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Amanti, primedonne

Titolo originale: Mistress
  • 1992
  • R
  • 1h 50min
VALUTAZIONE IMDb
5,4/10
2499
LA TUA VALUTAZIONE
Amanti, primedonne (1992)
Struggling filmmaker Marvin gets a surprise phone call from an ex-Hollywood executive who wants to turn one of Marvin's screenplays into a movie. Marvin thinks his life's ambition is about to become a reality, until he meets the film's financial backers. Each investor has a young girlfriend whom they force Marvin to offer a role to, and then they also re-write the script until it's unrecognizable.
Riproduci trailer1:39
3 video
55 foto
CommediaCommedia darkDrammaSatira

Aggiungi una trama nella tua linguaThis self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers... Leggi tuttoThis self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers (Danny Aiello, Robert De Niro and Eli Wallach).This self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers (Danny Aiello, Robert De Niro and Eli Wallach).

  • Regia
    • Barry Primus
  • Sceneggiatura
    • Barry Primus
    • J.F. Lawton
  • Star
    • Robert Wuhl
    • Martin Landau
    • Vasek Simek
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,4/10
    2499
    LA TUA VALUTAZIONE
    • Regia
      • Barry Primus
    • Sceneggiatura
      • Barry Primus
      • J.F. Lawton
    • Star
      • Robert Wuhl
      • Martin Landau
      • Vasek Simek
    • 16Recensioni degli utenti
    • 9Recensioni della critica
    • 63Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video3

    Trailer
    Trailer 1:39
    Trailer
    Mistress
    Clip 0:31
    Mistress
    Mistress
    Clip 0:31
    Mistress
    Mistress
    Clip 0:31
    Mistress

    Foto55

    Visualizza poster
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    Visualizza poster
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    + 49
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    Interpreti principali38

    Modifica
    Robert Wuhl
    Robert Wuhl
    • Marvin Landisman
    Martin Landau
    Martin Landau
    • Jack Roth
    Vasek Simek
    • Hans
    • (as Vasek C. Simek)
    Thomas R. Voth
    • Stagehand
    Jace Alexander
    Jace Alexander
    • Stuart Stratland
    Mary Mercier
    • Shelby's Waitress
    Tuesday Knight
    Tuesday Knight
    • Peggy Pauline
    Eli Wallach
    Eli Wallach
    • George Lieberhoff
    Danny Aiello
    Danny Aiello
    • Carmine Rasso
    Jean Smart
    Jean Smart
    • Patricia Riley
    Robert De Niro
    Robert De Niro
    • Evan M. Wright
    Bill Rotko
    Bill Rotko
    • Valet
    Dimitri Dimitrov
    • Maitre'D
    Sheryl Lee Ralph
    Sheryl Lee Ralph
    • Beverly Dumont
    Chuck Low
    Chuck Low
    • Bernie
    • (as Chuck Lowe)
    Ernest Borgnine
    Ernest Borgnine
    • Ernest Borgnine
    Laurie Metcalf
    Laurie Metcalf
    • Rachel Landisman
    Fríða Aradóttir
    • Mrs. Evan M. Wright
    • (as Frida S. Aradóttir)
    • Regia
      • Barry Primus
    • Sceneggiatura
      • Barry Primus
      • J.F. Lawton
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti16

    5,42.4K
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    Recensioni in evidenza

    7pinzka

    Great actors in search of a script

    Pun intended. This is a comedy about trying to make a movie in Hollywood. There's a screenwriter (Wuhl), desparate to see his long-forgotten masterpiece brought to the screen, a producer (Landau) who hasn't had a hit in 15 years and three wanna-be producers (De Niro, Aiello and Wallach), of varying competence. All of the producers have girlfriends who want to be in the movie. Everyone has complicated lives.

    The theme is compromise, and who can and who can't. Some parts of the film are mesmerizing, earning it a seven from me, and others sag. A splendid birthday party serves as the climax of the film but I had no idea of why the birthday boy was being feted.

