Il ladro di bambini

Amelio and Enrico lo Verso compenetrate perfectly. I believe is one of the most humanistic movies I have seen in a long time. The performance of the actors is great and the story is simple but very powerful. There is beautiful line that can be seen how the Enrico and the kids gel along the, movie and it is very interesting.

As another person said and I agree, it is one of the best child performances I have ever seen. Excellent.

The story of a young carabiniere that has been assigned the job to escort a couple of minors from Milan to their native Sicily. Stops along the way include the riviera (around Genova or Livorno), Rome, Calabria. Travel is done by train and by car. We see segments of italy in their socio-economic regional realities. The folks in Calabria are seen living next to a busy road in a house with no stucco covering the bare bricks, a common tactic used in the south to qualify for a taxation exemption (being the house not completed). Smartly filmed, it candidly reveals an Italy closer to what natives struggling to make a living would experience in having to travel along the length of the Italian booth. This is a fictional movie, but there is an effort to make evident how realistically people live today.

The child actors are supreme and the plot development feels real from beginning to end.

There are very few films that can make us confront a difficult issue without resorting to maudlin tears or some other form of emotional manipulation. This is one of them -- no Hollywood treatment here.

And I like the fact that the trip is a journey -- both physically and spiritually. It starts in the north of Italy and leads us progressively towards its southern extremity in Sicily. As the children migrate to the South, our hopes and hearts warm as we come to expect a new emotional climate for them. As with any film intending to make a serious comment on the devestating nature of child abuse, something intervenes to prove to us that our hopes are premature.... This film betrays no compromise in its portrayal of innocence lost and regained and lost once again. The scene at the end with the girl comforting her brother is one of the most poignant I know in film.

I would put this film at the top of a narrow list of films addressing childhood trauma (including "Salaam Bombay!" and "Alice in the Cities"). But the perfection of the child actors, the tremendous care of the storytelling (director Gianni Amelio co-authored the screenplay), and the generous, ambulant scenery make this film a standout that has seldom been rivaled.

This marvelous film deals with a topic, exploitation of children (euphimism), that is difficult on viewers. All over the world bad things are happening to young people who can not control their own lives because they are children. The innocents tainted in this world will become saints and dwell in Heaven with Our Father. No, this film isn't about religion per se. But it is about the struggle and the triumph of humans over their sometimes miserable, but always radiant, terrible difficulties. The adult who has to deal with the two abandoned children is marvelously played and his growth as a human being in the sense of doing the right thing, rather than just "following orders" is a great performance. The leading character is an 11-12 year old girl who I understand was not an actress before performing in this film. I could open a floodgate of positive adjectives and remarks about her performance, but let's just say that she play her role so authentically and underplays, which is necessary, the plight of her character, where the underplaying is simply the character being herself in a world she endures,and must accept, but is one no one would choose. I hope that viewers will remember (and if they don't, watch the movie again) the final scene where she tries to give her brother hope and show the viewer that even the worst world can be inhabited and experienced with at least some joy--sometimes only a tiny measure of happiness is all we can get in our lives, but still we must savor it.

Many people complain that so and so movie is not on DVD etc., but this film was released on VHS for a short time in the early 90's and only a few copies are on the market at a fairly high price--the film should be transferred to DVD by Criterion or someone (I wish I knew how). Buy the VHS and watch a movie that points the way, as almost no movie really does, to the real, complex, harmful, and sometimes wonderful world that exists beyond the movie.

This is one of the best films of all time. The story is heartbreaking: an 11 year-old girl has been forced into prostitution by her mother. When the police arrest the mother, Rosetta and her little brother Luciano (who is 9) must be taken to a children's home in the south of Italy. A young Carabiniere named Antonio is assigned the task of taking them from Milan to Sicilly, even though he's barely more than a child himself. The journey takes this mismatched threesome to Antonio's home province, where he re-unites briefly with his sister and his old granny, before Rosetta is recognized from a magazine cover, and shunned. The growing tenderness among the three young people is the essence of the story. The girl, although only 11, conveys the bitterness of adulthood through her ineffably sad eyes. She knows so much more about life than her 19 year-old policeman, yet without any seedy sexual implications, he comes to teach her through his tender care that there's more to life than sorrow. Luciano is a beautiful child, whose adoration of the soldier/cop is delicately and warmly depicted. Only The 400 Blows and Forbidden Games have captured the ache of childhood as well. The director has used stunning compositions and lingering takes of the Italian countryside that make the story resonate beyond its intimate canvas. The acting is brilliant. I suppose the only reason this film has not been released on DVD is it's controversial subject matter, which is a shame, because that shunning is what the film is about. The Italian title is Il Ladro di Bambini. Don't miss it!