Piccolo Nemo - Avventure nel mondo dei sogni

Ever since Walt Disney created the first animated cartoon, some have been great, OK, and truly bad. Little Nemo: Adventures in Slumberland, in my opinion, is one of those great animated movies. The plot, a young boy named Nemo having adventures in a magical place called Slumberland, will surely enchant its viewers and you will always remember the fun, whimsical music. Not to mention the animation is as magical as Slumberland itself (the work of millions of dollars). I'm surprised it did very poorly in the American box office. I heard that the reason for the huge flop was because it was "un-Disneylike". So what? Have you seen the crap Disney has been making lately? (with the exception of Pirates of the Caribbean). Little Nemo is one of the greatest kid movies ever made and if you have toddlers, I thoroughly recommend this movie.

"Little Nemo" is not easy to watch, but then again neither are the original comics by Winsor McKay easy to read. He had a wild and unconstrained (sometimes nightmarish) imagination, and the movie mirrors that general feeling. However, the imagery of this film is a striking tribute to a master of imagery. I wonder if Miyazaki of "Spirited Away" and "Castle in the Sky" was influenced by McKay. His flying machines, architecture, lighting and characters remind me of those seen in the "Little Nemo" comics and his casual cross-disolves from fantasy to reality and back are highly reminiscent of McKay's work. The film's major failing is its attempt to maintain a coherent, disney-like story arch in the midst of the rampant near-madness of MkKay's imagined world. Also, the squirrel was a mistake. Over all though, if you're familiar with McKay's work, I recommend you see this film to get a feel for what a McKay movie might have been like if he had persisted beyond his fledgeling attempts at animation. To see his actual attempts, I recommend the DVD "Animation Legend: Winsor McCay".

Ever rent a movie out of curiosity because, although you've never heard a good thing about it, you want to see it anyway because you thought it looked good? That happened to me with "Little Nemo"; I rented it one summer and felt as if I had struck gold.

The thing that got me with this movie was that the animators managed to imitate the original Windsor McCay illustrations so closely. Being an illustrator myself, that completely won me over and that alone would be cause to recommend it. But this is also one of the most visually inventive animated films I've ever seen. I will not spoil the surprise by describing anything, but the way this movie depicts Slumberland is surely the best thing about it. This is definately worth hunting down.

My sister and I used to go to this daycare where we watched a movie a day. We watched a lot of movies more than once and this was one of them, because everyone loved it so much. About a month ago, I remembered so little about the movie that I thought I had dreamed about it (kinda ironic, don't you think?). Then I looked it up on IMDb and realized it was a real movie. I got it for my sister for Christmas and having just watched it, I'm glad I did.

Nemo is a fun-loving boy who dreams that he goes to Slumberland, a magical kingdom that contains everything any kid would ever love. This place becomes a sort of reality for Nemo and he is entrusted as King Morpheus's heir and given a key to every door in the kingdom- however, he is asked to not open the door that has the key's symbol on it. Of course, he ends up opening it (with a little encouragement from a troublemaker named Flip) and the Nightmare King ends up kidnapping the king.

The movie is not an intricate masterpiece storywise, but the plot and characters are so much fun it really doesn't matter! The real joy here is the animated backgrounds and effects- this movie is a visual stunner.

Little Nemo is one of the unusual cartoons. The reason is a combination of Japanese animation and American script and English borrowed voices. Originally, Nemo was actually a comic created in 1905 (yes, it's so old) by author Winsor McCay and followed the unusual adventures of Nemo in his dreams where he would usually wake up in the last picture of the comic. He used his son Robert for the template for Nemo and drew a comic that came out, intermittently, for over 20 years. The animated version went through problems, the script changed like the screenwriters and in the end we got the aforementioned combination where we have a Japanese director, an American screenwriter and English actors. Even the great Miyazaki participated in the beginnings as early as the first half of the 80s, but he leaves because of disagreements and himself later declares that this work was one of the worst experiences of his life. Side note: the script eventually went to Chris Columbus who is best known as the director of the first two films Home Alone and the first two films of Harry Potter. The film was originally released in cinemas in Japan in 1989, and after 3 years in America. He received mixed reviews and did not earn close to what was expected, however, later on by going on VHS he gained a lot of popularity and today enjoys a cult status with a certain audience.

In the film, we also follow the boy Nemo who goes to Slumberland in a dream, meets various characters such as Professor Genius, King Morpheus, Princess Camille, clown Flip, and is always accompanied by Icarus, the flying squirrel. All characters have appropriate names. I can say that this is by no means an easy cartoon. Nemo reflects reality in his dreams (which is logical), he often wakes up and we can't always be sure what a dream is and what isn't, at least not while watching. We have a situation where something unusual happens, so we know that it is a dream, but then Nemo wakes up, but strange things start happening again, which means that the second dream has started, that is, that Nemo dreams while dreaming. I remind you that this is a cartoon for kids and that Inception comes out a full twenty years after. There is one more thing I have to mention. When the nightmare starts and we meet the Nightmare King (I said the names are appropriate) quite intense, scary and dark scenes appear. Whoever watched knows what I'm talking about. Since I was 5-6 years old when I first watched those scenes, they were the scariest thing in my life, we have nightmares myself (haha ingenious when you think about it) because of the King of Nightmares. When I looked at him again as an adult, I can absolutely understand why this was scary for me (and I believe many other children) to watch. A nightmare is a de facto nightmare. I have to commend this film for its courage and determination to insert a little more serious themes into the children's cartoon, making it a little more complicated than the average cartoon. That is why I think that it is unique and that it can offer something to adults who watch it together with children. They will not be bored or monotonous for sure.