    See it if you like the lead male actors - they're terrific (even if it does remind you that women of the the same age can't find roles as juicy). Otherwise, it's another "ain't Holywood awful" movies.
    5=G=

    "Mistress" misfires

    "Mistress", a misnomer, tells of a bunch of Hollywood hacks slogging through the process of networking, schmoozing, compromising, and sucking up required to launch a film project. A messy flick with little to offer considering the talent behind it, "Mistress" seems to be trying to make the point that making a film is often about everything but the film...careers, quid pro quos, personal agendas, etc. Unfortunately, "Mistress" is a poorly focused comedy/drama which doesn't work well in either genre. Most likely to be appreciated by people like the IMDB.com users who are not Hollywood insiders but have above average interest in films. (C)
    10coffeengreens

    over looked gem

    This movie is another over looked gem made awares recently to my consumerized multiplex movie taste. Robert DeNiro acted in this movie for free (according to IFC Channel's little factoid footnotes). It has a low budget feel to it. I dislike Robert "Arliss" Wuhl as an actor. Nontheless I found myself intrigued and enjoying Mistress.

    The discussions about art, and how they are a reflection of real life: the question posed in My Dinner With Andre: Is the art a reflection of it's artist, or is the artist a reflection of his art ? The discussion and breaking down of some of the tedious aspects of screenwriting and what it means and how one goes about it in the movie industry. The compromises required in movie-making, and art in general, is an intriguing aspect to this movie, making it more than just a run of the mill "dish on Hollywood/Los Angeles" movie. Also, the comprises woman in the movies have to make, and blacks. I think this is a great movie for an aspiring (screen)writer/actor to watch by providing some of the clues to how one has to think or approach writing and also the realistic constraints that get applied by the way the industry is structured.

    (BTW, I feel as if I am the only one to notice that this seems alot like Woody Allen's Bullets Over Broadway ((which was released 2 years after this movie)); Woody Allen is the greatest, but the uncredited theft of this movie may be a travesty ((especially provided the knowledge, also courteasy of IFC's footnotes, that the Writer/Director Ron Powlus[sp] spent 7 years running around trying to get this movie made. Which is a sad fact because this is an excellent movie and the amount of work he must have put into it is reflected.))

    Now looking at this as well, this is sort of a movie about the making of a movie about the real life making of a movie; which in itself is stating something very profound about movie making.
    Christel-1

    slow, but great casting!

    could be better, could also be worse.. nothing to see if you´re not a fan of Robert de Niro or Martin Landau. I don´t really think Robert Wuhl is such a great actor. He dissapears during the scenes with de Niro and Landau. One reason to see the film is the fabolus scene where Christopher Walken commits suicide after delivering a chilling line. Epic!! well, it was not very bad, but it was nothing new. I prefer "Ed Wood" with Johnny Depp if I wanna see a movie about moviemaking.

    ** out of *****
    8rupie

    brilliant and underrated

    A sadly underrated movie. Hollywood could not have loved it because of the cruelly true things it says about how movies are made, and about how a writer's creative vision becomes corrupted and debauched on its way to the screen. That doesn't sound like a setup for a comedy, but a wonderfully dark comedy it is, with some richly witty dialogue. Landau's performance is superb (he is one of the best actors around), and the descent of Wuhl's character from idealistic writer to desperate self-promoter - a sad journey - is made humorous. Wonderful bits by Eli Wallach, Danny Aiello, and all three mistresses.

