Martial law: codice marziale

Despite her being all over the cover, she's barely in this. Instead you get sub-Joe Piscapo look a like Chad McQueen in a dorky jacket stumbling through fight scenes and looking like a goof. Nothing to see here.

Chad McQueen is perhaps one of Hollywood's most underappreciated actors. While his performance in Martial Law is not his best, it is one of the most tender, in that he plays a street-hardened cop torn by the death of his brother. McQueen brings together a fine blend of toe-jamming action and heart-wrenching drama. His sexy co-star Cynthia Rothrock, also comes from the "west coast" drama scene. An accomplished actress through out college and beyond, she lends her acting talents to this fine film. If you've never seen her in the off-Broadway production of "Hair" you haven't lived yet. This movie is a powerful blend of action and drama.

I never thought I'd see another flick feature the Dim Mak "death touch" like 'Bloodsport', but it's here. 'Martial Law' is a b-movie through and through. The type of which I'm starting to have an appreciation for, but it can't be denied that the story on display is second rate. Carradine and Rothrock have their moments though in this standard beat 'em up.

Sean Thompson (Chad McQueen) is a cop that goes by the nickname "Martial Law". Yes, seriously. Crooks around town call him that. He spent a few years in Japan so of course he's a martial arts expert. After ridiculously busting up a hostage situation in the opening, he has to contend with his younger brother Michael who's gotten himself in too deep stealing cars for Dalton Rhodes (David Carradine). An all around bad dude dealing in a lot of shady stuff, owner of a martials arts studio and a badass himself. Lending Sean a hand is fellow cop, martial arts practitioner and part time lover Billie Blake (Cynthia Rothrock).

Carradine was no stranger to b-movie roles in the 80's and early 90's, but he puts in a sober performance here. Cynthia plays 2nd fiddle but still gets to display her chops. Chad McQueen - son to the legendary Steve McQueen - is another matter. He's not quite out of shape, but looks a little doughy for the hero tough-guy role he's supposed to be pulling off though his martial arts are on point. Oh and when your brother is arrested for GTA after hopping out of a Porsche 911 and feeds you the story he was just hitchhiking and you believe it - you're an idiot. What kind of Porsche owner gives random strangers a ride!?

'Martial Law' has some gunplay, the fisticuffs you expect, but you gotta contend with a few annoying characters and a few too many stupid moments in the story. Kill an informant right in front of the cops for instance. A step-up sequel followed a year later with Rothrock and Jeff Wincott taking on the Sean Thompson role and is a better package.

I've yet to watch a movie starring Cynthia Rothrock that wasn't rife with peculiarities, and at that, usually all the same ones. Her films are generally blunt and over the top in most significant aspects, including writing and acting if not also direction, and often ham-handed and inauthentic on top. She's not uncommonly no more than second fiddle in her own starring vehicles - and yet for all that, the fight choreography is broadly well done. It's an odd mixture at all times, and 'Martial law' doesn't try hard to convince us that it's any different. From excessive sound cues (such "whooshes" as fists or feet flying through the air or hitting their marks), to massively done-up and visually distinct hair, makeup, or costume design; from small, gratuitous flourishes, to an enjoyable but curious score from Elliot Solomon that oscillates between guitar fireworks, fanfare that wouldn't sound out of place opening 'Saturday Night Live,' and synth-driven ambient pieces - there's a lot going on here. Most prominent actor Chad McQueen, playing actual protagonist Thompson, really does look like a Joe Piscopo impersonator; a scene set in a nightclub features a very 80s hair metal band and song (accordingly Tempest, performing "Sauza" - I won't lie, I liked it); and there's a brusqueness to the execution of some action sequences that somewhat defies suspension of disbelief.

Through it all, I'm surprised to find myself thinking that 'Martial law' is, in some ways, better than I anticipated. Maybe it's director Steve Cohen's guidance of the cast that we have to thank, but the acting feels unexpectedly restrained and sober compared to other Rothrock films. For all the flair here and there, including sequencing and otherwise editing that echoes that cheeky tenor, it almost seems like the production is played straight, declining the greater bombast we're used to seeing from her and those with whom she shares the screen. David Carradine, Philip Tan, John Fujioka - and yes, even Rothrock - all show glimmers of real nuance in their acting that's a far cry from the tomfoolery we saw in, say, 'Honor and glory,' or 'Tiger claws.' Even when performances are overdone (for better or worse I'm looking at you, Vincent Craig Dupree), it's unmistakably intentional, and though he has a small part, it's always a minor joy to see Professor Toru Tanaka. The cinematography and sound design are crisp and clear, the orchestration of every shot and scene is suitable - honestly, in a lot of ways, 'Martial laws seems pretty well made.

The biggest question,though, is of course the writing. Richard Brandes doesn't have a lot of credits to his name in that capacity, with one of the few others being this picture's sequel. There's no substantial depth to most characters, and they mostly fill familiar action-thriller crime flick archetypes. There's occasional cleverness to the dialogue, but so much of it just feels unremarkable and downright uninteresting. The scene writing is a little stronger, but varies wildly in accordance with the needs of the story - some bits seem well thought out and work to engage our attention, advance the plot, or enrich the experience as a whole, while other instances just feel overblown or unnecessary. And as to that plot: it's complete, coherent, and cohesive. It's also oafishly slow and meandering as it switches gears at intervals from criminal enterprise, to criminal investigation, to family drama, and back again, with martial arts sprinkled throughout. For that matter: apart from some key scenes, the cinema-ready disciplines are weirdly deemphasized in the screenplay, letting the other elements take precedence to the disadvantage of 'Martial law' - while antagonist Rhoades' (Carradine) signature finishing move is overused until it fails to provide invigoration. The result of it all is a title that's hard to get excited about, not least of all as the core plot doesn't seem to go much of anywhere until the last third of the runtime, and even then it comes and goes with minimal impact.

The feature has a leg up on some of its brethren when it comes to technical craft, so I suppose that's worth something. But even if we generously put aside the major dearth of screen time for top-billed Rothrock, which still blows my mind, there's still so little about the movie that inspires, or gets the blood flowing. As the length lackadaisically saunters to the climax - and a final fight that is admittedly quite well done - one can't help but ask what it was all for. Everyone involved does their part, more or less - so what? I'd much sooner watch a romp buzzing with ridiculous, exaggerated ham-handedness and questionable construction than a solidly built snooze. Unfortunately, by and large, that's just what we get in 'Martial law,' and I wonder if I'm not being too kind in my assessment as it stands.

What's kind of sad is that it really didn't have to be this way. More than anything else, all the feature needed was more martial arts - and, once more to highlight, more Rothrock - to improve upon the actual finished product. Oh well. Cautiously recommendable for martial arts fanatics and utmost fans of the cast, and halfheartedly enjoyable for those receptive to all the wide variety that cinema has to offer. There's just no need to seek this out, though, and actively keep your expectations in check if you decide to sit for it nonetheless.

At this point it was clear that Hong Kong movie studios have surpassed the quality of American B movie production studios. This is a movie that features Cynthia Rothrock, but if you compare the quality of the production of this movie to the ones she's starred in in Hong Kong, there's no comparison. There're very little redeeming quality to this movie.

Like other bad B movies, the movie is almost entirely constructed out of low importance teaser. The real action doesn't start until the very last minute.

The story of this movie is so derivative, and the way it's shot is mediocre to bad. There are many scenes with hard shadows that makes them difficult to see what the subject is.

Even with these negatives, if you're a Cynthia Rothrock fan, you'd probably be entertained.

This is a real B movie, and a bad one. Best stay away from it.