VALUTAZIONE IMDb
5,3/10
1355
LA TUA VALUTAZIONE
Aggiungi una trama nella tua lingua"Mad Max" clone set in the not-too-distant future about a group of people trying to escape to a safe haven called Neon City after a solar disaster that has decimated the Earth."Mad Max" clone set in the not-too-distant future about a group of people trying to escape to a safe haven called Neon City after a solar disaster that has decimated the Earth."Mad Max" clone set in the not-too-distant future about a group of people trying to escape to a safe haven called Neon City after a solar disaster that has decimated the Earth.
- Regia
- Sceneggiatura
- Star
Jeff Olson
- Doctor at Jericho
- (as Jeffery Olson)
Recensioni in evidenza
Okay, I for one liked this movie. Now granted, it doesn't compare to the special effects that are around today, but overall, I enjoyed it! It had an interesting plot, lots of action, nice character development, and an excellent performance by Michael Ironside. This movie held my interest all the way through until the last scene. It is categorized as science-fiction; however, there was very little scientific lingo, so it is easy enough for anyone to follow. I especially enjoyed how the characters began as strangers in the movie, and slowly melded together into a sort a renegade troupe, determined to stay alive. I would definitely recommend this movie to anyone who can get there hands on it!
The plot: A bounty hunter joins a group of travelers seeking sanctuary at Neon City, a city deep in the dangerous, post-apocalyptic wastelands.
Neon City is obviously a big rip-off of Mad Max, but it also takes equal influence from old Westerns. Despite that, I still love this movie. Maybe it's the fact that Michael Ironside stars as a good guy, a rare role for this badass actor. Maybe it's because it rips off some amazingly awesome movies, and it reminds me of them constantly. Maybe it's because it was part of my college years, and I just couldn't get enough of these cheesy, late 80s/early 90s post-apocalyptic Mad Max ripoffs. Maybe it was because this is actually a pretty decent movie underneath the layers of "homage". I've always thought that this forgotten B movie could have been a cult classic if only it had gotten a little bit more attention.
If you're expecting a big budget, amazing sets, famous A-list actors, mind-blowing special effects, and an original plot, then, yeah, you'll be very disappointed. However, if you're a fan of B movies, then you'll probably have no problem overlooking the faults.
Neon City is obviously a big rip-off of Mad Max, but it also takes equal influence from old Westerns. Despite that, I still love this movie. Maybe it's the fact that Michael Ironside stars as a good guy, a rare role for this badass actor. Maybe it's because it rips off some amazingly awesome movies, and it reminds me of them constantly. Maybe it's because it was part of my college years, and I just couldn't get enough of these cheesy, late 80s/early 90s post-apocalyptic Mad Max ripoffs. Maybe it was because this is actually a pretty decent movie underneath the layers of "homage". I've always thought that this forgotten B movie could have been a cult classic if only it had gotten a little bit more attention.
If you're expecting a big budget, amazing sets, famous A-list actors, mind-blowing special effects, and an original plot, then, yeah, you'll be very disappointed. However, if you're a fan of B movies, then you'll probably have no problem overlooking the faults.
There was a time, after seeing Cronenberg's SCANNERS, that I wanted to see every possible movie starring Michael Ironside. I pretty soon stopped this silly quest when I realized the man had already starred in way too many boring below-average B-features of the police/thriller-type. NEON CITY, however, is one of his better B-movies, and it's actually one of the better MAD MAX-clones out there.
In the year 2053 the ozone-layer is destroyed and earth's population is divided in diseased mutants and healthy people. The wastelands are ruled by the merciless Skins and earth's ecosystem is completely out of balance. Outbursts of 'brights' can incinerate a person and poisonous Xander-clouds can suffocate you within seconds. There are safe-havens throughout the wastelands, Neon City being one of them. A group of 8 persons begins a journey in an armored vehicle towards Neon city.
Fans of Michael Ironside should see this flick, 'cause he plays the type of character that we love to see him play: A ruthless bounty-hunter with a soft spot inside. His prisoner, Reno, is played by Vanity, and knowing this lady you might expect her to show some skin, but she pretty much doesn't. The acting is pretty average, but it was fun seeing Juliet Landau before her BUFFY-period. The good thing is that all the characters have a bit of background and some of them turn out not exactly what they appear to be. The bad thing is that this movie could have used a bigger budget, especially in the special effects-department. The 'bright'-outbursts are just some silly colorization-effects and I expected to see an impressive futuristic Neon City in the end, but we see almost nothing of it. The action-scenes of Skins on motorcycles attacking the armored transport are average and certainly not as impressive as in MAD MAX 2.