    Altri elementi simili

    Indiziato di reato
    6,5
    Indiziato di reato
    Lettere d'amore
    6,3
    Lettere d'amore
    Lo sbirro, il boss e la bionda
    6,2
    Lo sbirro, il boss e la bionda
    La notte e la città
    5,8
    La notte e la città
    Jacknife
    6,4
    Jacknife
    Non siamo angeli
    6,1
    Non siamo angeli
    Manuale d'am3re
    5,9
    Manuale d'am3re
    Innamorarsi
    6,5
    Innamorarsi
    Stone
    5,4
    Stone
    Flawless - Senza difetti
    6,4
    Flawless - Senza difetti
    Ciao America
    5,6
    Ciao America
    Godsend - Il male è rinato
    4,8
    Godsend - Il male è rinato

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Evan Wright's (Robert De Niro) opinions regarding the lack of sex in Marvin's (Robert Wuhl) script was inspired by real-life conversations that writer and director Barry Primus had with producers while attempting to find a backer for the film.
    • Blooper
      The boom mike drops below the frame during the meeting with George and Peggy while Stuart mentions possible changes to the script.
    • Citazioni

      Marvin Landisman: That's it. I'm going back to the original script! I'm not making any changes. Any changes!

      Stuart Stratland Jr.: Marvin, what are you talking about? They won't make the film! Don't be self-destructive.

      Marvin Landisman: Help me, Stuart. I mean, you're a smart guy. There's a great story here. Just help me use these women to tell it. It's my fault. I never told you what this all came out of.

      Stuart Stratland Jr.: It's about that actor comitting suicide on your film.

      Marvin Landisman: No. It's about how I killed him.

      Stuart Stratland Jr.: What?

      Marvin Landisman: Believe it or not Stuart once I was pretty hot. From an old novel I wrote a script about a ruthless gambler who destroys someone he loves. Life changes for him and then isolated and desperate, he realizes who he is and he kills himself. Pretty grim stuff but I got Warren Zell. Warren was a very special actor. He was an original but he had been through a lot and he wasn't acting anymore. See, I had been his student. He trusted in my plan and I convinced him that I could give what he had been through meaning. Warren was amazing. The film suddenly had an incredible mystery to it. Actually it was too good. The producers loved the rushes and thought it might be a Christmas release. Oh, they had one small change. Take out the suicide. Instead have the character recite some speech like, "There's always another day." It was at four o'clock in the afternoon. I had a terrible headache. I can still hear the thud.

      Stuart Stratland Jr.: God, that's sick. He was crazy!

      Marvin Landisman: Of course he was or he wouldn't have jumped. But he was too weak to fight us any other way. He had to remain honest to himself and the suffering he represented. I was betraying him. Turning this into an insane farce. Don't you see, Stuart? This is what the film *needs* to be about. The fact that not everything is for sale. That some things just have to be left as they are. Help me, Stuart. I want his death to mean something.

      Stuart Stratland Jr.: Marvin, they're only making this to put their girlfriends in it.

      Marvin Landisman: Then take out the painter.

      Stuart Stratland Jr.: He's a photographer and we can't take him out. The whole thing revolves around him!

      Marvin Landisman: Okay, leave him in. But take out the suicide.

      Stuart Stratland Jr.: What are you, crazy? After all the trouble we went through to sell it? That's the only element everyone agrees on!

      Marvin Landisman: I can't bear him dying amidst all this crap! Let him get hit by a car. Let him leave town! Some shit!

      Stuart Stratland Jr.: It's a little late for that, Marvin. The suicide stays!

      Marvin Landisman: You take it out! I'm not gonna have him turned into a comic book. I'm not gonna murder him again!

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Unforgiven/Mistress/Death Becomes Her/Enchanted April/London Kills Me (1992)
    • Colonne sonore
      Sex Goddess
      Written by Galt MacDermot, Gerome Ragni and James Rado

      Performed by Tuesday Knight (uncredited)

      [Peggy sings the song as her audition for Marvin]

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    Domande frequenti17

    • How long is Mistress?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 24 luglio 1992 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Ceco
    • Celebre anche come
      • Mistress
    • Luoghi delle riprese
      • Los Angeles, California, Stati Uniti
    • Aziende produttrici
      • Meir Teper
      • Mistress Productions
      • Tribeca Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 1.102.469 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 34.146 USD
      • 9 ago 1992
    • Lordo in tutto il mondo
      • 1.102.469 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 50min(110 min)
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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