbeck's novel for the screen) gems of the forties or fifties.It is heart-rending to see Malkovich and his portrayal of the half-wit is one of the finest you can see in a nineties movies and leaves,for instance Dustin Hoffman's "rain man" character far behind.It takes a lot of guts to play such demeaning parts !Gary Sinise should not be forgotten either,in a performance which offers all the subtleties of the heart.

What moves me in the movie is the loneliness which frightens the characters .Everyone is searching for someone to rely on.Not only the two heroes (I think that ,actually, George needs more Lennie than the other way about)but also the old man -the scene with the old dog is almost unbearable;it will have an equivalent in a terrifying way at the end recalling Horace MacCoy's "they shoot horses don't they?"- Curley's wife;only the black guy has resigned himself to solitude.The scene when Candy and the two pals are talking of their future house -which we know from the very start they'll never have- is really heartwarming.At least,for one precious and fleeting moment,they could dream of a home,a fireplace and a hutch full of rabbits.

This is a masterful and faithful portrayal of Steinbeck's classic novel. The screenplay brings to life the tragic yet uplifting story of loyalty and the kind of bond that can grow between men that we are often reluctant to acknowledge, much less show.

Aside from the story, the cast is what really makes this film. I have always held a soft spot for Gary Sinise after his role in Forrest Gump, wherein his character portrayed another facet of the bonding between men made brothers by cruel circumstance, yet can grow and flourish as the years and other circumstances come to pass. Here, as Lenny's friend and protector against a world that baffles and confuses him, he shows the kind of rough-edged tenderness and affection that both endears us to his plight, and fills us with the dread of what we know must come between the men. John Malkovich shows his depth as an actor by bringing to life the dull-witted but pure-hearted Lenny, in a way that will tug at your heartstrings. I found myself both laughing (in a sad way) at Lenny's ineptness in dealing with a world clearly more confusing than his limited wits can manage, and crying over his being targeted for taunting and abuse by cruel and crude men, and ultimately done in by his brute strength when it was lacking the direction and temper given by his friend George.

A pleasant surprise was Ray Walston as the aged but gentle and good-hearted ranch hand Candy, who has no one in life to love but his old sheepdog, who, like him, he knows, must ultimately be "put down" because of age and the wear and tear that a life of hard labor has worn down. The scene of his finally surrendering his faithful canine companion to be euthanized by a gunshot to the back of the head by another well-meaning field hand is very heartbreaking. Having grown up with the "Uncle Martin" of "My Favorite Martian" Walston, seeing his adept performance in a dramatic role gave me a new appreciation for his versatility as a character actor.

Those who watch this film should allow plenty of time alone to view it straight through with no interruptions. Swallow your pride and keep a box of tissues handy, and some time afterwards for quiet contemplation and "recovery".

Warning, I'm a Steinbeck purist.

I loved this film. I even arm-twisted my two pre-teen/teenaged daughters to go with me. For the closing scene I left my chair, went to the back and cried, even though I knew what was coming.

The acting, the sets/props, the cinematography were all outstanding, sometimes brilliant. The only problem was the script--Curley's wife was softened, made into a victim instead of Steinbeck's brilliantly conceived and rendered cruel, cynical female villain. All that work, the craft, sweat and tears it took for him to create her, mutilated for the sake of profit.

But this is nothing new. Every stage and screen interpretation of OMM has done the same thing. Why? Money, of course. Women make up the majority of moviegoers (and an even larger majority of movie-going decision-making). What producer has the courage to offend a predominately female audience?

Well, American BEAUTY didn't do so badly.

It is well known that Elaine Steinbeck lobbied John to allow the Curley's wife character to be softened. She was trained in theater. She wanted the stage and film versions to be a "success."

Well, just once I'd like to see Curley's wife depicted just as John created her. Especially the scene where she barges in to Crooks' room and calls him "N****" repeatedly and threatens him with lynching.

It's cultural self-deception to pretend that women can't be just as nasty as men. Are all you producers cowards or what?

(Kudos to Ken Wales and Jane Seymour for going the distance with EAST OF EDEN!)

If ever a movie lived up to a standard of literature for the contemporary American art form, this is it. When you watch this you'll be stunned at how easy it should be to adapt a novel .. but it's seldom done right. You'll NEVER find a truer adaptation than this.. in fact you'll swear it's not "adapted" at all.

Everyone else in this group has already given the accolades. I second them.