But still, this movie manages to hum along nicely and you do wonder about who'll make it in the end and who won't. It's not an excellent movie, but it's not bad either. Worth a watch, especially for Ironside-fans.
In the year 2053 the ozone-layer is destroyed and earth's population is divided in diseased mutants and healthy people. The wastelands are ruled by the merciless Skins and earth's ecosystem is completely out of balance. Outbursts of 'brights' can incinerate a person and poisonous Xander-clouds can suffocate you within seconds. There are safe-havens throughout the wastelands, Neon City being one of them. A group of 8 persons begins a journey in an armored vehicle towards Neon city.
Fans of Michael Ironside should see this flick, 'cause he plays the type of character that we love to see him play: A ruthless bounty-hunter with a soft spot inside. His prisoner, Reno, is played by Vanity, and knowing this lady you might expect her to show some skin, but she pretty much doesn't. The acting is pretty average, but it was fun seeing Juliet Landau before her BUFFY-period. The good thing is that all the characters have a bit of background and some of them turn out not exactly what they appear to be. The bad thing is that this movie could have used a bigger budget, especially in the special effects-department. The 'bright'-outbursts are just some silly colorization-effects and I expected to see an impressive futuristic Neon City in the end, but we see almost nothing of it. The action-scenes of Skins on motorcycles attacking the armored transport are average and certainly not as impressive as in MAD MAX 2.
But still, this movie manages to hum along nicely and you do wonder about who'll make it in the end and who won't. It's not an excellent movie, but it's not bad either. Worth a watch, especially for Ironside-fans.
When I hear, or think of actor Michael Ironside. I'm so use to him in a genre film of this ilk playing the hissable bad guy/henchman, in one shape or another, so it was a nice change of pace to see him at the opposite end of the spectrum. His gruff, tough as nails anti-hero performance, ex-ranger turned bounty hunter, makes it worthwhile, as the straight-to-video "NEON CITY" is virtually unspectacular, yet a durable and smoky post apocalyptic low-budget action fare.
The story had its running themes, but for most part it keeps it simple and traditional in structure, like a western (that sees a small group of people travelling by vehicle through the harsh wasteland of erratic weather extremes and ravaging ozone affected nomads to reach their destination; "Neon City"), and something of a "MAD MAX" imitation.
Maybe it plods a bit after the hour mark; the humor can be dopey (a comic relief character that's virtually a standup comedian who does illegal business on the side) and the journey a little too low-scale at times, especially on the action front. But what we do get provides the rough and tumble, when it counts, even moments of slow-mo (showering), solar/sandstorms, cue in that synth, gushing blood and a little laser activity. All of this leading to a random, but amusingly over-the-top standoff, where Ironside doesn't want to disappoint. Also alongside him is Vanity as his feisty prisoner.
The story had its running themes, but for most part it keeps it simple and traditional in structure, like a western (that sees a small group of people travelling by vehicle through the harsh wasteland of erratic weather extremes and ravaging ozone affected nomads to reach their destination; "Neon City"), and something of a "MAD MAX" imitation.
Maybe it plods a bit after the hour mark; the humor can be dopey (a comic relief character that's virtually a standup comedian who does illegal business on the side) and the journey a little too low-scale at times, especially on the action front. But what we do get provides the rough and tumble, when it counts, even moments of slow-mo (showering), solar/sandstorms, cue in that synth, gushing blood and a little laser activity. All of this leading to a random, but amusingly over-the-top standoff, where Ironside doesn't want to disappoint. Also alongside him is Vanity as his feisty prisoner.
As previously stated, this flick doesn't stand out for good or for ill, it has a few shining moments, but for the most part it seems to be one long star trek reject script about how screwing around with the atmosphere (particularly ozone) will have dire consequences. Possibly considered a potential star vehicle for "Vanity" (remember her?). Has some of the strangest dialogue I've ever heard: "I was in private school in Sweden. We lived underground in caves. They eat chocolate & they're bloated & they never see sunlight & they're pasty pale..."
I can't imagine this *EVER* went to theatres; it must have been direct to video; it's too sickly even for made for cable!
I can't imagine this *EVER* went to theatres; it must have been direct to video; it's too sickly even for made for cable!
Lo sapevi?
- QuizLyle Alzado's final film.
- ConnessioniReferenced in Priscilla - La regina del deserto (1994)
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- How long is Neon City?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Anno 2053 - la grande fuga (1991) officially released in India in English?
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